Georgia Posts

“The Love Songs of W. E. B. Du Bois”

It has been more than a week since I finished reading the astonishing debut novel The Love Songs of W. E. B. Du Bois by poet Honoree Fanonne Jeffers ( published by Harper Collins). I am still in awe of it. It is not going to dissipate for a long, long time. It is two-hundred years of African-American history told through the account of a fictional family based in Georgia. Bulk of the novel is narrated by or involves Ailey Pearl Garfield. A young girl, who along with her two sisters, have been reared in the North, in the City, but spend summers in the small Georgia town of Chicasetta. It is where their mother’s family have lived ever since their ancestors arrived from Africa in bondage. It was originally Indian land that was then appropriated by the white settlers. There is a slow, unfolding pace to the story. It is not just another black history narrated but the author builds upon the basic premise of scholar Du Bois when he wrote about the problem of race in America and what he called “double-consciousness”, a sensitivity that every African American possesses in order to survive. It is hard to encapsulate in a few lines the gist of this book except to say that it is a phenomenal account of history, it is fictional but it is built around actual events and people, and once done reading it, there is a magnificent plotting of a timeline that is not going to go away easily. It is a combination of historical events, evolution of language and a growing awareness amongst the youth to push back against the systemic racism that they encounter daily. It is also a sobering lesson on how not to blame their past for the present as the three sisters discover. At one level, their lives are representative of the manner in which narratives can be built. Either you blame your past for your present as the eldest sister Lydia did or you make the best of the opportunities that come your way as the other two sisters — Ailey and Coco did. Lydia became a drug addict and died of it. Ailey and Coco became an academic and a doctor, respectively. They chose to move on but not in a cold-hearted manner. They did not reject their past. Ailey studied it, understood her lineage and then developed it further to explore her identity.

After a while, none of the names make sense. But the rhythm of the text lulls one into being mesmerised by the story. In fact, Honoree said in an interview that her editor read all her poems and insisted on editing this text according to those poems:

My editor Erin Wicks is a genius, and the world needs to know.

She’s a young white woman, so I didn’t know how working with her would turn out. But she allowed me to be my full, authentic self. When the book was sold, I was afraid that somebody was going to try to make me be something else or explain myself to white readers. But she just kept pushing me to just keep it real.

But, yeah, the book that was sold was 450 pages.

I know this sounds cheesy, but Erin and I just have this miraculous simpatico [relationship] that I didn’t expect. She’s white and young, and I’m of a particular generation and from the Deep South. But she’s just really empathetic and kind. She’s aware of Black political issues. She’s just great. For example, Erin bought every single one of my poetry books and read them. So, when we started going through line edits, she could mimic my language and tone as she was condensing sentences.

The Love Song of W. E. B. Du Bois invokes the scholar all the time, especially in the well-chosen epigraphs to every section, but it is the writing that is astonishing. It is at the intersection of feminism, American history, women’s histories, identities, systemic racism, etc. It is an incredibly powerful novel that changes the reader once done reading it. Appropriately it won the National Book Critics Circle Award 2021 for fiction.

Most reviews of the book have been unable to share the story structure as it is impossible to do so. Apart from gushing about the beauty of the writing, magnificence of the tale and the sheer extraordinary craftsmanship, there is little else one can do.

Read The Love Songs of W. E. B. Du Bois.

20 March 2022

Ayana Mathis, “Twelve Tribes of Hattie”

Ayana Mathis, “Twelve Tribes of Hattie”

Ayana Mathis, Twelve Tribes of HattieMy review of Ayana Mathis’s Twelve Tribes of Hattie has been published in the Hindu Literary Review. Online on 5 Oct 2013 and in print on 6 Oct 2013. Here is the link to the original url http://www.thehindu.com/books/books-reviews/historys-brood/article5200369.ece?homepage=true . It was titled “History’s Brood”. I am c&p the full text of the review below.) 

Hattie was stronger than Bell could ever be. She didn’t know how to tend to her children’s souls, but she fought to keep them alive and to keep herself alive. (p.217) … Fate had plucked Hattie out of Georgia to birth eleven children and establish them in the North, but she was only a child herself, utterly inadequate to the task she’d been given. (p.236)

The novel is about the “high yellow girl” Hattie Shepherd who began courting August when she was fifteen because he was a secret from her Mama and “because it thrilled her to go out with a country boy beneath her”.  They married when Hattie discovered she was pregnant with her twins, Philadelphia and Jubilee. Unfortunately it is 1925, before penicillin has been discovered and the infants succumb to pneumonia before they turn one. “Not a day went by that Hattie did not feel their absence in the world, the empty space where her children’s lives should have been.” The nine other children she goes on to have consider their mother to be cold and frosty, yet she finally learns to (according to Willie, the witch doctor) wrestle down her “restless soul”. Hattie’s tribe of twelve consists of her children and one grandchild in particular, Sala.

The Twelve Tribes of Hattie is fiction but set across sixty crucial years of North American history.  The story starts during Prohibition, slavery and racial segregation existed in Georgia to conclude in 1980, the year Ronald Reagan was elected President. Ayana Mathis sketches brilliantly the evangelical gatherings in the revival tents where Six delivers his first sermon, the blues-jazz music that Floyd plays, war in Vietnam that Franklin experiences firsthand, child sexual abuse that Billups keeps as a deep secret, Bell’s slide down the social ladder into deep poverty and her near brush with death due to consumption, and Cassie’s schizophrenia. Each chapter is told well. They are absorbing to read but what is disconcerting is that the stories remain like threads swirling around Hattie. This is where the Hagar myth that looms large in African-American literature resonates well. Sarah, Abraham’s wife, offered her Egyptian slave to her husband when she was barren. Hagar had Ishmael by Abraham. Later when Sarah had Isaiah, God promised Hagar that her son, Ishmael, would create a nation. Similarly Hattie’s children spread far and wide, across the nation and the social ladder to leave their mark.

It is not historical fiction but there are details in the novel that document history accurately – the revival tents for evangelical gatherings, discovery of Penicillin, the recognition that schizophrenia required medical treatment and not taking the patient to a religious gathering for the devil to be exorcised, the limitations of a witch doctor, the social acceptance of a black doctor as with Alice’s husband. Ayana Mathis is a powerful storyteller, ( the painful description of the dying twins or of Cassie’s schizophrenia or Bell’s tuberculosis slowly killing her) the chapters come together as a powerful novel and explains why Oprah Winfrey chose it for her book club. Yet it is impossible to get away from the feeling that this is a brilliant product of a creative writing course. The sketches, the accuracy to detail, creation of atmosphere are powerful but the random use of minor character or even the sporadic appearance of the siblings does not make much sense.

Ayana Mathis, The Twelve Tribes of Hattie Knopf Publishing House, Random House, Great Britain, 2013. Pb. Pp. 245 Rs. 550

5 Oct 2013 

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