This is an extraordinary novel. Beautifully told by debut writer Kate Allen. It is about a young girl Lucy whose mother was a marine scientist specialising in the study of the Great White Shark. They live in Cape Cod where sightings of the sharks have been spotted and Helen had anticipated their arrival in a few years time as the local seal population grew. Unfortunately Lucy’s mum, Helen, passed away unexpectedly when Lucy was a seven years old. Her father, a rescue diver for the police, brought up Lucy with the support of his kind and warmhearted neighbours. Lucy is particularly close to her neighbour Maggie’s son, Fred. The youngsters did everything together including spending every moment of their waking hour in each other’s company. They also worked on a school projects together like the field guide on sharks that involved Lucy drawing and Fred providing the scientific explanations. Sadly, tragedy strikes. It devastates Lucy for whom it is a double blow. “The Line Tender” is an extraordinary glimpse into the world of adolescents as well as how adults around them help form a community and provide support whether in times of sadness, learning or navigating their way through the beauty this world can provide. It is not an us vs them kind of yalit but calm look at how everyone is managing their griefs too and they can reach out to each other for support. It is a way of looking outwards and the manner in which it helps heal Lucy. Read it.
Book Post 47 includes some of the titles received in the past few weeks. Wherever available Amazon’s Kindle widget has been embedded in the blog post. It will allow you to browse through the book before you decide to buy it.
Book Post 42 includes some of the titles received in the past few weeks. Wherever available Amazon’s Kindle widget has been embedded in the blog post. It will allow you to browse through the book before you decide to buy it.
Book Post 41 includes some of the titles received in the past few weeks. Wherever available Amazon’s Kindle widget has been embedded in the blog post. It will allow you to browse through the book before you decide to buy it.
It is a tough choice to select the books I wish to mention in this newsletter. There is so much good literature being published — a delight to read. Many times the ideas and motives for a book are also tremendous. But sometimes the execution of the idea or perhaps even the production in the book fails. Sadly such moments leave the reader in a pall of gloom.
But let us begin with the first book, a gorgeous, gorgeous collection of essays by the late Oliver Sacks. British neurologist, naturalist, historian of science, and author who passed away in 2015. Fortunately he was a prolific writer and left a magnificent literary estate. His posthumous publications have included two collections of essays. Everything in its Place is the second of these books. It consists of his contributions to various magazines and newspapers. As always there is plenty to mull over. Sacks has the astonishing ability to make many light bulbs go on inside one’s head and think, “Exactly! This is it! He got it!” Read on more in this blog post.
The second book which I read ages ago but was unable to write about since there was so much to dwell upon was debut writer Guy Gunaratne’s In Our Mad and Furious City. It is impossible to put in a nutshell the feeling that this book leaves you with. It is a mix between disturbing and thought-provoking narrative. Perhaps it is best to reproduce the book blurb:
For Selvon, Ardan and Yusuf, growing up under the towers of Stones Estate, summer means what it does anywhere: football, music and freedom. But now, after the killing of a British soldier, riots are spreading across the city, and nowhere is safe.
While the fury swirls around them, Selvon and Ardan remain focused on their own obsessions, girls and grime. Their friend Yusuf is caught up in a different tide, a wave of radicalism surging through his local mosque, threatening to carry his troubled brother, Irfan, with it.
Unsurprisingly this book has won or been shortlisted for many awards including the prestigious International Dylan Thomas Prize and Jhalak Prize. It has been a remarkable run for the filmmaker-turned-writer Guy Gunaratne. In Our Mad and Furious City is a tremendous book but it will be Guy Gunaratne’s third book ( if he ever does publish it) that will be the one to watch out for.
The last book isThe Churches of Indiaby Australian Joanne Taylor. It is a heavily illustrated book with an interesting collection of churches in India. This book is an attempt to put together a history of some of the better known churches of India. Unfortunately the definite article in the title raises expectations of it being a comprehensive overview of the churches in India, which it certainly is not. It is a book that is focused very much on the churches found on the well-established tourist circuit of Goa, Chennai, Kolkata, Mumbai, Delhi, Puducherry and Chandannagar. The influences of the Portugese, British and French colonial rulers is evident in the architecture. So the churches showcased are definitely magnificent and some of the buildings are many centuries old. Yet, the glaring gaps in the representation of churches even within the National Capital Region of Delhi such as of St. Johns Church, Meerut is unforgivable. It is a church that was consecrated by Bishop Heber when he visited India in the early nineteenth century. It is also the church associated with the events of 1857. It is about an hour and a half drive from the capital city of Delhi so its exclusion is surprising. Similarly by focusing predominantly on magnificent colonial structures with a scrumptious display of images gives the impression that Christianity came to the subcontinent with colonialism and that is far from the truth. Christianity came to the subcontinent with the arrival of one of Christ’s disciples, St. Thomas, nearly two millennia ago — mentioned briefly in the book’s introduction. Subsequently congregations are known to gather in different parts of the country with churches as simple and bare as mud floors and thatched roofs to the more elaborate colonial buildings as documented in this book. The vast silences of churches that exist in central India, north east India with its wide variety of churches belonging to different denominations or the northern states of Punjab, Himachal Pradesh and Jammu & Kashmir, to name a few, is inexplicable. Finally, glaring errors such as referring to The Cathedral Church of the Redemption as “Roman Catholic” (p.230) is preposterous. As stated accurately in the book it was built for the Viceroy in 1931 by Henry Medd. Given that the British designed and built it for their Viceroy, a representative of the British Crown, it has to be an Anglican or Protestant church — a fact misrepresented in the entry. While the hardwork of the author is evident in putting together histories of the churches profiled, the reader’s trust in the facts presented is weakened considerably by these errors. Books like this while fulfilling a wonderful requirement of documenting these beautiful buildings mar their very own credibility by being slipshod in factchecking. Perhaps this is something the editorial team could have assisted the author with rather than the entire onus resting upon the author alone?
Former journalist Shubhangi Swarup’s debut novel Latitudes of Longing is a plot spread across a few decades, loosely held together by some characters particularly the scientist Girijia Narain Mathur. The novel is a tramp through different climatic belts and geological formations while firmly remaining within the latitudes that define the subcontinent. It is also a walk through time and political upheavals in India and Burma. While the reader is a mute spectator to the events, it is fairly obvious that a man’s lifespan is just a blip if the forces of Nature are to be considered. The book is divided into four sections with each section focused on a different part of the subcontinent; beginning with the Andaman Islands, then Burma, Nepal and finally, Ladakh. There are a handful of characters but it is Giriraj Narain Mathur who remains a steady presence throughout, even after death. This is a novel which is a mix of fact, fiction and generous dash of magic realism so there are plenty of ghosts, or colonial ghosts as the author loves to refer to them. ( She first researched the colonial ghosts of Andaman islands in 2011.)
On Monday, 22 October 2018, I was in conversation with Shubhangi Swarup at The Bookshop, Jorbagh, New Delhi. Shubhangi Swarup is soft spoken but when it comes to describing the Panagea or the geological formations of the subcontinent she begins to speak animatedly. It excites her knowing that man is just a tiny being in this vast cosmos, geological formations are a testament to how long earth has been around. Or for that matter the landmass called India we take for granted is still in the process of formation with the tectonic plates constantly hitting each other to push the Himalayas higher and higher. Years of being a journalist and an activist have ensured that her first novel has innumerable incidents with plenty of backstories. At the beginning of the evening when being called upon to read an extract from her book, “I am not a performer!” but soon caved in and read a short piece about the drug smuggler in Thamel, Nepal.
Latitudes of Longing has been seven years in the making. While writing the book she also filed several articles and inevitably did stories that would help her travel in the areas she wished to research further for her book. There are portions in the book that seem heavily inspired by folklore. Whether it is the shapeshifting turtle or the appearance of Yeti or even the creation myth that Giriraj churns out to explain to his daughter Devi how she was conceived:
‘Where did you find me, Papa?’ she will ask, mildly annoyed by his grip. ‘Why did you bring me home?’
In conversation with Shubhangi Swarup at The Bookshop, Jor Bagh, New Delhi on 22 October 2018
Girija Prasad will weave a story from the embers of twilight to pacify her. ‘It was a beach just like this, an evening just like this, when your mother and I came across an empty bottle, half-buried in the sand. We opened it to find a note inside: Please put all the ingredients of your dreams in this bottle and shake vigorously. And so we did. Using a prism, I trapped sunlight in the bottle. I closed it with a cork and shook it vigorously for hours. Then your mother opened it. She took a deep breath and exhaled into the bottle. That was your first breath.’ For the ingredients, Girija Prasad will concoct a fantastical list to arrest her wandering imagination: golden sands from the dunes of Rajasthan and white sands from Havelock Island; shreds from the swiftlet’s nest and petals of a fuschia pink rose; a piece of bark from the oldest padauk tree on the islands; ash blessed by the riverbank baba; a crocodile’s tooth, an elephant’s eyelash; and drops of the monsoon mingled with Himalayan snow.
Shubhangi Swarup’s reliance on folklore and local storytellers who could tell her neverending stories comes through stupendously in the story. Once she met an 8yo shepherd who was legendary in his village for the stories he told, mostly to entertain himself. He is like an intellectual jukebox. According to Shubhangi “You give him the elements you want to hear in a story and he immediately sets off. At some point he has to be told ‘enough’ and he switches off leaving the tale hanging in the air for the next time.” There are moments of pure beauty in the language used that seem to come from some place else, of having withstood time and developed a life of their own and found a place in this story. Whether it is that of the shape-shifting turtle or the Yeti that comes visiting and many other instances.
In her obsessiveness with faultlines and geological formations Shubhangi manages to weave a story across various geographies. In fact many of the episodes in her novel can be directly linked to a story she wrote as a journalist. For this she had a very valid explanation as in that she required to do the research but did not always have the necessary resources to undertake the trip. Being a journalist travelling on a story helped her tremendously. It is no wonder that Latitudes of Longing was on the JCB Prize 2018 shortlist. After this impressive debut many readers will await Shubhangi’s second offering but it will probably be some time in the making as she said “She has nothing on the cards for now. It has been seven years to write this book.”
There is a tremendous spurt in middle grade novels and young adult literature. It is also a grey area as it is never clear what kind of stories may attract the young readers. Even so there is a great mix of storytellers and stories being published regularly. There is so much variety to choose from. Here is a selection:
Beginning with the seasoned writers like Paro Anand, Ranjit Lal and Subhadra Sen Gupta, all of whom have new books published. Well, Subhadra Sen Gupta’s is a reissue of one of her earliest collection of historical fiction short stories. It is a revival of her backlist that is very welcome. Painters, Potters, Cooks and Kingswas first published nearly two decades ago but it remains one of my all time favourite collection of short stories. These stories with children as the protagonists are set in different periods of Indian history — King Ashoka, Emperor Akbar, King Krishna Deva Raya, Princess Jahanara and British India.
Paro Anand’s The Otheris a path-breaking collection of short stories for young adults exploring critical issues like gender, sexual abuse, grief and loneliness and much, much more. It is a set of stories that even adults will do well to read. ( I wrote about it too and embedded a fantastic conversation between Paro Anand and Sunil Sethi too.)
Ranjit Lal is another very prolific writer for children. Over the years his storytelling has matured to magnificent levels. His child protagonists are always very well-defined and easy for the young readers to identify with as they are ordinary folks. His plots are of the familiar too. Even when his stories become sinister and dark, the scenarios are completely plausible as there is a logical progression from the point of the personal and known. Again spaces that are easy to recognise. This holds true for Adventures of Bozo & Chick: Terror at Bedlam Housewhich is set in Mumbai. Teenagers Bozo and Chick, ably assisted by youngsters in the neighbourhood, try and solve the mystery of the masked strangers living in a more or less abandoned home. Mixed with generous doses of references to real life such as love jihad or terrorists attacking Mumbai using the sea-route make this novel unnerving but a gripping read.
Award-winning writer of adult fiction Hansda Sowvendra Shekhar’s first book for children Jwala Kumar and the Gift of Fire: Adventures in Champakbaghis a tremendous book. Friendships between magical creatures and little children, the implicit trust that binds them, always makes for a perfect story. Hansda has achieved it charmingly so in his own gem of this utterly fabulous Jwala Kumar. A fun, fun book is Tommy Greenwald’s Crimebiters!It involves little children and a crime-fighting vampire dog. Need I say more? It is utterly delicious!
Three collections of short stories that are equally engaging are Grandpa Tales and Grandma Tales( edited by Lalitha Iyer) and Flipped: Funny Stories/Scary Stories. The stories edited by Lalita Iyer are a great collection with the contributing authors mostly sharing stories that they heard from their grandparents. In the next edition of these anthologies it may be better if there was a wider selection of stories representing the diversity of India rather than focused on a handful of regions. Nevertheless these are two entertaining volumes. The third one is a curious book of flipped stories. So to read the scary stories you read the book one way and to read the funny stories you flip the book. The two stories that stand out in this volume are “Of Grave Importance” by Adithi Rao and “When I Was a Little Girl” by Shabnam Minwalla.
But the new voice in children’s literature to be noticed is Cordis Paldano. A theatre professional who has also been trained in Tamil street theatre called Terukkutu, Cordis Paldano’s debut novel The Dwarf, The Girl and the Holy Goatis a stupendous book. It has an excellent sense of drama and timing. Being true to the elements of street theatre that thrives on incorporating elements into the performance of local socio-political developments, this book too is no different. It is a brave book. Cordis Paldano is the talented new kid on the block and worth following!
Given that the festival season is here. These books would make tremendous Diwali gift packs whether for reluctant or mature readers.
Last week I announced that I am going to post every Monday a list of all the book parcels I have received in the past few days. Embedded in the book covers and post will also be links to buy the books on Amazon India. This post will be in addition to my regular blog posts and newsletter.
In today’s Book Post 2 I have included some titles that I received in the past few weeks and are worth mentioning and not necessarily confined to parcels received last week.
Scholastic India is proud to announce that it has acquired the publishing rights for one of the most awaited books of the year, Ahimsa.
In 1942, after Mahatma Gandhi asks one member of each family to join the non-violent freedom movement, 10-year-old Anjali is devastated to think that her father will risk his life for the country. But he’s not the one joining. Anjali’s mother is. 10-year-old Anjali’s mother has joined India’s freedom struggle. Anjali gets unwillingly involved in the turmoil. She has to give up her biases against the Dalit community, or the so-called untouchables, and sacrifice her
foreign-made clothes for khadi.
As the family gets more and more involved in the cause, Anjali must give up her privileges and confront her prejudices to ensure her little contribution to the movement is complete.
This is a poignant debut about overcoming one’s internal struggles and giving up one’s biases. It is essentially about female empowerment.
Inspired by her great-grandmother’s experience working with Gandhi, Supriya Kelkar brings to life the stories of the unsung heroes of India’s War of Independence.
Shantanu Duttagupta, Head of Publishing, Scholastic India, says, “Ahimsa is a book every Indian should read, whether you are a parent, child, educator or book lover. It leaves a mark.”
Supriya Kelkar doesn’t shy away from the reality that progress can sometimes be slow and one must persist even when all hope seems gone. She draws inspiration from her own family history. Kelkar says, “I’m so thrilled Ahimsa is heading to India, and cannot wait to share this book with all the wonderful readers there!”
About the author
Born and raised in the Midwest, Supriya Kelkar learned Hindi as a child by watching three Bollywood films a week. Now she works in the film industry as a Bollywood screenwriter. She has credits on one Hollywood film and several Hindi films. Ahimsa, inspired by her great-grandmother’s role in the Indian freedom movement, is her debut middle grade novel.
“A poignant look at India’s independence through the eyes of a ten-year-old, Ahimsa is a well-crafted tale of resistance.”
— Rajkumar Hirani, director of the films Sanju, 3 Idiots, PK and Lage Raho Munna Bhai
For further information, please contact – Debosmita Sarkar ( email@example.com )
About Scholastic India
Established in 1997, Scholastic India runs a dynamic publishing programme that aims to bring out innovative titles from the best of Indian authors and illustrators. Scholastic works closely with teachers, parents and students to encourage reading and promote the highest quality of reading and educational material in English.