feminist Bible Posts

Anne-Marie Slaughter “Unfinished Business”

unfinishedbizSheryl Sandberg and I agree on many things. We both encourage women to speak up and take their place at the table; we both want to see many structural changes in the workplace. To some extent the difference between us is largely a matter of which side of the equation to emphasize — a difference that, on my side, at least, is a function of relative age. I would have written a very similar book to Lean In at forty-three, Sandberg’s age when she published her book. My kids were very young and I had never met a work-life challenge that I could not surmount by working harder or hiring people to help out. By fifty-three, when I wrote my article, I found myself in a different place, one that gave me insight into the circumstances and choices facing the many women who have found that for whatever reason, leaning in simply isn’t an option. 

Anne-Marie Slaughter’s Unfinished Business was published in 2015. It is a book based upon her extremely popular article published in the Atlantic in 2012, “Why Women Still Can’t Have it All” (July/Aug 2012, http://www.theatlantic.com/magazine/archive/2012/07/why-women-still-cant-have-it-all/309020/ ). It went viral. Three years later this book was published and another article in the Atlantic. This time by her husband, Prof. Andrew Moravcsik called, “Why I Put My Wife’s Career First” ( Oct 2015, http://www.theatlantic.com/magazine/archive/2015/10/why-i-put-my-wifes-career-first/403240/ ). She also did a TED talk in 2013, ‘Can we all “have it all”?’   ( https://www.ted.com/talks/anne_marie_slaughter_can_we_all_have_it_all?language=en ).

Of late there have been many conversations about women, feminism, the work and home balance etc. Many puritanical feminists firmly believe that men should do their share of household chores and chipping in with parenting etc. Many women are made to feel wretched for not being professional enough at work if they mention their children and family responsibilities as being of concern too. Many women are denied opportunities to grow professionally for being mothers and having a family. Being a single woman or preferably a woman without children raises the chances of professional growth exponentially. But seriously, is it important to lean in so much that either work or family suffers? Why cannot it all be seen as a slow dance that evolves and grows?

Anne-Marie Slaughter’s Unfinished Business is the feminist bible for now.  Another text may come along and replace it very soon given with what speed content is being uploaded on the internet. But for now this book works wonderfully well. Its arguments about striking the balance, importance of family and institutional support for working women, essential to have male role models like her husband who opted to look after the children without any hassles and of keeping egos at bay. Many marriages fall apart since it is so deeply ingrained in society that the man should be earning more than the wife and if roles are reversed, even when the husband is supportive, societal pressure can get to be so much that it puts undue stress on the relationship.

Personally I feel that many of the institutional structures are based on a very fixed linear notion of how time operates, inevitably a patriarchal construct. Whereas most women work on “stolen time” especially when there are children involved and they are the primary caregivers. Alas, it is this masculine interpretation of time as being linear that dominates our daily function. Motherhood is a slow, nurturing process and sometimes it is the mother’s presence that is required more than the father’s — an argument that may not go well with too many traditional feminists. Similarly with work responsibilities and one’s career. But it is true. Feminism is not simply about being empowered by acquiring more masculine characteristics to prove that irrespective of being born a woman, you can do everything on an equal if not a better footing than a man. Modern day feminism is about being an empowered woman who has the ability to voice her opinion, make her choices and stand by them. Women negotiate and make choices on a daily basis in whichever space they inhabit. This is why Unfinished Business is relevant for everyone.

Read it.

Anne-Marie Slaughter Unfinished Business Oneworld Publisher, London, 2015. Pb. pp. 330. Rs 499

24 February 2016

 

The Testament of Mary, Colm Toibin

The Testament of Mary, Colm Toibin

The Testament of Mary, Colm ToibinAt a little over a 100 pages The Testament of Mary is the slimmest novel on the ManBooker Prize shortlist. In this novella Mary, mother of Jesus Christ, narrates in first person the events leading up to the crucifixion of her son. She recounts the story in her old age to two people, whom she refers to as “Guardians”, but were probably those who were recording the events marking the life of Jesus. These testaments were to be later compiled into a text. All though in the Bible the only four gospels are by men – Matthew, Mark, Luke and John. No women.

The Testament of Mary is a novel that has been adapted from the play of the same name, written by Colm Toibin. It was nominated for a Tony Award Best Play,  Best Actress, Best Sound Design of a Play, and Best Lighting Design of a Play. Even two thousand years or so after the Bible was created and nearly seventy years after the Gnostic gospels were discovered ( in which there was a script by Mary Magdalene ) it is rare to find a woman’s testimony on the events surrounding Jesus Christ. ( Recently there have been attempts to create a feminist Bible as by the German evangelicals and the new version of the Bible being translated by the NIV Committee on Bible translation is gender sensitive too. ) So Colm Toibin’s attempt at writing this testimony is significant within theological traditions and literary fiction. To create a woman character who speaks at length, it is like a monologue, but remains an observer. The story works dramatically and it is not necessary to be familiar with the events in the Bible to understand or even appreciate this novella. Yet I was left wondering at when Mary witnesses the crucifixion of her son on the cross, she continues to recount the events in the first person, whereas if a woman ever tries to record a traumatic incident in her life, she is only able to do so in the third person. It is a dramatic shift that occurs. So it is curious that Colm Toibin retained the first person narrative even for this section–maybe it worked well on stage? ( Passages on p.76-77.)

Recently it was announced that  actor Meryl Streep would be doing the audio version — http://shelf-life.ew.com/2013/09/10/meryl-streep-testament-of-mary-audio-clip/ .This is a good example of literary fiction. It will be read and it will be discussed over time. But whether it wins the ManBookers Prize on 15 Oct 2013 remains to be seen.

Colm Toibin The Testament of Mary Viking, Penguin Books, London, 2012. Pb. pp. 108 Rs. 299

9 Oct 2013 

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