yalit Posts

Katherine Rundell “The Explorer”

Katherine Rundell’s The Explorer is about four children who crashed in the Amazon jungle. They do their best to figure out the jungle and how to survive till they come across a cranky explorer. He is as surprised as they are about each other’s existence in the jungle. Nevertheless he takes charge and rather gruffly guides them on what to eat and what not to eat in the jungle. It is he who ultimately helps the children leave the jungle and return home for which they are eternally grateful.

The Explorer as with the novels Katherine Rundell writes is inspired by a historical fact. It becomes the basis of her fiction for young adults. For this particular novel it was the British geographer and explorer Peter Fawcett who was an artillery officer “with an astonishingly tough constitution and enough moustache for three men.”

He spent much of his life in search of what he called the City of Z, a city he imagined as richly sophisticated and peppered with gold. 

In 1925, shortly after crossing the Upper Xingu, a south-eastern tributary river of the Amazon, he and his two companions disappeared. He was never heard from again. 

Katherine Rundell has an eye for incredible detail in the storytelling making the action and landscape come alive on every page while at the same time the scrumptious illustrations are a bonus. In The Explorer it is the tiny details of jungle life, the behaviour of sloths, what kind of beans are appropriate to eat or not, descriptions of the river bank and the foliage — all ring true and understandably so, given the amount of research Katherine Rundell puts in for every book.

There was so much to look at; so much that was strange; so much that was new and vast and so very palpably alive.

The trees dipped down their branches, laden with leaves broad enough to sew into trousers. He passed a tree with a vast termite nest, as big as a bathtub, growing around it. He gave it a wide berth. 

The greenness, which had seemed such a forbidding wall of colour, was not, up close, green at all, Fred thought. It was a thousand different colours; lime and emerald and moss and jade and a deep dark almost black green that made him think of sunken ships. 

Fred breathed in the smell. He’d been wrong to think it was thick, he thought; it was detailed. It was a tapestry of air. 

The story itself about the children coming together on this adventure is so beautifully done wherein the individual personalities remain distinct but ever so slightly as the story progresses they also bond as a team. It is a triumph in storytelling for young adults — they who are at the cusp of adulthood but not too far from childhood and love imaginative storytelling. Hence it is absolutely wonderful that The Explorer won the Costa Book Awards 2017.

Katherine Rundell The Explorer ( Illustrated by Hannah Horn) Bloomsbury, London, 2017. Pb. pp.

2 May 2018 

Scholastic India Session on reading, Times of India LitFest, New Delhi ( 26 Nov 2017)

On Sunday 26 November 2017, I moderated the ‘SCHOLASTIC INDIA SESSION’, a conversation on young adult fiction with Shantanu Duttagupta, Scholastic India and Arti Sonthalia at the Times of India LitFest, Delhi (#TLFDelhi). The conversation began with Arti Sonthalia introducing her fabulous chapter book, Hungry to Read.  The story revolves around a reading competition in Grade 3 with the aim of inculcating the love of reading amongst the students. The prize of a night stay in school to use the telescope to watch the night sky is what every student dreams of! The delicious way in which Arti makes it more than a dull story about a competition. Read it!

Using Hungry to Read as a springboard, the conversation expanded to reading levels, tools for measuring reading such as lexile and numbers at the back of books, reading for young adults, reading as a lifelong skill particularly in this information age where content is the oil of twenty-first century!

Watch the conversation:

28 November 2017 

Paro Anand wins the Sahitya Akademi Puraskar for “Wild Child”

In 2010 well-known children’s writer Paro Anand and I began working on a collection of stories. I had commissioned the manuscript as a publishing consultant for Puffin India. It was a slow creative process which was hugely rewarding for the calibre of stories Paro Anand wrote. We worked at it patiently ignoring schedules focused on quality. Wild Child and Other Stories was published in December 2011. It sold in vast numbers. It was so popular that in 2015 Penguin India revised the edition. Paro Anand added a few more stories to the volume. It was rejacketed and relaunched with a new title — Like Smoke. The book in its various avatars has been in circulation for six years and continues to sell well.

Interestingly earlier this month Paro Anand wrote an article in The Indian Express ( 2 June 2017) on how at least two of her books, No Guns at My Son’s Funeral and Like Smoke , are being banned by schools in India.

She writes:

In recent months, these two books have been taken off reading lists. In one school, teachers decided that they were “inappropriate”; in another, parents apparently objected to their children being made to read such “improper” children’s books. The school authorities have withdrawn them.

This, after years of being taught to class nine and ten students. I am now being invited to talk in schools on the condition that I don’t bring up these titles under any circumstances. I am told that I should stick to some of my “safe” ones.

Is this happening out of fear? Is it the worry that, in these black and white times, a mob will find out about these books and come at the school, guns blazing? Is it a “better safe than sorry” thing? The “suppose something happens” factor? In a way, I can understand this — after all, young children are involved.

But, on the other hand, aren’t we robbing our young of open debate and critical thinking? Of late, we have been repeatedly giving in to a handful of people with easily hurt sentiments. But is our children’s curriculum to be decided by the mob? By khap panchayats? Are young people to stay forever within the safety of the lakshman rekha drawn by Cinderella? When the mob infantilises even adults with violent censorship — think Ramjas College — it’s no surprise that children’s literature is in the firing line, too. The only surprise is that it didn’t happen earlier.

Acknowledgements page of “Like Smoke” by Paro Anand

Being awarded the prestigious Sahitya Akademi Puraskar 2017 for Wild Child and Other Stories and her contribution to children’s literature is a validation of Paro Anand’s decades of work in this field. Here is an example of the fan mail she receives for the book. This letter came in a couple of weeks ago.

Hi.I don’t know if you remember me. I wanted to thank you. I was in class 8th when I first met you and i still am in awe of you to this day. It was a beautiful memory that I long to revisit. You were in my school for an author meet. …It was you, who made me realise that life is worth when you live for others. It was you who inspired me to become who I am. It’s been nearly 5 years. You autographed on my copy of wild child that you’d hope to get my autograph one day and trust me that was day I aimed to be the best so as in to prove my mettle and I gave my best to be the school’s literary president. I owe that badge to you, mam. The day you signed that book was such a proud moment for me. I went to my class with a big grin and all my peers were jealous. My parents were very proud of me. Not that I’ve never won anything before, but that day I won respect. I was more than a role model to my sibling, more than just an achiever to my parents. Your words filled my heart with optimism and hope. I’ve had quite a few lows in my life. But somehow your words flashed back this one time and I’ve been strong ever since. I really want to thank you. It is these little things that actually affect a person’s life and I, from that very day tried to be a person like you. You’ve helped me in a way I never thought of. Your words have always been heart wrenching yet so inspiring. Thank you, I’ll never forget how you appreciated my innocence back then and answered all my questions tirelessly. Thank you for that beautiful afternoon. Wild child will forever be my book and you shall always be a tender, loving yet fearless inspiration to me. Thank you for being a part of my childhood. This isn’t Shabir Karam… Haha this is ….. I’ll have my kids(if I ever do that is), tell them about fats or bela’s troubles or about pepper. Thank you, I guess it is never too late. 

Yours gratuitously, 
XYZ
As her commissioning editor for the book my joy at Paro Anand winning this award is indescribable. I am truly delighted our constructive energies and hard work resulted in her being recognised in this manner.
Congratulations Paro!
26 June 2017 

“The Bicycle Spy” & “Brave Like My Brother”

Of late there has been an increase in the amount of historical fiction set during the second world war by contemporary writers. These are two wonderful examples. The Bicycle Spy introduces young readers to the Resistance and German occupation of France. It is a story told from the perspective of a young boy who discovers his classmate is a Jew from Paris and needs protection. With the help of his parents he sets out on his mission. Likewise Brave Like My Brother is about a young American soldier who is recruited and within three days packed off to England and later, France. The story is told via letters he exchanges with his younger brother. As the writer says he did take some creative license to tell it but it’s embedded in facts such as Eisenhower’s visit to the Allied troops in Europe and the use of inflatable armoured vehicles to be used as decoy before D-day.

Both the books, published by Scholastic, are immensely readable and a great way to introduce children to different aspects of the war. Now for similar yalit fiction about conflict situations in other geographies.

17 February 2017 

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