Japan Posts

Christina Lamb, “Our Bodies Their Battlefield: What War Does to Women”

In 2005, I had worked as part of a global team on a seminal report published by UNRISD called Gender Equality: Striving for Justice in an Unequal World. The particular section that I had researched was “Gender, armed conflict and the search for peace”. It was an extraordinary eye-opener for it highlighted the horrendous levels of violence perpetrated upon women and girls, across the world. Somehow conflict situations become an arena where the wild lawlessness thrives and the stark reality of the violence women experience is gut-wrenching. The women are treated worse than animals. Just flesh  They are easily dispensed with once the women outlive their utility which in most cases is that of being sex slaves. The UNRISD report went a step further than merely discussing the violence but also documented the various methods of peace that were initiated by women or with the establishment of institutions such as Truth and Reconciliation Commissions and of course, the International Court of Justice.

Award-winning war reporter Christina Lamb in her book, Our Bodies Their Battlefield: What War Does to Women reports from various war zones around the world. She travels far and wide meeting women who have been victimised, abducted, raped, sold by one soldier to the next, etc. She met people like the Beekeeper of Aleppo, Abdullah Shrim, and Dr Miracle or Nobel Peace Prize winner, Dr Denis Mukwege, who have helped women. Or the incredible Bakira Hasecic, Association of Women Victims of War, who said her hobbies were smoking and “hunting war criminals” and she was not joking, having tracked down well over a hundred. Of these, twenty-nine were prosecuted in The Hague and eighty in Bosnia. Abdullah Shrim has rescued hundreds of women who were kidnapped by the ISIS and reunited them with their families. He has run extremely dangerous operations and created a vast network of safe houses and carriers who would help bring the women to safety. It has been at great economic  cost to the women’s families, who at times have had to fork out sums as large as US $70,000. Dr. Mukwege, meanwhile, has helped reconstruct and fix women victims of sexual violence.

…either suffered pelvic prolapsed or other damage giving birth, or were victims of serial violence so extreme that that genitals had been torn apart and they had suffered fistulas — holes in the sphincter muscle through to the bladder or rectum, which led to leaking of urine or faeces or both.

In twenty years of existence, the [Punzi] hospital had treated more than 55,000 victims of rape.

He is recognised as having treated more rape victims than anyone else on earth. As a trained gynaecologist, he had set up multiple maternal hospitals around Congo so as to tackle the growing menace of maternal mortality, where women uttered their last words before going into labour as they were never sure if they would live. Once the Rwandan genocide occurred, Dr Mukwege, he began to help women victims.

Each group seemed to have its own signature torture and the rates were so violent that often a fistula or hole has been torn in the bladders or rectums.

‘It’s not a sexual thing, it’s a way to destroy one another, to take from inside the victim the sense of being a human, and show you don’t exist, you are nothing,’ he said. ‘It’s a deliberate strategy: raping a woman in front of her husband to humiliate him so he leaves and shame falls on the victim and it’s impossible to live with the reality so the first reaction is to leave the area and then is totla destruction of the community. I’ve seen entire villages deserted.

‘It’s about making people feel powerless and destroying the social fabric. I’ve seen a case where the wife of a pastor was raped in front of the whole congregation so everyone fled. Because if God does not protect the wife of a pastor how would he protect them?

‘Rape as a weapon of war can displace a whole.demigraohic and have the same effect as a conventional weapon but at a much lower cost.

The accounts in this book are meticulously documented. Christina Lamb even manages to speak to some of the victims. One of them, Naima, who had been abducted by the ISIS recalled the name of every single abductor she was sold to. It even astonished Christina Lamb that Naima was able to recall in such detail. ‘The one thing that I could do was know all their names so what they did would not be forgotten,’ she explained. ‘Now I am out I am writing everyting in a book with everyone’s name.’ Lamb travels and meets people in Argentina ( the Lost Generation and the Mothers and Grandmothers of the Plaza de Mayo), Nigeria and the Boko Haram, Bangladesh and the birangonas or brave/war heroine, the ethnic cleansing of the Muslims in Bosnia, the Rohingya camps of those who fled Myanmar, the Rwandan genocide between the Hutu and the Tutsis, the women abducted and kept by the ISIS, the former sex slaves of Japan or the rape of the German women by the Red Army during the Second World War etc. The list is endless and exhausting.

The graphic descriptions in the book are vile but most likely tamer versions of what was really said, shared or documented since it is impossible to collate it as is for a lay readership. The anger and revulsion that Christina Lamb feels and conveys in her documentation regarding the sexual crimes perpetrated against women is transmitted to the reader very clearly. The mechanical manner in which the women are raped over and over again, leaving the women numb and injured is blood curdling. It is also imbued with a sense of helplessness trying to understand how can this wrong be ever corrected — Why are women pursued in this relentless manner, used and discarded? Or even seen as war trophies. What is truly befuddling is the ease with which men rape women or conduct mass rapes. It is not only the systematic violence that is perpetrated upon the women but the horrifying thought that this attitude probably exists in a daily basis. Men see women as dispensable, as a sex that they have limitless and unquestionable power over and the authority and prerogative to do what they like. War crimes only bring to the fore that which already exists already. It is not a gargantuan leap of imagination by men that requires such methodical violence perpetrated upon so many women in this brutal and agressive manner. What is even more chilling from the facts Lamb unearths is the despicable manner in which the rapists are rarely convicted, and if they ever are convicted it is usually for war crimes. Their convictions are carried out on the strength of the ethnic cleansing that they perpetrated. The absolute lack of respect or value accorded to a woman survivor’s testimony, if some of the victims agree to testify, is atrocious. Instead as Bakira points out that if you do not testify it’s as if it never happened. “Women should be allowed to say things the way she wants, tell the story how she wants.” Unfortunately what emerges is that even the institutions of justice and remedial action are so patriarchal in their nature and construct that they do not wish to acknowledge the ghastly trauma women suffer. Chillingly “in Bosnia it’s better to be a perpetrator than a victim. The perpetrators’s defence are paid by the state while we [the women] have to pay our own legal costs. And there’s still no compensation for victims.”

Our Bodies, Their Battlefield is not easy reading. There is a visceral reaction to reading the accounts. But as Lamb points out  that this is a very dark book but she hopes that the reader too will find the “strength and heroism of many of the women inspiring”. She continues, “I use the expression ‘survivors’ to emphasise the resilience of these women, as after all they have survived, rather than ‘victim’ which has a more helpless connotation and some see as a dirty word. Meeting all these women, the last word I would use about them is passive. However, while I do not want to make ‘victims’ their identity, at the same time they are victims of an appalling brutality and injustice, so I do think the word has some validity. In some languages, such as Spanish, the word ‘survivor’ means survivor of a natural disaster. Colombian and Argentinian women I met told me it made no sense to refer to them as survivors. So I have used both where appropriate. In the same way, Yazidis told me they did not object to being described as sex slaves, as long as that was not seen as their identity.” Gender divisions are an age-old phenomena. Seeing women as loot, especially at times of war is also many centuries old. But the fact that these ugly, ruthless, mindless, violent practices continue to exist despite there being so many conversations about gender equality and sensitivity is extremely painful. It is as if those who believe in the dignity of women and in gender equality are expending energy on a losing battle. When will it stop? Will it ever cease? And surely these are learned behaviours and attitudes towards women, so how and when are the younger generations of men being indoctrinated and encouraged to behave in this abominable fashion? It is true that many men still believe firmly in the idea of masculinity being that when you prove your supremacy as an individual upon women, but seriously, can this old-fashioned attitude not stop? War zones are a stark reminder that these attitudes are not going away in a hurry.  My only objection is to the cover design of this book depicting women wearing head scarves. Thereby signalling that the violent behaviours documented by Lamb exist more or less within one specific community, ie. the Muslims, who are equally conveniently seen as terrorists. This is wrong. The cover design should have been either an illustration depicting conflicts and different scenarios or had a montage of images from different regions and communities. This striking black and white image does a great deal of disservice not only to the community it represents but also to the book.

Nevertheless, please read this extremely powerful book.

25 Feb 2021

Allen Say “Silent Days, Silent Dreams”

Caldecott medalist Allen Say’s Silent Days, Silent Dreamis a biography of self-taught artist James Castle (1899-1977).  It is a “memoir” as narrated by a fictionalized nephew of Castle who shares details about his deaf, mute, autistic and dyslexic uncle who was completely closed in himself and yet learned how to draw. Castle’s father was the postmaster for a small community they lived in Idaho. The family’s drawing room doubled up as the postmaster’s official space so it was cluttered with parcels, catalogues, paper etc. The little James Castle probably taught himself to draw while whiling away his time in this room. Over time he was found to be of absolutely no help to his family on their farm or other household chores so he was left to himself. He slowly found quiet in the attic of an old barn which he converted into his “studio” which in subsequent shifts was the chicken coop in an empty barn. He drew and drew and drew. For lack of sophisticated art materials he drew using the soot of wood combined with spit and used junk paper. When he was about seven his parents sent him off along with his older sister to the Idaho School for Deaf and Blind. There too he tried to draw in secret ( only girls were permitted to learn drawing, not boys) and punished if discovered. He never did learn to read and write and was sent home when he was fifteen years old. While at the school he did discover the joy of being in the library, surrounded by books and watching his teachers “create and stitch new books for their students. Years later his drawings were “discovered” and he did one-man shows. Upon his death he left more than 15,000 pieces of work that are estimated to be less than one-third of his productivity during his lifetime, as every time Castle’s family moved, all his paintings were left behind and lost.

The research Allen Say did for this book was intensive. He even tried to recreate the illustrations for Silent Days, Silent Dreams using the soot from the wood fireplace in his home. He tried to emulate the drawing style of James Castle to create as “authentic” an account of Castle’s life. Most of Castle’s drawings were made from reclaimed trash he found on the property such as junk paper, construction materials, and rags. Allen Say was assisted by his wife in creating the toys in a similar fashion for this book.

In Allen Say’s graphic novel memoir The Inker’s Shadow Kyusuke, Allen Say’s cartoon double, advises him to draw what’s around you”; much like what James Castle later become famous for too. Allen Say like James Castle had a room to call his own, a retreat, a studio, that was given to him first by his mother in Japan and later when he moved to America by his guardian Major Bill at the American military school he was studying at.  In his part memoir, part graphic novel Drawing From Memory which is about his relationship with his sensei, spiritual father, and well-known cartoonist Noro Shinpei, Allen Say says about his childhood “I drew what I saw and what I imagined,  and I copied from comic books. When I was drawing, I was happy. I didn’t toys or friends or parents.’

The story of James Castle probably resonated with Allen Say who too became an artist against all odds as his father was convinced his son had to learn English to “become a success in life” and was shunned for his artistic leanings. Both the artists’ artistic temperament was not appreciated by their families and they were shunned; so they “withdrew” to draw in makeshift studios. For Allen Say “Art is like translating my dream world, put that on paper”, much as it was for James Castle who drew all that he wished for. No wonder Allen Say says “my discovery about Castle’s art was that the act of drawing was an act of possession”.

What a treat it is to discover these books! Biographies as picture books are a fine art form. It is an excellent way to introduce an eminent person to a younger generation. It is not an easy form to tackle but if done well it is purely magical. In the case of Silent Days, Silent Dreams there is something extra special for one artist describing another’s life and discovering the many similarities.

Dream books to possess!

Allen Say Silent Days, Silent Dreams Arthur A. Levine Books, an imprint of Scholastic, New York, 2017. Hb. 

Allen Say Drawing From Memory Scholastic Press, New York, 2011. Hb. 

Allen Say The Inker’s Shadow Scholastic Press, New York, 2015. Hb. 

6 May 2018 

 

Nuclear energy – pros and cons

Nuclear energy – pros and cons

Chernobyl

It is 25 years since the Chernobyl nuclear disaster ( 26 April 1986). It is a couple of years ( 11 March 2011) since the earthquakes and tsunami destroyed the Fukushima nuclear reactors. And the nuclear energy debates rages on in India, most notably about the Koodangulam nuclear power plant complex — http://kafila.org/2012/03/21/kudankulam-a-brief-history-and-a-recent-update/ . There are many pros and cons to setting up power plants based upon nuclear energy. It is a renewable source of energy that has to be considered when non-renewable sources like coal are becoming more and more expensive to mine and use. But setting up nuclear energy plants come with many disturbing aspects — displacement of people, the effects of radiation on the local community and eco-system and of course, the perennial dread of a nuclear disaster. The local eco-system would take centuries to “recover” from a nuclear spill or leak. An explosion as in Fukushima is still uncharted territory. For instance, the effect of the explosion on marine life is still undocumented.

Ramana, Examining nuclear energy in India

Two books, published recently in India — Voices from Chernobyl and The Power of Promise: Examining Nuclear Energy in India — are crucial in understanding the debates about nuclear energy, but also sobering reminders about what it entails. Voices from Chernobyl is a novel about the aftermath of the Chernobyl disaster — contaminated food, metallic water, radioactive showers, deformed babies etc. It maybe a fictionalised account but it is horrifying since many of the stories seem to be based on real events and people. The unorthodox structure of the text does not ease one into reading the story for a moment. Instead it forces an engagement with the text. It has been translated from the Norwegian by Taralrud Maddrell. It won the Sult Prize in 2010.

The Power of Promise examines the nuclear energy programme of India, its growth, the economics of it and of course, the impact on international relations. It is probably no coincidence that these books are available soon after Indo-US bilateral treaty on nuclear energy was signed or the importing of Thorium from France. Now India’s conversations with Japan on a civil nuclear deal are being sped up. Here are a couple of reviews about The Power of Promise , published in the Frontline ( http://www.frontline.in/books/nuclear-questions/article4569496.ece ) and Kafila ( http://kafila.org/2013/03/21/understanding-the-empty-promises-of-nuclear-energy-nityanand-jayaraman/ ). There was a response to the Frontline review-article in the letters section by M. V. Ramanna but I am unable to locate it online. And here is another article by M. V. Ramanna on nuclear energy and safety in Kafila — http://kafila.org/2013/04/04/nuclear-energy-reassurances-dont-guarantee-safety-m-v-ramana/ and a debate on the subject http://kafila.org/2013/03/22/responding-to-a-debate-on-the-kudankulam-struggle-against-nuclear-energy/ .

Today it has been announced the Kudankulam Nuclear Power Plant (KNPP) in Tamil Nadu is set to start functioning in less than two days. http://www.ndtv.com/article/south/kudankulam-nuclear-plant-to-start-soon-after-it-gets-all-mandated-approvals-390956?pfrom=home-otherstories . The question that begs to be asked is “are these the temples of Modern India” that Nehru dreamed about? If so, at what cost?

12 July 2013

M. V. Ramanna The Power of Promise: Examining Nuclear Energy in India Penguin Books India, New Delhi. Hb. pp. 366 Rs. 699

Ingrid Storholmen Voices from Chernobyl Harper Perennial, Noida, India. Pb. pp.200 Rs. 299

Buddha in the Attic, Julie Otsuka

Buddha in the Attic, Julie Otsuka

I read The Buddha in the Attic by Julie Otsuka last night. I could not put the book down. A brilliant example of historical fiction from contemporary writing. It is about the Japanese immigrants chasing the American dream in the early 1900s. Told from the perspective of a collective group of Japanese women, who remain nameless. But it tracks them from the time they board the ship in Japan as the modern day equivalent of mail order brides to land on the hallowed shores of America, the birth of their children, the various menial jobs they hold or travel in search of better jobs till the time of WWII when the “Japs” are looked upon askance. These women are caught in a terribly painful situation of being ostracized by society, treated like worse than filth by their patriarchal husbands and what is worse, distanced by their own kids who do not want to really have anything to do with their parents, who are so obviously alien to the American culture, modes of lifestyle and language. Julie has written this slim (it is only 117 pages) novel after loads of research. She lists some of the books that were consulted for her writing. It is the perfect little gem of historical fiction. Brings you immediately into the story (the hallmark of a good storyteller) and creating a moment in history evocatively, putting in sufficient background details to place it in a period setting, but without crowding the text or obstructing the narrative/story/plot. Read it, if you can.

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