As far as her place in history is concerned, Sophia was perhaps her own worst enemy. She never sought glory and disliked speaking in public. Before her death, when asked to contribute to her entry in Who’s Who, Sophia Duleep Singh’s was one of the briefest in the book. Under ‘interests’ she wrote just one line: ‘The Advancement of Women’. (p.378)
Sophia Duleep Singh was the granddaughter of Maharaja Ranjit Singh, SherePunjab, The Lion of the Punjab. He was the king who was crowned Maharajah or supreme king, of the new Sikh Empire. It was his empire that Queen Victoria wanted …and got, along with the Kohinoor diamond. His son, Duleep Singh, was an infant when his father died. His mother was appointed regent but by the time he was fourteen he had moved to the court of Queen Victoria in London. For the rest of his life, except for a couple of visits to India, he remained abroad. Sophia Duleep Singh was born in 1876 to a family that was very well off, except their fortunes declined quite rapidly thereafter. Duleep Singh was frittered away their fortunes, their possessions were auctioned and he abandoned his family for his mistress and moved to Paris. Despite all this, Sophia was well provided for. Her godmother was Queen Victoria.
The few years she spent as being extremely popular on the social circuit, ordering her dresses in the latest fashion from Paris and breeding dogs, especially Pomeranians in the grace and favour apartment Sophia had been given at Hampton Court by her godmother. Then she made her first trip to India. It was a turning point for her. Upon her return she set up the Lascar’s Club where more than 5,000 lascars availed of the facilities. But it was with the Women’s Society for Social and Political Union, a suffragist group, that she became the fierce feminist she was. She refused to pay taxes, marched to Parliament and did not take part in the census, all the time demanding equal rights and vote for women. She part of many violent incidents involving the police and the suffragettes but remained unafraid. Later she moved to the countryside, taking in war evacuees during World War II and died there in 1948.
Anita Anand is a seasoned journalist who has a big advantage in writing this biography — collecting and verifying facts for a story. She has spent a long time researching, speaking to people, including those who knew Sophia, and reading documents in the British Library. To piece together a woman’s life is never easy since there is always a paucity of information. Yet Sophia Duleep Singh left a paper trail but till now little had been really said or documented about her life or even her involvement in the suffragette movement unlike Emily Pankhurst. Hence Sophia: Princess, Suffragette, Revolutionary is a remarkable achievement of using reliable existing information, verifying it and then putting it together into a coherent narrative. There are moments when the book could have been edited a bit more since Sophia does not really mark her presence in the book till p.168. ( Here is a reviewer who could not read beyond p.175: http://www.dailyo.in/art-and-culture/sophia-dileep-singh-how-to-torture-the-reader/story/1/1319.html ) Till then it is fascinating in its account of Sikh history but a little cumbersome when it comes to retelling of details about their life in the English countryside and of the young princes and princesses, then the narrative takes off once more. It is as if the author is a little concerned about yoking together all that she has unearthed in her research rather than leave anything out. There were moments when I was dipping into A. N. Wilson’s Queen Victoria ( 2014) to understand facts of this Indian princess’s biography, especially for the period set in the nineteenth century. Having said that Anita Anand has put together a fine biography of a women little understood till now.
Anita Anand Sophia: Princess, Suffragette, Revolutionary Bloomsbury, 2015.
26 January 2015