Novoneel Chakraborty is a successful commercial fiction writer who is known for his psycho-sexual or romantic thrillers. He is now a screenwriter for television too. He began writing in 2008 but since then has had phenomenal success with his books. He obviously has a knack for knowing what the readers/market desire and caters to it exceptionally well. His books are selling extremely well as testified by Amazon India’s banner on their homepage in June 2016.
His “Stranger Trilogy” consists of
Marry me, Stranger;
All yours, Stranger
and Forget me not, Stranger. These are being sold as a boxed set.
This trilogy has been creating a buzz for a while. The stories are written in first person by the protagonist Rivanah Bannerjee and have a lot of sex. The stories are ostensibly about the mysterious identity of a stalker who regularly sexually assaults Rivanah and she assumes its her boyfriend. The trilogy comes across as very uneven writing. The sex scenes are written very confidently and quite bold but always seem as if they are strongly influenced by international thrillers. It would not be so evident if it were not for the “bridges” between the sex scenes that is actually the narrative. It crawls like a typical contemporary Indian novel written in English which relies considerably on mundane conversation. There is little in terms of psychological thriller that makes these stories distinctly their own except for the mysterious identity of the stalker and reasons for stalking. A blue-blooded psychological thriller is packed with details, working in layers and the suspense building slowly and steadily sometimes even with multiple perspectives embroiling the reader into an emotional space that teeters between empathy and curiosity and horror. Unfortunately “The Stranger Trilogy” does not quite meet the mark.
It is also distressing to discover that a book written in the first person by a woman incorporates the male fantasy gaze “appreciating” if not at times fantasing about the sexual acts that would otherwise be seen as a rape. It is disturbing to have such literature being published and obviously rapidly finding a readership/market because somewhere it is catering to these bizarre fantasies. In terms of creative licenses every author has the freedom of expression to write on any subject they like and in any manner. But this? Given the current scenarios of the horrific rapes and stalkings that are constantly being documented in India. Who can forget the rape of the young girl in December 2013 or the recent one in Kerala of a Dalit girl in April 2016? Alas these two young women did not survive the horrific assaults. In 1983 Sohaila Abdulali had written about her experience of being gang-raped in Bombay and the article was published in Manushi. Here is the link: http://bit.ly/1r9YCMH In the past few weeks two very powerful posts by rape survivors have gone viral on the internet. They are extremely moving for the manner in which these women have survived their assaults, had the immense courage to write about the experience even though it must have been very painful to recall details and put it down in words. The first is by Jessica Knoll whose debut Luckiest Girl Alive smashed all bestseller charts for its story. (Reese Witherspoon has optioned the film rights.) Weeks after the book was published Jessica Knoll wrote this article in Lenny Letter for the first time acknowledging being gang-raped as a teenager. ( http://bit.ly/1UCLhGR ) On 4 June 2016, the rape victim of a Stanford swimmer read this letter out aloud in court after the rapist was sentenced to a mere six months in jail because a longer sentence would have “a severe impact on him,” according to a judge. The letter was published on Buzzfeed. (http://bzfd.it/213lAkL ) And who can forget the Steubenville High School rape case on the night of August 11, 2012, when a high-school girl, incapacitated by alcohol, was publicly and repeatedly sexually assaulted by her peers, several of whom documented the acts on social media. The news exploded on social media creating a cyber-storm across geographies with widespread condemnation.
These rape cases highlight the horror of the act and that sexual assaults are a serious crime. Cultural collateral such as book products are an integral part of a complex social ecosystem. Presuming such stories exist as standalone entities meant solely for entertaining is unacceptable. These acts may be the fantasy of many and products peddling such sexual fantasies sell well even in the book market but The Stranger Trilogy is irresponsible publishing especially by a reputed firm.
Novoneel Chakraborty The Stranger Trilogy Random House India, Gurgaon, 2015. Pb. pp. 250. Rs. 175 each.
6 June 2016