screenwriter Posts

Venita Coelho’s “Boy No. 32” wins prestigious Hindu Goodbooks Award for best fiction!

Screenwriter and young adult fiction writer Venita Coelho won the prestigious Hindu Goodbooks Award today at the ongoing Hindu Lit for Life festival in Chennai. Daniel Handler, author of the Lemony Snicket series, did the honours of handing over the trophy. Some glimpses of the evening are given in the gallery of photographs.

Meanwhile Shantanu Duttagupta, Publisher, Scholastic India who has published Venita Coelho’s award winning novel had this to say:

We won!!! Venita Coelho’s Boy #32 wins the prestigious Hindu Goodbooks Award for best fiction!!!! ❤️❤️❤️❤️ Goodbooks.in thank you for this honour!!! Scholastic India Venita Coelho

Posted by Shantanu Duttagupta on Sunday, January 13, 2019

On 1 January 2018 I had interviewed Venita Coelho. Her young adult novel Boy No. 32 is an incredibly gripping book about Battees, an orphan named so after the number given to him — 32. ( In Hindi, the number 32 is called “battees”.) The story is about Battees winessing the presence of a dreaded terrorist, Kashmiri Lall, in his city, Mumbai, and he is now the only one who can help put him behind bars. It is a tremendously well-paced and tautly written book. Impossible to put down once you begin it. Also for the fact Venita Coelho never for an instant “talks down” to youngsters, nor is ever apologetic about the violence around us. Absolutely fantastic!

In this novel intermixing the orphans’ quest for locating Kashmiri Lall with encounters with the eunuchs, the Beggar King, and the horrific complicity of even the adults responsible for them such as Aunty and the cop, is done crisply. The “traditional” bad guys of literature like the eunuch are actually shown to be humane with a little more insight on how their community operates. Equally well-made are the cop and the “aunty” who are so incredibly corrupt, they would do anything for a few extra bucks. Venita Coelho is constantly challenging pre-conceived notions about characters. For instance, instead of giving the warden of the orphanage a name, she is referred to as “Aunty” — a big learning curve for Indian readers who are taught to practically revere an older woman, inevitably calling her “Aunty”, sort of seals this relationship.

Boy No. 32 is highly recommended!

13 January 2019

Ahimsa by Supriya Kelkar

SUPER LEAD TITLE

Scholastic India is proud to announce that it has acquired the publishing rights for one of the most awaited books of the year, Ahimsa.

In 1942, after Mahatma Gandhi asks one member of each family to join the non-violent freedom movement, 10-year-old Anjali is devastated to think that her father will risk his life for the country. But he’s not the one joining. Anjali’s mother is. 10-year-old Anjali’s mother has joined India’s freedom struggle. Anjali gets unwillingly involved in the turmoil. She has to give up her biases against the Dalit community, or the so-called untouchables, and sacrifice her
foreign-made clothes for khadi.

As the family gets more and more involved in the cause, Anjali must give up her privileges and confront her prejudices to ensure her little contribution to the movement is complete.

This is a poignant debut about overcoming one’s internal struggles and giving up one’s biases. It is essentially about female empowerment.

Inspired by her great-grandmother’s experience working with Gandhi, Supriya Kelkar brings to life the stories of the unsung heroes of India’s War of Independence.

Shantanu Duttagupta, Head of Publishing, Scholastic India, says, “Ahimsa is a book every Indian should read, whether you are a parent, child, educator or book lover. It leaves a mark.”

Supriya Kelkar doesn’t shy away from the reality that progress can sometimes be slow and one must persist even when all hope seems gone. She draws inspiration from her own family history. Kelkar says, “I’m so thrilled Ahimsa is heading to India, and cannot wait to share this book with all the wonderful readers there!”

About the author
Born and raised in the Midwest, Supriya Kelkar learned Hindi as a child by watching three Bollywood films a week. Now she works in the film industry as a Bollywood screenwriter. She has credits on one Hollywood film and several Hindi films. Ahimsa, inspired by her great-grandmother’s role in the Indian freedom movement, is her debut middle grade novel.

“A poignant look at India’s independence through the eyes of a ten-year-old, Ahimsa is a well-crafted tale of resistance.”

— Rajkumar Hirani, director of the films Sanju3 Idiots, PK and Lage Raho Munna Bhai

A BOOK EVERY INDIAN MUST READ

AHIMSA

By  

SUPRIYA KELKAR

Releasing on August 6

PRE-ORDER NOW!

9789352755349

₹395; HB; 308 PP

 

For further information, please contact – Debosmita Sarkar ( dsarkar@scholastic.co.in )

About Scholastic India

Established in 1997, Scholastic India runs a dynamic publishing programme that aims to bring out innovative titles from the best of Indian authors and illustrators. Scholastic works closely with teachers, parents and students to encourage reading and promote the highest quality of reading and educational material in English.

 

12 July 2018 

Novoneel Chakraborty “The Stranger Trilogy”

Amazon homepage on 6 June 2016 shows Novoneel Chakraborty’s book being amongst the top 25 bestsellers.

Novoneel Chakraborty is a successful commercial fiction writer who is known for his psycho-sexual or romantic thrillers. He is now a screenwriter for television too. He began writing in 2008 but since then has had phenomenal success with his books. He obviously has a knack for knowing what the readers/market desire and caters to it exceptionally well. His books are selling extremely well as testified by Amazon India’s banner on their homepage in June 2016.

His “Stranger Trilogy” consists of

 Marry me, Stranger;

All yours, Stranger

and Forget me not, Stranger. These are being sold as a boxed set.

This trilogy has been creating a buzz for a while. The stories are written in first person by the protagonist Rivanah Bannerjee and have a lot of sex. The stories are ostensibly about the mysterious identity of a stalker who regularly sexually assaults Rivanah and she assumes its her boyfriend. The trilogy comes across as very uneven writing. The sex scenes are written very confidently and quite bold but always seem as if they are strongly influenced by international thrillers. It would not be so evident if it were not for the “bridges” between the sex scenes that is actually the narrative. It crawls like a typical contemporary Indian novel written in English which relies considerably on mundane conversation. There is little in terms of psychological thriller that makes these stories distinctly their own except for the mysterious identity of the stalker and reasons for stalking. A blue-blooded psychological thriller is packed with details, working in layers and the suspense building slowly and steadily sometimes even with multiple perspectives embroiling the reader into an emotional space that teeters between empathy and curiosity and horror. Unfortunately “The Stranger Trilogy” does not quite meet the mark.

It is also distressing to discover that a book written in the first person by a woman incorporates the male fantasy gaze “appreciating” if not at times fantasing about the sexual acts that would otherwise be seen as a rape. It is disturbing to have such literature being published and obviously rapidly finding a readership/market because somewhere it is catering to these bizarre fantasies. In terms of creative licenses every author has the freedom of expression to write on any subject they like and in any manner. But this? Given the current scenarios of the horrific rapes and stalkings that are constantly being documented in India. Who can forget the rape of the young girl in December 2013 or the recent one in Kerala of a Dalit girl in April 2016?  Alas these two young women did not survive the horrific assaults. In 1983 Sohaila Abdulali had written about her experience of being gang-raped in Bombay and the article was published in Manushi. Here is the link: http://bit.ly/1r9YCMH In the past few weeks two very powerful posts by rape survivors have gone viral on the internet. They are extremely moving for the manner in which these women have survived their assaults, had the immense courage to write about the experience even though it must have been very painful to recall details and put it down in words. The first is by Jessica Knoll whose debut Luckiest Girl Alive smashed all bestseller charts for its story. (Reese Witherspoon has optioned the film rights.) Weeks after the book was published Jessica Knoll wrote this article in Lenny Letter  for the first time acknowledging being gang-raped as a teenager. ( http://bit.ly/1UCLhGR ) On 4 June 2016, the rape victim of a Stanford swimmer read this letter out aloud in court after the rapist was sentenced to a mere six months in jail because a longer sentence would have “a severe impact on him,” according to a judge. The letter was published on Buzzfeed. (http://bzfd.it/213lAkL ) And who can forget the Steubenville High School rape case on the night of August 11, 2012, when a high-school girl, incapacitated by alcohol, was publicly and repeatedly sexually assaulted by her peers, several of whom documented the acts on social media. The news exploded on social media creating a cyber-storm across geographies with widespread condemnation.

These rape cases highlight the horror of the act and that sexual assaults are a serious crime. Cultural collateral such as book products are an integral part of a complex social ecosystem. Presuming such stories exist as standalone entities meant solely for entertaining is unacceptable. These acts may be the fantasy of many and products peddling such sexual fantasies sell well even in the book market but The Stranger Trilogy is irresponsible publishing especially by a reputed firm.

Novoneel Chakraborty The Stranger Trilogy Random House India, Gurgaon, 2015. Pb. pp. 250. Rs. 175 each. 

6 June 2016

 

 

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