Harvard Posts

Sharmila Sen “Not Quite, Not White: Losing and Finding Race in America”

When people move they inevitably bring certain things with them, leave a few things behind, and acquire new possessions. My parents had asked me to choose what I wanted to take with me to Boston. I was allotted a single suitcase.  Everything else was to be sold, given to relatives, or thrown away. This is what I chose to bring in my suitcase:

Red plastic View-Master with four reels (Disney World, Japan, Baby Animals, and Mecca)

Four Bengali books –Raj Kahini ( Royal Tales) by Abanindranath Tagore; Aam Antir Bhepu ( The Song of the Road) by Bibhutibhushan Bandhyopadhyay; Shishu ( Child), a collection of poems by Rabindranath Tagore; and gopal Bhand ( Stories of Gopal the Royal Fool)

My report cards from my old school, attesting to my grades from 1974 to 1982

My beloved collection of miniature plastic animals that came free with the purchase of Binaca brand toothpaste in India during the 1970s

A Misha commemorative pin from the 1980 Moscow Olympics 

A couple of dresses made of printed cotton 

A pair of gray denim pants, the closest thing I owned to the coveted American blue jeans

A pair of blue canvas shoes from Bata, the most popular shoe company in India 

None of these items were going to be of much practical use, as I soon found out. The tools and weapons I needed to survive and flourish in the New World were waiting for me elsewhere. I would find them in the hallways of my new school. And on the small screen of our black-and-white TV. 

Indian-born American Sharmila Sen’s memoir Not Quite Not White: Losing and Finding Race in America is an absorbing account of her trying to negotiate her way through her new life in USA while her ties were still strong with India. She was twelve years old when her parents decided to move from Calcutta to the US. Having been born in a bhadralok ( cultured and well-respected) Bengali family she took certain privileges for granted. These were mostly of respect accorded to her cultural inheritance and the family she belonged to. She was not necessarily exposed to the rough and tumble ways of existence. Whereas in America the mere shade of her skin immediately put her in a different category. Her first experience of the classrooms where segregation was not visible as students had no choice in their seating arrangements was small consolation when it came to lunch time or other breaks for then the students promptly clustered in racially segregated groups.

Not Quite Not White is fascinating while moving account of Sharmila Sen negotiating her way through a new culture. She arrived as a young girl bewildered by the customs and social rules of engagement. By social standards of acceptance she did very well for herself as a non-white immigrant, primarily by learning to smile always. She taught herself to learn the rules. Ultimately she found herself being accepted by everyone so much so she heard remarks like “I always forget you are Indian” or “But I see you as white”. Sharmila Sen was educated in the public schools of Cambridge, Massachusetts, and studied in Harvard and Yale. She taught at Harvard for a few years too. Currently, she is the executive editor-at-large at Harvard University Press. Yet her memoir brings out the painful negotiations she has learned to make on a regular basis, imbibing much of it, so as to survive.

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2 November 2018 

Hanif Kureishi, “The Last Word”

Hanif Kureishi, “The Last Word”

The Last Word, Hanif Kureishi “Talent is gold dust. You can pan among a million people and come up with barely a scrap of it. Commitment to the Word stands against our contemporary fundamentalist belief in the market.”

The Last Word is the latest novel by Hanif Kureishi.  It is about an ageing and a once-upon-a-time-famous novelist, Mammon and his young biographer, Harry. Mammon is living the life of a recluse in the countryside with his second wife,Liana. He is crabbity, cantankerous and unable to rake in money as he did earlier.  According to Liana, he is an old-fashioned novelist who writes his own novels! Mammon is alarmed at the rapidity with which his resources are dwindling while his wife ploughs through it for various expenses. Harry too has his fair share of challenges but he aspires to be a great novelist. So when commissioned by the maverick and brilliant publisher, Rob to ghostwrite a biography (“official portraitist”) of Mammon, Harry grabs the opportunity to do so–he has idolised Mammon from afar, apart from needing money himself to survive. The Last Word is about the relationship and the trajectory of a fading author’s career and a bit about how a flagging career can be turned around with astute marketing.

This novel seems to be based upon on Hanif Kuerishi’s years of experience as a writer, a creative fiction professor, an award winning and acclaimed novelist, and just an ordinary human being who is trying to get on with life. At times there is a strong feeling that this novel is an well-crafted excuse to deliver his maxims about what constitutes fiction. It is at times sparkling with its insights about contemporary literature and the desire to write in so many. He bursts many many bubbles and dreams of aspiring author. He shows the feet of clay that literary figures are supposed to have. He is quite dismissive of novelists as being tricksters, deceivers, conmen…mostly a seducer. He is scathing about the “gossipocracy of agents, publishers and writers, to stock up with as many stories of infidelity, plagiarism, literary feuding and deceit, cross-dressing, backstabbing, homosexuality, and in particular, lesbianism, as he could.” Mammon even invokes Boswell, the first literary biographer. Sprinkled throughout the novel are nuggets of wisdom ( such as the passage quoted above) that Hanif Kureishi has probably gleaned from his lectures and notes on creative writing. It is as if Hanif Kureishi has on more than one occasion uttered these words to his students. It rings true. I would not be surprised if he is invited to deliver the equivalent of the Norton Lectures at Harvard or the lectures on poetics at the Franklin University. Those are really well written, thought provoking and fabulous lectures that novelists of note are invited to deliver for a semester.

While reading this novel, it was difficult to not recall Andrew O’Hagan’s wonderful longread , “Ghosting” in London Review of Books ( LRB Vol. 36 No. 5 · 6 March 2014; pages 5-26 | 26468 words. http://www.lrb.co.uk/v36 /n05/andrew-ohagan/ghosting) It is about his attempts at ghostwriting a biography of Julian Assange, WikiLeaks founder. It was commissioned by Jamie Byng of Canongate. Unfortunately the commissioned biography was never published since Assange did not allow it to be. A response to this was published by the Guardian in early March written by Colin Robinson, “In Defence of Julian Assange”. ( the Guardian,Thursday 6 March 2014 15.24 GMT. http://www.theguardian.com/books/2014/mar/06/julian-assange-publisher-defence-wikileaks )

It is probably pure coincidence that The Last Word and these long reads about the ill-fated Assange biography were published at about the same time. It makes for a surreal experience to read a novel and reportage echoing each other. A fine dividing line ( if it exists!) between reality and fiction. Hanif Kureishi’s novel The Last Word is recommended reading, especially for aspiring writers.

Hanif Kureishi The Last Word Faber and Faber, London, 2014. Hb. pp. 286. £18.99

3 May 2014 <

“Don’t buy this book now!”

“Don’t buy this book now!”

“Structured procrastination.” A delicious phrase coined by John Perry in Don’t But This Book Now! for merely faffing. Without really making you feel guilty he lists a number of reasons why structured procrastination is absolutely acceptable and an activity that should be indulged in as often as possible—It makes one a more productive and better human being. Having said that he explores the reasons for procrastination. One of the main reasons is to be a perfectionist but he puts it so nicely, “You have to get into the habit of forcing yourself to analyze, at the time you accept a task, the costs and benefits of doing a less-than perfect job.” He adds, “The system of breaking tasks down into small increments, and giving yourself a good pat on the back for achieving each of them, has solid credentials.” He offers some splendid advice on how to break the spell browsing incessantly on the internet or watching a mindless programme on the television. (Of the computer he says, “it is also a bane for the procrastinator, because it makes sinking time in utterly worthless pursuits tempting and easy. The big problems are coping with email and surfing the Web.”) The book is an expansion of an earlier essay called “Structured Procrastination” for which John Perry (who’s a Professor of Philosophy at Stanford) won the Ig Nobel Prize at Harvard University. Surprisingly the essays in this slim volume help in boosting one’s confidence. As one of the blurbs on the book cover says that you are tempted to follow the strategies (making lists) discussed to overcome procrastination. It is time well spent in reading Don’t Buy This Book Now!

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