February 2016 Posts

On BBC Radio commenting on Coldplay’s new video, “Hymn for the Weekend” ( 15 Feb 2016)

The Cultural Frontline On Coldplay

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Last Saturday, The Cultural Frontline featured a report about the controversy around Coldplay’s latest video. It is set in India and is accused of misrepresentation and cultural appropriation. Rajan Datar speaks to Sandip Roy, the journalist behind the report to ask why the BBC World Service decided to weigh in on the story, and listener, Jaya Bhattacharji Rose from New Delhi, gives her reaction to the piece.

http://www.bbc.co.uk/programmes/p03hv42m#play

15 Feb 2016 

Press Release: HACHETTE INDIA TO RELEASE HARRY POTTER AND THE CURSED CHILD PARTS I & II SCRIPT BOOK

HachetteHACHETTE INDIA TO RELEASE

HARRY POTTER AND THE CURSED CHILD

PARTS I & II SCRIPT BOOK

 

Little, Brown Book Group announces today that they will publish the script book Harry Harry PotterPotter and the Cursed Child Parts I & II, an original new story by J.K. Rowling, Jack Thorne and John Tiffany, a new play by Jack Thorne written to be enjoyed on stage. The Special Rehearsal Edition of the script book (hardback, £20) will be published at 00.01 on 31st July 2016, following the play’s opening on 30th July, bringing the eighth Harry Potter story to a wider, global audience. The script eBook will be published simultaneously with the print editions by Pottermore, in collaboration with Little, Brown Book Group in the UK, and Scholastic in the US and Canada.

David Shelley, CEO of Little, Brown Book Group said: ‘We are so thrilled to be publishing the script of Harry Potter and the Cursed Child. J.K. Rowling and her team have received a huge number of appeals from fans who can’t be in London to see the play and who would like to read the play in book format – and so we are absolutely delighted to be able to make it available for them.’

About the book/play:

The eighth story. Nineteen years later.

Based on an original new story by J.K. Rowling, Jack Thorne and John Tiffany, Harry Potter and the Cursed Child, a new play by Jack Thorne, is the first official Harry Potter story to be presented on stage. It will receive its world premiere in London’s West End on 30th July 2016.

It was always difficult being Harry Potter and it isn’t much easier now that he is an overworked employee of the Ministry of Magic, a husband, and father of three school-age children.

While Harry grapples with a past that refuses to stay where it belongs, his youngest son Albus must struggle with the weight of a family legacy he never wanted. As past and present fuse ominously, both father and son learn the uncomfortable truth: sometimes darkness comes from unexpected places.

 

  1. The Special Rehearsal Edition of the Harry Potter and the Cursed Child script book will comprise the version of the play script early in the production’s preview period, several weeks prior to the opening performances. The preview process allows the creative team to rehearse changes and/or to explore specific scenes further, in front of a live audience, before the official opening performances on Saturday 30th July. As such the script is subject to change after the Special Rehearsal Edition is published, which is why this edition will only be available for a limited time, to be replaced by the Definitive Collector’s Edition at a later date. More details about the Definitive Collector’s Edition will be announced in due course.

 

  1. J. K. Rowling is the author of the bestselling Harry Potter series of seven books, published between 1997 and 2007, which have sold over 450 million copies worldwide, are distributed in more than 200 territories and translated into 79 languages, and have been turned into eight blockbuster films.

She has written three companion volumes in aid of charity: Quidditch Through the Ages and Fantastic Beasts and Where to Find Them in aid of Comic Relief; and The Tales of Beedle the Bard in aid of her children’s charity Lumos.

In 2012, J.K. Rowling’s digital entertainment and e-commerce company Pottermore was launched, where fans can enjoy her new writing and immerse themselves deeper in the wizarding world.

Her first novel for adult readers, The Casual Vacancy, was published in September 2012 and adapted for TV by the BBC in 2015.  Her crime novels, written under the pseudonym Robert Galbraith, were published in 2013 (The Cuckoo’s Calling), 2014 (The Silkworm) and 2015 (Career of Evil), and are to be adapted for a major new television series for BBC One, produced by Brontë Film and Television.

J.K. Rowling’s 2008 Harvard commencement speech was published in 2015 as an illustrated book, Very Good Lives: The Fringe Benefits of Failure and the Importance of Imagination, and sold in aid of her charity Lumos and university–wide financial aid at Harvard.

In addition to J.K. Rowling’s collaboration on Harry Potter and the Cursed Child Parts I & II, an original new story by J.K. Rowling, Jack Thorne and John Tiffany, a new play by Jack Thorne, she is also making her screenwriting debut with the film Fantastic Beasts and Where to Find Them, a further extension of the wizarding world, due for release in November 2016.

Avanija Sundaramurti, Head of Marketing: [email protected]

Nupur Kumar, Marketing Executive: [email protected]

Shobhita Narayan, Marketing Executive: [email protected]

10 February 2016

“The Penguin Book of the British Short Story: Vols 1& 2”, edited by Philip Hensher

Penguin Book of Short StoryPhilip Hensher’s The Penguin Book of the British Short Story: Vols 1& 2 is a fabulous collection of writing. It does a broad sweep from Daniel Defoe to Zadie Smith, along the way including William Thackeray, Elizabeth Gaskell, Anthony Trollope, Max Beerbohm, P.G. Wodehouse, Evelyn Waugh, Roald Dahl, V.S. Pritchett, Naipaul, A.S. Byatt, Ali Smith et al.  Here is Philip Hensher in The Guardian writing about this project: http://www.theguardian.com/books/2015/nov/06/british-short-story-philip-hensher-anthology , 6 Nov 2015.

Putting together such collections is always a subjective exercise. Philip Hensher too Vol 2recognises that such anthologies are subjective collections as is evident in his analysis of similar exercises undertaken by literary stalwarts like A. S. Byatt and Khushwant Singh. Every editor has their own principle of selection.  Hensher has been criticised for his selection of writers, at times seeming almost arbitrary on whom he includes or excludes preferring to rely on “canonical classics”. ( FT Review: http://www.ft.com/intl/cms/s/2/462cdbcc-7f0b-11e5-98fb-5a6d4728f74e.html#axzz3zeTphElu , 6 Mov 2015) Yet he writes magnificently on the publication history of the short story in Britain. It is pure delight for the literary historian and a lay reader. He charts the rise of the short story as a form published first in periodicals and singly. The practice of anthologizing stories began in the early twentieth century when some of the best authors who had earlier been published in journals found it possible to put together a volume for sale by a publisher. Also the length of a short story continues to be a debatable point. It could be from 2,000 words to more than 30,000 words. He observes that a short story was usually written as single stories in journals by unestablished writers and these could be “very much stranger and more experimental than stories in a collection for a mainstream publisher”.  As a form what made the British short story unique was its capacity for topicality, written as a commentary on a topical situation. But now the principal outlet for short stories seem to be competitions. These may offer reasonable prizes but at times these are funded by the eager contestants paying to enter.

There have been discussions about how relevant are these two fat volumes of short stories. Is there any point in buying these hardback print editions when a) most of these stories are available freely online and b) there is little diversity and inclusiveness and male writers outnumber women, not a true representation of modern British writing. Frankly, I think there is. There is something to be gained by reading familiar writers and discovering some unknown ones in this structured manner. Also it helps in organising oneself to read all those contemporary authors who were left out for various reasons such as David Constantine, AL Kennedy, Helen Simpson, Clive Sinclair, Rose Tremain, and Hanif Kureishi. It becomes even more problematic when the article, “The” is used in the book title, implicitly stressing this is a definitive collection of short stories from Britain.

All said and done these volumes are set to be a literary landmark. Buy them for your reading pleasure or academic interest — it is immaterial. They will make a wonderful addition to any personal or institutional library.

Philip Hensher The Penguin Book of the British Short Story ( Vols 1 & 2) Penguin Classics, Penguin Random House UK, London, 2015. Hb. pp. 1400+ 

9 Feb 2016

Kiran Manral: Karmic Kids

kiran-manral-2Kiran Manral’s Karmic Kids: The Story of Parenting Nobody Told You! is a book of parenting advice she shared on her very popular blog in the first decade of her son’s life. She closed the blog once he turned ten. In her inimitable style of blending frankness, honesty, humour and an ability to laugh at herself too, Kiran Manral records the various stages of her brat’s life from infancy to a ten-year-old while sharing invaluable parenting tips. The most sensible advice that seems to be stressed in the book though never stated explicitly is motherhood and parenting does not come naturally. It needs to be learned on the job which is relentless and never ending. It is not necessarily the chore it can seem at times despite the sleepless nights, the anxiety in being responsible for a blob that slowly transforms into a little human being. It is rewarding and a pleasure and she would not want it any other way. She intersperses it with advice from various experts on parenting and caregiving of a child. It helps in bolstering the book instead of relegating as just one more memoir to the many in the market. By writing in this accessible style, Kiran is able to discuss a range of issues like child sexual abuse, co-sleeping with parents, helicopter parenting, discipline, sex-education for the children, sibling / rivalry, teaching children to be independent and empowered, etc. Her writing is forthright without being preachy, it is honest and humourous. It resonates with the readers for sharing parental anecdotes that seem to be universal in the challenges of bringing up children. The last time I read a sane and practical book on parenting within the Indian context were those written by Gouri Dange.

This is a fabulous book — highly recommended.  Good stuff!

Kiran Manral Karmic Kids: The Story of Parenting Nobody Told You! Hay House Publishers India, Delhi, 2015. Pb. pp. 250. Rs 299

Paul Kalanithi – ” When Breath Becomes Air”

When breath becomes air“…I found myself increasingly often arguing that direct experience of life-and-death questions was essential to generating substantial moral opinions about them. Words began to feel as weightless as the breath that carried them. Stepping back, I realized that I was merely confirming what I already knew: I wanted that direct experience. It was only in practicing medicine that I could pursue a serious biological philosophy. Moral speculation was puny compared to moral action. ( p.43)

Paul Kalanithi’s When Breath Becomes Air is an account of his being17856882._SY540_ diagnosed with cancer, the birth of his daughter, rediscovering religion (though his parents were Christian and Hindu) and his death, as narrated in an epilogue by his wife, Lucy. It is a heartbreakingly beautiful book written with surgical precision and an objective insight that only a doctor can possess. It comes across throughout the book but is evident when Paul Kalanithi is recalling a terribly acute back spasm he had while at a railway station. As he lay on the hard wooden bench to manage the pain he was reciting the name of every single muscle that was paining.  In Jan 2014 he wrote an essay for the New York Times called, “How long have I got left?” ( http://www.nytimes.com/2014/01/25/opinion/sunday/how-long-have-i-got-left.html ) and it went viral. Subsequently he wrote/interviewed for Stanford Medicine in Spring 2014 called, “Before I go” ( http://stanmed.stanford.edu/2015spring/before-i-go.html ).

Paul Kalanithi was a voracious reader when he was a child. His father and his elder brother were doctors but when Paul applied to university, his first preference were the literature and history courses. But before leaving his then girlfriend in Arizona encouraged him to read a “low brow” book that she had enjoyed instead of the “high culture” reading he was constantly immersed in. This brow book influenced Paul considerably. It talked about the importance of the mind and the brain. After finishing the book, he browsed through the courses being offered at Stanford and began to explore some of the biological science classes too. He turned out to be an exceptional student who would survive the 88-hour week and more, plus study and remained top of the class. Unfortunately cancer intervened in the eighteen months of his residency. This put immense pressure on his marriage to Lucy who was also at Stanford. But despite the hiccups, Lucy and Paul were together through the first phase of his treatment. At this point he did not require chemotherapy as the cancer began to respond to the oncologist’s treatment. So much so, Paul returned to work a few months later, although on a lighter schedule. Within days he had returned to his full workload of surgeries and was in the OT every day. Unfortunately soon the cancer returned. This time far more virulently. He read his own scans at the end of a long day at work. Here is a very moving excerpt from the book published in the New Yorker on 11 January 2016 where Paul recollects his last day at work — “My last day as a surgeon”.  (http://www.newyorker.com/books/page-turner/my-last-day-as-a-surgeon )

Paul Kalanithi with CadyPaul left the manuscript incomplete on his computer. He requested his wife to complete it. Lucy Kalanithi has written a heartrendingly poignant essay as the epilogue to the book. Like her husband, Lucy too is a medical professional, but there is marked difference in their writing styles. Unlike her husband who brings in his love for literature with his passion for medicine to write crisply and objectively, Lucy writes gently, calmly, but the pain at losing her much beloved husband is unmistakable. She completes the book by describing his last day, holding his eight-month-old daughter for the last time, the funeral, the memorial service and his grave. ( I was weeping by the time I finished reading the essay.) On 6 January 2016, Lucy Kalanithi wrote in the New York Times, “My Marriage Didn’t End When I Became a Widow”. ( http://opinionator.blogs.nytimes.com/2016/01/06/my-marriage-didnt-end-when-i-became-a-widow/) It describes some of the memories she recounts in the epilogue.

When Breath Becomes Air would be better seen as having been written by husband and wife. The tragedy that befell such a young family where the couple had promising careers ahead of them can only be experienced by reading the book in one sitting, reading/hearing Paul at first and then closely followed by Lucy’s voice grieving at the loss of a much loved husband, companion, friend, father, son, brother and surgeon. His memorial service in Stanford was attended by his family, friends, colleagues and patients.

I have often wondered what it must be like for a doctor to realise they are ill and their mind analyses, evaluates every stage while they are sick. When Paul kept prompting his oncologist for some idea of the realistic time it would require him to recover, she kept evading his question. At one point in the book he has an epiphany when he realises it is sometimes best to stop being a doctor and looking after oneself but be treated by others, instead of second guessing their treatment.

When Breath Becomes Air  is a very moving book and should be read by everyone.

( The images used to accompany this article are from the Internet. I do not own the copyright to them at all. If anyone knows who owns them, please let me know and I will acknowledge the source.)

Paul Kalanithi When Breath Becomes Air ( Foreword by Abraham Verghese) The Bodley Head, an imprint of Vintage, Penguin Random House, London, 2016. Hb. pp. 230 £ 12.99

1 February 2016

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