In the middle of December 2022, TOI Bookmark, weekly podcasts on books and literature was launched by The Times of India (TOI) . TOI has a new vertical dedicated to podcasts called Times Specials / ( @TimesSpecialTOI). It is specially curated premium content from across the Times Group, for digital audiences. I record every week with incredible writers and publishers, based around the world. The Times of India, of course, is the world’s largest newspaper and India’s No. 1 digital news platform with over 3 billion page views per month. Times Specials podcasts will be promoted across all TOI platforms, including print.
I recently contributed to How to Get Published in Indiaedited by Meghna Pant. The first half is a detailed handbook by Meghna Pant on how to get published but the second half includes essays by Jeffrey Archer, Twinkle Khanna, Ashwin Sanghi, Namita Gokhale, Arunava Sinha, Ravi Subramanian et al.
Here is the essay I wrote:
AS LONG as I can recall I have wanted to be a publisher. My first ‘publication’ was a short story in a newspaper when I was a child. Over the years I published book reviews and articles on the publishing industry, such as on the Nai Sarak book market in the heart of old Delhi. These articles were print editions. Back then, owning a computer at home was still a rarity.
In the 1990s, I guest-edited special issues of The Book Review on children’s and young adult literature at a time when this genre was not even considered a category worth taking note of. Putting together an issue meant using the landline phone preferably during office hours to call publishers/reviewers, or posting letters by snail mail to publishers within India and abroad, hoping some books would arrive in due course. For instance, the first Harry Potter novel came to me via a friend in Chicago who wrote, “Read this. It’s a book about a wizard that is selling very well.” The next couple of volumes were impossible to get, for at least a few months in India. By the fifth volume, Bloomsbury UK sent me a review copy before the release date, for it was not yet available in India. For the seventh volume a simultaneous release had been organised worldwide. I got my copy the same day from Penguin India, as it was released by Bloomsbury in London (at the time Bloomsbury was still being represented by Penguin India). Publication of this series transformed how the children’s literature market was viewed worldwide.
To add variety to these special issues of The Book Review I commissioned stories, translations from Indian regional languages (mostly short stories for children), solicited poems, and received lovely ones such as an original poem by Ruskin Bond. All contributions were written in longhand and sent by snail mail, which I would then transfer on to my mother’s 486 computer using Word Perfect software. These articles were printed on a dot matrix printer, backups were made on floppies, and then sent for production. Soon rumours began of a bunch of bright Stanford students who were launching Google. No one was clear what it meant. Meanwhile, the Indian government launched dial-up Internet (mostly unreliable connectivity); nevertheless, we subscribed, although there were few people to send emails to!
The Daryaganj Sunday Bazaar where second-hand books were sold was the place to get treasures and international editions. This was unlike today, where there’s instant gratification via online retail platforms, such as Amazon and Flipkart, fulfilled usually by local offices of multi-national publishing firms. Before 2000, and the digital boom, most of these did not exist as independent firms in India. Apart from Oxford University Press, some publishers had a presence in India via partnerships: TATA McGraw Hill, HarperCollins with Rupa, and Penguin India with Anand Bazaar Patrika.
From the 1980s, independent presses began to be established like Kali for Women, Tulika and KATHA. 1990s onwards, especially in the noughts, many more appeared— Leftword Books, Three Essays, TARA Books, A&A Trust, Karadi Tales, Navayana, Duckbill Books, Yoda Press, Women Unlimited, Zubaan etc. All this while, publishing houses established by families at the time of Independence or a little before, like Rajpal & Sons, Rajkamal Prakashan, Vani Prakashan etc continued to do their good work in Hindi publishing. Government organisations like the National Book Trust (NBT) and the Sahitya Akademi were doing sterling work in making literature available from other regional languages, while encouraging children’s literature. The NBT organised the bi-annual world book fair (WBF) in Delhi every January. The prominent visibility in the international English language markets of regional language writers, such as Tamil writers Perumal Murugan and Salma (published by Kalachuvadu), so evident today, was a rare phenomenon back then.
In 2000, I wrote the first book market report of India for Publisher’s Association UK. Since little data existed then, estimating values and size was challenging. So, I created the report based on innumerable conversations with industry veterans and some confidential documents. For years thereafter data from the report was being quoted, as little information on this growing market existed. (Now, of course, with Nielsen Book Scan mapping Indian publishing regularly, we know exact figures, such as: the industry is worth approximately $6 billion.) I was also relatively ‘new’ to publishing having recently joined feminist publisher Urvashi Butalia’s Zubaan. It was an exciting time to be in publishing. Email had arrived. Internet connectivity had sped up processes of communication and production. It was possible to reach out to readers and new markets with regular e-newsletters. Yet, print formats still ruled.
By now multinational publishing houses such as Penguin Random House India, Scholastic India, Pan Macmillan, HarperCollins India, Hachette India, Simon & Schuster India had opened offices in India. These included academic firms like Wiley, Taylor & Francis, Springer, and Pearson too. E-books took a little longer to arrive but they did. Increasingly digital bundles of journal subscriptions began to be sold to institutions by academic publishers, with digital formats favoured over print editions.
Today, easy access to the Internet has exploded the ways of publishing. The Indian publishing industry is thriving with self-publishing estimated to be approximately 35% of all business. Genres such as translations, women’s writing and children’s literature, that were barely considered earlier, are now strong focus areas for publishers. Regional languages are vibrant markets and cross-pollination of translations is actively encouraged. Literary festivals and book launches are thriving. Literary agents have become staple features of the landscape. Book fairs in schools are regular features of school calendars. Titles released worldwide are simultaneously available in India. Online opportunities have made books available in 2 and 3-tier towns of India, which lack physical bookstores. These conveniences are helping bolster readership and fostering a core book market. Now the World Book Fair is held annually and has morphed into a trade fair, frequented by international delegations, with many constructive business transactions happening on the sidelines. In February 2018 the International Publishers Association Congress was held in India after a gap of 25 years! No wonder India is considered the third largest English language book market of the world! With many regional language markets, India consists of diverse markets within a market. It is set to grow. This hasn’t gone unnoticed. In 2017, Livres Canada Books commissioned me to write a report on the Indian book market and the opportunities available for Canadian publishers. This is despite the fact that countries like Canada, whose literature consists mostly of books from France and New York, are typically least interested in other markets.
As an independent publishing consultant I often write on literature and the business of publishing on my blog … an opportunity that was unthinkable before the Internet boom. At the time of writing the visitor counter on my blog had crossed 5.5 million. The future of publishing is exciting particularly with neural computing transforming the translation landscape and making literature from different cultures rapidly available. Artificial Intelligence (AI) is being experimented with to create short stories. Technological advancements such as print-on-demand are reducing warehousing costs, augmented reality is adding a magical element to traditional forms of storytelling, smartphones with processing chips of 8GB RAM and storage capacities of 256GB seamlessly synchronised with emails and online cloud storage are adding to the heady mix of publishing. Content consumption is happening on electronic devices AND print. E-readers like Kindle are a new form of mechanised process, which are democratizing the publishing process in a manner seen first with Gutenberg and hand presses, and later with the Industrial Revolution and its steam operated printing presses.
The future of publishing is crazily unpredictable and incredibly exciting!
Amazon Kindle Direct Publishing Author Academy is hosting an event over lunch at Hotel Le Meredien, New Delhi . It is to introduce and discuss their self-publishing programme– Kindle Direct Publishing or KDP. The panel will include Sanjeev Jha, Director for Kindle Content, India, Amazon. I will moderate the conversation.
Anyone who is interested in selfpublishing their book online is welcome to attend. It could be a book or a manual ranging from fiction, non-fiction, self-help, parenting, career advice, spirituality, horoscopes, philosophy, first aid manuals, medicine, science, gardening, cooking, collection of recipes, automobiles, sports, finance, memoir, biographies, histories, children’s literature, textbooks, science articles, on Nature, poetry, translations, drama, interviews, essays, travel, religion, hospitality, narrative non-fiction, reportage, short stories, education, teaching, yoga etc. Any form of text that is to be made available as an ebook using Amazon’s Kindle programme.
In December 2016 Amazon announced that Kindle books would be available in five regional languages in India — Hindi, Tamil, Marathi, Gujarati and Malayalam. This is a game changing move as it enables writers in other languages apart from English to have access to a worldwide platform such as the Kindle. Best-selling author Ashwin Sanghi called it an “outstanding initiative by Amazon India. It’s about time that vernacular writing moved out from the confines of paperback. It will also enable out-of-print books to be made available now.” Another best-selling author, Amish Tripathi, said this will address the inadequate distribution and marketing of Indian language books, for the much larger market is the one in Indian languages. “I am personally committed to this and am very happy that of the 3.5 million copies that have been sold of my books, a good 500,000 of them are in Indian languages.” Others remarked upon the best global practices it would bring to local publishing.
Director for Kindle Content, India, Amazon
cordially invites you for a session on
Amazon for Authors:
Navigating the Road to Self-Publishing Success
Hear how Indian authors have used Kindle Direct Publishing (KDP) to build and reach audiences across a variety of genres
( My article on Kindle books being introduced in Indian languages was published in The Mint on 21 Dec 2016. )
Amazon India has announced that Kindle will launch digital books in five Indian languages—Hindi, Tamil, Marathi, Gujarati and Malayalam. The titles include Ishq Mein Shahar Hona by Ravish Kumar (Hindi), Rajaraja Chozhan by Sa. Na. Kannan (Tamil), Mrutyunjay by Shivaji Sawant (Marathi), Ek Bija Ne Gamta Rahiye by Kaajal Oza Vaidya (Gujarati), Aarachar by K.R. Meera (Malayalam) and Mayapuri by Shivani (Hindi). Kindle devices seventh generation and above will support Indic scripts, enabling readers to access such books.
This is a move that could be a game changer in India. Amazon India has moved methodically to embed itself in Indian publishing. First, it launched Kindle with free lifetime digital access provided by BSNL, but only for English e-books. In November, the acquisition of local publishing firm Westland—known for its commercial fiction best-sellers and translation programme—was completed at reportedly $6.5 million (around Rs44 crore), a small portion of the $5 billion allocated by Jeff Bezos as investment in India. In fact, Seattle-based Amazon Publishing’s translation imprint, AmazonCrossing, has surpassed all other publishers in the amount of world literature it makes available in the US. This was first highlighted in December 2015 by Chad Post, publisher, Open Letter Books, on his influential website, Three Percent. In October 2015 AmazonCrossing announced it had a $10 million budget to invest in translations worldwide. It is probably no coincidence that Amazon India vice- president and country manager Amit Agarwal has been inducted into the Bezos core team, which is responsible for its global strategy.
In an email, Post responded to the news, saying: “This seems like a great thing for Indian readers and anyone interested in Indian literature. Amazon’s stated goal is to make as many books available in as many formats to as many people as possible, and this program is a strong move in that direction. Increasing digital access to these books will be huge—it greatly expands the potential audience, and could help AmazonCrossing expand into publishing Indian writers in translation. AmazonCrossing published 60 works translated into English in 2016, which is far more than any other publisher. The majority of these titles are translated from German, French and Spanish, but AmazonCrossing has expanded into doing works from Iceland, Turkish, Chinese and Indonesian, so it makes sense that they would be interested in finding books from these five Indian languages.”
In India, this announcement could not have come at a more opportune moment. With demonetization, Indians who prefer dealing in cash are perforce moving to digital payments. Also, by July 2017, it will be mandatory for all handsets manufactured, stored, sold and distributed in India to support the inputting of text in English, Hindi and at least one more official Indian language, and support reading of text in all these languages, thus making it feasible to read books other than English on the Kindle app too.
Kannan Sundaram, publisher, Kalachuvadu, welcomed the decision: “We hope it will increase our revenue from e-books which is pretty low now. Tamilians are spread all over the world. It is near impossible to reach hard copies to them. So this will boost the chances for them to read Tamil books of their choice.” Best-selling author Ashwin Sanghi called it an “outstanding initiative by Amazon India. It’s about time that vernacular writing moved out from the confines of paperback. It will also enable out-of-print books to be made available now.” Another best-selling author, Amish Tripathi, said this will address the inadequate distribution and marketing of Indian language books, for the much larger market is the one in Indian languages. “I am personally committed to this and am very happy that of the 3.5 million copies that have been sold of my books, a good 500,000 of them are in Indian languages.” Others remarked upon the best global practices it would bring to local publishing.
Well-known Hindi lexicographer Arvind Kumar says it will influence reading patterns by encouraging cross-pollination of literature across cultures by “opening new avenues for translation of two-way Hindi to English and other Indian languages which are being introduced on Kindle, and from many non-English languages like French and German or, say, Latin American into Hindi”. Mini Krishnan, OUP, too endorsed it, saying readership in the Indian languages is healthy, so “a highly portable personal library will surely do well”.
(Thank you for the response to my inaugural newsletter. Please feel free to write: jayabhattacharjirose1 at gmail dot com )
The biggest news in terms of business deals has been the acquisition of TATA-owned publishers Westland by Amazon. (http://bit.ly/2fjVVCP) Earlier this year Amazon had a bought a significant minority stake in Westland but last week they bought the company for a purportedly Rs 39.8 crores or approximately $6.5 million. ( http://bit.ly/2fzdfrJ ) Westland has a history of over 50 years in retail, distribution and publishing. It is an amalgamation of two companies, Westland Books and EastWest Books (Madras). “Amazon’s roots are in books and we are excited to be part of that team in the next phase of our journey,” Westland CEO Gautam Padmanabhan said. The publishing list of Westland, its imprints Tranquebar and EastWest, and imprint extension Mikros, include bestselling authors Amish Tripathi, Ashwin Sanghi, Rashmi Bansal, Rujuta Diwekar, Preeti Shenoy, Devdutt Pattanaik, Anuja Chauhan and Ravi Subramanian, among others. This deal highlights the growing significance of India book markets — the third largest English language and with each regional language being of a substantial size too. It will also have an effect on how publishers realign themselves to create strategically good content which makes for good cultural capital but also astute business sense.
For more on the significance of such an acquisition read Bharat Anand’s analysis of AT&T & Time Warner merger in HBR. (http://bit.ly/2feLlOP ) It is a marriage between content and distribution, organizations and tech companies. “Content is an increasingly important complement for every one of the tech companies.” Bharat Anand is the Henry R. Byers Professor of Business Administration at Harvard Business School, where he’s taught media and corporate strategy for 19 years. He is the author of the recently released The Content Trap: A Strategist’s Guide to Digital Change.
Publishing business strategies will be bolstered by the GOI announcement as part of the Digital India movement that “Handsets mandated to support Indian language keyboards July 1st 2017” All handsets being manufactured, stored, sold and distributed in India will have to support the inputting of text in English, Hindi and at least one more official Indian language (of 22), and support reading of text in all these languages. (http://bit.ly/2fGxrbb ) In Medianama’s analysis this will speed up the switch in India to smartphones (and featurephones), because they have that capability to use Indic languages using the operating system. ( http://bit.ly/2feSTRG ) In the long run, good news for publishers if their content is gold.
14 November is celebrated as Children’s Day in India. Nearly 50% of the 1.3 bn population in India is below the age of 25 years –a sizeable reading market. As the first-ever Kids & Family Reading Report, India edition by Scholastic India notes that 86% children read the books they select but points out that 71 per cent of kids were currently reading a book for fun. This is the way it should be to create a new generation of readers. (http://scholastic.co.in/readingreport )
Ann Patchett’s incredibly stunning novel of families and the writing experience Commonwealth(Bloomsbury)
Jonathan Eig’s fascinating account of The Birth of the Pill (Pan Books, Pan MacMillan India)
Translating Bharat Reading India edited by Neeta Gupta. A collection of essays discussing the art of translating and what constitutes a good translation. (Yatra Books)
Madeleine Thien’s extraordinary novel Do Not Say We Have Nothing ( My interview with the author: http://bit.ly/2eX5meG )
Lit fests: ILF Samanvay: The IHC Indian Languages Festival ( 5-7 Nov 2016)
Literary Prize: Haruki Murakami wins this year’s Hans Christian Andersen Literature Award ($74,000). The Hans Christian Andersen Literary Award is not to be confused with the Hans Christian Andersen Award (or medal)— often regarded as the “Little Nobel Prize”— instituted in 1956 to recognize lasting contributions in the field of children’s literature. (http://bit.ly/2eC70iI ) In his acceptance speech he warned against excluding outsiders (http://wapo.st/2fjZ31u )
World Literature Today, the award-winning magazine of international literature and culture, announced Marilyn Nelson as the winner of the 2017 NSK Neustadt Prize for Children’s Literature. Awarded in alternating years with the prestigious Neustadt International Prize for Literature, the biennial NSK Prize ( $25,000) recognizes great achievements in the world of children’s and young-adult storytelling. ( http://bit.ly/2fdIQhX )
Jai Arjun Singh’s The World of Hrishikesh Mukherjee has been given the Book Award for Excellence in Writing on Cinema (English) at the Mumbai Film Festival.
Interesting book links:
A Phone Call from Paul , literary podcast for @LitHub done by Paul Holdengraber, NYPL is worth listening to. Here is the latest episode where Paul is in conversation with Junot Diaz. (http://bit.ly/2fxF1p8 )
The Kindle Instant Preview ( or #KindleInstantPreviews) was launched in USA in January 2016. It is a new feature instituted by Amazon that lets third-party blogs, sites and apps give their users the ability to browse excerpts from books without leaving their sites or apps. The idea behind it being if you give readers a little taster of what to expect in the book they are reading about online there is a greater chance of impulse buying. The application is installed as a widget in the article or blog post that allows the reader alighting on the icon to “flip” through the book and if they like it, then they can move to the “buy” button and make an instant purchase. The feature is integrated with the Kindle so it is available only for those books available on Kindle + Amazon. Here are a couple of articles on the application from January 2016:
http://www.geekwire.com/2016/embed-a-book-amazon-starts-offering-kindle-book-previews-for-third-party-websites/ and http://jwikert.typepad.com/the_average_joe/2016/01/kindle-instant-preview-reinforces-amazons-dominance.html .
On 24 May 2016, the Kindle Instant Preview application was launched in India too. The press release is here: http://amzn.to/1OKIeIm . Amazon India has partnered with my blog. Some of the blog posts that have been integrated with the widget for the launch are visible on Ashwin Sanghi’s The Sialkot Saga ( http://bit.ly/1UEe1lq ),
Mary Beard’s SPQR: A History of Ancient Rome ( http://bit.ly/1RDJvFr ) ,
Paro Anand’s Like Smoke ( http://bit.ly/1XDbxSF ) ,
Meg Rosoff’s Jonathan Unleashed ( http://bit.ly/1paBhcw )
Chitra Bannerjee Divakurni’s Before We Visit The Goddess ( http://bit.ly/1NBeYsC ),
Robert Seethaler’s A Whole Life (http://bit.ly/1YV1jxd) and
LEGO books published by Scholastic India such as Lego Movie (http://bit.ly/1UaS9v2)
I am happy to partner with Amazon India for the Kindle Instant Preview application particularly if it helps in strengthening the publishing industry by benefiting the ecosystem. IMHO it gives readers a taster of what they can hope to read and offers authors & publishers the opportunities for more platforms to sell their books.
Support for my blog/website is by Akhil Namboothiri (http://akhilnamboothiri.com/ )
Earlier in 2016, Amazon bought a significant minority stake in Westland. ( Ashwin Sanghi and I were discussing publishing, his pseudonymn “Shawn Higins” and his own amazing success story. His first novel The Rozabal Line was published by Lulu.com. Later an Indian publishing house based in Chennai, Westland, offered to publish his book. His latest novel Sialkot Saga has recently been released. http://bit.ly/1UEe1lq
Read on about Ashwin’s incredible story. This extract is from the first draft of 13 Steps to Bloody Good Luck and has been reproduced with permission. )
Extract from original manuscript of “13 Steps to Bloody Good Luck”
After being rejected by most publishers, I had self-published my first novel The Rozabal Line via a US-based self-publishing platform called Lulu.com which had just set up shop. The year was 2007. There was no Kindle and self-publishing meant POD (Print on Demand) in which the book is listed on websites and a customer order triggers a printing and delivery of the book. I designed my own book cover and hired a freelance editor to work on the manuscript before I uploaded the PDF to Lulu’s server.
The average self-published book sells 57 copies during its lifetime (the long tail is very long indeed). I started blogging and became active on social media. I created a YouTube trailer for the book and managed to sell 900 copies in the first year. I was one of Lulu’s best selling authors even with those meagre numbers!
I soon realized that the platform was selling my books only via American online retail channels such as Amazon.com (the India channel did not exist) and BN.com. My titles remained unavailable in India. My attempts to get published the traditional way in India had come to nought and I was at a dead end.
I started visiting bookstores to find out if they would be willing to stock my books but they refused. They said that they would only deal with distributors. Unfortunately I knew none of the distributors. My mother knew someone at a publishing company and was happy to introduce us. Unfortunately that person’s company had already decided to decline my work (like many others), but she introduced me to Vivek Ahuja, who had worked for eighteen years with a large book distribution entity in India, UBSPD.
The incredibly helpful Vivek advised that I would have to import my books from the US and supply them on consignment basis to a few Indian distributors. Giving me a list of some 75 Indian distributors, he advised me to write to each of them individually, enclosing a copy of my book. One of the distributors on that list was East West Books. No one called or replied to my letters and books.
Months later, I received a call from a lady who introduced herself as Hemu Ramaiah. I did not know it at that time, but she was the founder of Landmark Book Stores and her company had just created a joint venture called Westland with East West Books. Hemu said that she had loved The Rozabal Line that I had sent to East West, but it would be impossible to import the book from America and then expect to sell it in the Indian market at a reasonable price. Would I be willing to republish it in India? I jumped with joy at her question. I had been turned down by almost every publisher on the planet by then.
Hemu then introduced me to Gautam Padmanabhan, CEO of Westland (my current publisher). Gautam liked the book but was not sure about its commercial viability. He created a target group of ten readers (including his own father) to read the book and give feedback. Luckily for me, the majority opinion was favourable.
We signed a contract two weeks later. There were two conditions attached. One: that we do a fresh edit of the book. Two: that I drop my pseudonym.
The first print run was 2000 copies and we sold that lot in four weeks. We went into a second print run and have not stopped ordering reprints since then.
Bollywood actress, Kajol, and Ashwin Sanghi unveiling the book cover of “The Sialkot Saga” at Jaipur Literature Festival 2016.
Some animals hunt. Others hide. And a few hunt while they hide.
Ashwin Sanghi’s latest novel The Sialkot Saga will be released on 5 April 2016. It is a greatly anticipated thriller whose cover was unveiled with great fanfare by the Bollywood actress, Kajol Devgn, at Jaipur Literature Festival 2016. The Sialkot Saga is a retelling of modern Indian history through the lives of a Muslim Mumbai underworld don, Arbaaz Sheikh, and a Hindu Calcutta Marwari businessman, Arvind Bagadia. Basic premise being money matters, nothing else — it is a dhanda after all. As is the fashion nowadays in modern novels a family saga spread across at least two generations is a must and is evident in Sialkot Saga too. There are neat historical details beginning with Partition interspersed with brutal violence and unscrupulous plans to gain money. Politics, land deals, hawala, narcotics, films etc. Anything as long as there is a healthy profit margin to be made. There are some descriptions of violence particularly horrifying since they challenge the boundaries of ethics. But the acts described are so very plausible that the horror is compounded manifold. It strikes a sense of fear. Surprisingly the boldness of these criminal minds also makes one chuckle. 300-odd pages into the novel it begins to seem like a manual on the rise of corporate India. It becomes a little convoluted with its business descriptions. An account of the birth of companies like Reliance, Satyam, Infosys to the formidable place they hold today as the gems of Shining & Incredible India. The chorus of the opening pages soon to be forgotten as the plot builds is “Some animals hunt. Others hide. And a few hunt while theyhide.”Attention does begin to flag but every writer writes from their strong point and being a successful businessman is one of Ashwin Sanghi’s strengths.
The second is his avatar as a modern mythographer. It is evident in the tenuous tale he weaves about the sanjeevani. It seems a bit convenient but once again it is Ashwin Sanghi’s forte to pull together myths and present them in a modern setting. It is his trademark. And one that his many readers will be waiting for. ( Till date he has sold over a million units of his previous books.)
Here is the link to the book trailer: https://youtu.be/1qv_tk5i9kM . It is a wonderfully edited movie clip but is not true to the book at all.
Undoubtedly Ashwin Sanghi’s “Sialkot Saga” is immensely readable for its tremendous insight into the Indian brand of businessmen. There is no word for their inventiveness in their greed for money and this is matched by the phenomenal storytelling of the novelist. It is quite remarkable. Setting his story in the historical backdrop of modern India proves that irrespective of political ideologies and government policies, money always wins. Having said that there is a lot of testosterone flowing through this book with the few women characters taking on fairly conventional roles. Even the breakaway character of Alisha as an example of the millennial generation does not quite live up to promise. I am not even going to nitpick about historical accuracy since it does not purport to be a historical novel. It is just a great story.
Ashwin Sanghi The Sialkot Saga Westland, Chennai, 2016. Pb. pp. 584. Rs 350
With an estimated market segment of INR 10,000 crores, India ranks seventh in overall publishing and third after the US and UK in English language publishing. According to a recent FICCI Publishing Sector Report, book publishing in India is growing at a compound annual growth rate of approximately 30 per cent. With an estimated 600 million adult readers in the country and a growing young reader base (15-25 yrs) of 350 million, the readership in India is expected to continue growing.
This is a significant development in the Indian publishing industry.
Westland Books has a tremendous stable of commercially successful authors, a strategy they have been in investing in steadily in recent years. Some of these are: Amish Tripathi, Ashwin Sanghi, Ravi Subramanian, Preeti Shenoy, Anuja Chauhan, Rashmi Bansal, Rujuta Diwekar, Devdutt Pattanaik, Dheeraj Sinha, Kiran Doshi, Nilanjan Mukhopadhyay, Ashok Banker and Satyajit Das. Their books sell lakhs of units. ( 1 lakh = 100,000) Their pre-order sales are phenomenal too. These writers have a star power and a fan following that has been unprecedented in the publishing history of India but they are also expensive to retain. (See: 4 March 2013. http://www.ndtv.com/india-news/writer-amish-tripathi-wins-record-1-million-advance-for-south-asia-rights-515121 and 19 March 2015, http://scroll.in/article/714606/why-anuja-chauhan-moved-from-harpercollins-after-eight-years-and-three-bestsellers ) The immediate impact on the publishing firm has been to streamline operations, not just in terms of structural readjustments but also exploring alternative channels of revenue, while growing too. Westland is primarily an English-language publishing firm but has an Indian translations programme with its strategic partnership with Yatra Books. In fact in early February, the Oriya translation of Amish Tripathi’s book had been announced.
Amazon too has been in India for a while. It is better known for its online retail store and self-publishing programme, Kindle Direct Programme or KDP. (It has organised very popular KDP roadshows in India too, proving the Amazon brand is well-known locally.) By investing in an Indian publishing firm, Amazon firmly establishes itself into the literary landscape. Plus, evolving in this manner seems to be in keeping with Amazon’s highly successful Seattle-based publishing programme especially translations. In fact it is significant that press release quoted Sarah Jane Gunter, Director, Amazon Publishing and not Jeff Bezos or an Amazon India representative.
Westland stands to gain twofold – a significant minority provides good financial investment and they will be able to leverage the international area strategically particularly Indian diaspora book market. As an author said to me upon hearing of this announcement, “Now it may be possible for Indian authors to organise book tours abroad.” Whereas Amazon is able to leverage a significant portion of the 600m readership in India with plans to expand in the future. The Indian book market is showing a healthy growth rate across genres. The estimated valuation of Westland with this deal is Rs 38/40 crores – a substantial sum for an Indian publishing firm when its most valuable assets are its authors and backlist. Sarah Gunter too with her experience in children’s literacy programmes will provide expertise into a book market where the estimated readership between ages 15-25 is 350 million. Also, Amazon too, like others in the publishing industry, are exploring omni-channel retailing. Having opened their first brick-and-mortar store in Seattle recently, followed by San Diego and it is speculated that they have another 400 planned in USA, it comes as no surprise when Satabdi Mishra of Walking BookFairs posted on her Facebook wall on 2 February 2016, “Why are Amazon and Snapdeal calling a small independent ‘real’ bookshop for possible collaborations?” Another good reason to invest in a local book publishing programme?
“We are very excited about this investment from Amazon and what it means for Westland, our customers and authors,” said Gautam Padmanabhan, CEO of Westland. “Amazon’s roots are in books and they remain a major part of their business – this investment from a company with such deep experience in books, global reach and exciting digital platforms will help us take our Indian authors and their works globally.”
“We are delighted that our investment in Westland will help their authors reach a broader audience worldwide,” said Sarah Jane Gunter, Director of Amazon Publishing. “Our investment in Westland continues Amazon’s commitment to innovating and investing heavily on behalf of customers in India – it’s still very much Day One.”
Amazon too, like others in the publishing industry, are exploring omni-channel retailing. Having opened their first brick-and-mortar store in Seattle, followed by San Diego and it is speculated that they have another 400 planned in USA. Hence it comes as no surprise when Satabdi Mishra of Walking BookFairs posted on her Facebook wall on 2 February 2016, “Why are Amazon and Snapdeal calling a small independent ‘real’ bookshop for possible collaborations?”
So far it is a win-win scenario for Westland and Amazon.
JaipurBookMark is a B2B conference organised at Narain Niwas, Jaipur. It runs parallel with the Zee Jaipur Literature Festival on the 21 – 22 January 2015. The programme and registration details are available at: http://bit.ly/1KxRcZx
Aditi Maheshwari holds Masters degrees in English literature (Hansraj College, Delhi University) and Business Management (Strathclyde Business School, Scotland) and a pre-doctoral/ M.Phil. degree in Social Sciences (Tata Institute of Social Sciences, Mumbai). She also holds a diploma in Public Relations and Advertising. She heads the Department of Copyrights and Translation at Vani Prakashan and is the Managing Trustee at Vani Foundation.
Ajit Baral, an alumnus of the International Writing Program-2011, Iowa University. Ajit Baral is the author of Lazy Conman and Other stories (Penguin, India), Interviews Across Time and Space (FinePrint). He is the co-editor of New Nepal, New Voices (Rupa, India) and the editor of First Love (in Nepali). He has contributed articles, book reviews and short prose pieces to national and international magazines, journals and book forms. He used to coordinate the literary supplement of Nagarik, Akshyar, the first stand-alone literary supplement in Nepal. He runs an independent bookstore, Bookworm and is the co-founder of a Kathmandu-based publishing house, FinePrint and the director of Nepal’s first-ever international literature festival, Nepal Literature Festival.
Alberto Manguel is a Canadian writer, translator, editor and critic, born in Buenos Aires in 1948. He lives in a small village in France, surrounded by more than 40,000 volumes. He has published several novels, including News From a Foreign Country Came, and All Men Are Liars, and non-fiction, including A History of Reading, The Library at Night and (together with Gianni Guadalupi) The Dictionary of Imaginary Places. He has received numerous international awards, among others the Order of Arts & Letters from France, and is doctor honoris causa of the universities of Liège and Anglia Ruskin, Cambridge.
Amish Tripathi’s Shiva Trilogy — The Immortals of Meluha (2010), The Secret of the Nagas (2011) and The Oath of the Vayuputras (2013) — quickly became the fastest selling book series in Indian history. His books have been translated into 14 Indian and International languages. Included by Forbes India in their Celebrity 100, he has also received the Society Young Achievers Award for literature, Radio One’s Indian of the Year award and PRCI’s Communicator of the Year award in 2013. Amish is a graduate of IIM-Calcutta and worked for 14 years in the financial services industry before turning to full-time writing. He lives in Mumbai with his wife Preeti and son Neel.
Prof. Apoorvanand teaches at the Department of Hindi, University of Delhi. He is a literary and cultural critic. He also writes on contemporary issues. He has been associated with various committees on school and university education. Presently he is the editor of Aalochana, a journal of criticism.
Arpita Das is a Publisher-Editor based in New Delhi. She owns the indie publishing house YODA PRESS and has recently co-founded the self-publishing start-up AuthorsUpFront. She is a believer in book culture and writes in her free time.
Ashwin Sanghi ranks among India’s highest selling English fiction authors. He has written several bestsellers (The Rozabal Line, Chanakya’s Chant, The Krishna Key). He has also recently co-written an international thriller with James Patterson that hit the New York Times bestsellers list. Included by Forbes India in their Celebrity 100 and winner of the Crossword Popular Choice Award, Ashwin lives in Mumbai.
Atiya Zaidi holds a post graduate degree in English Literature. She has done a Publishing course from Yale University. She is the Publisher with the largest national publisher, Ratna Sagar. She has 26 years of experience in writing and preparing books for children, her specialization being ELT (English Language Teaching) Material. She also creates course material for social sciences, primary Maths and primary Science. Atiya Zaidi has presented papers at international conferences, on ELT and learning methodology. She is on the faculty of two major publishing courses. She is a founder member of the FICCI Publishing Cell.
Prof. Avadhesh Kumar Singh (Ph D), has been Vice Chancellor, Dr. Babasaheb Ambedkar Open University, Ahmedabad. Thereafter, he was Convener, Knowledge Consortium of Gujarat, Government of Gujarat. He has been Director, School of Translation Studies & Training, IGNOU, New Delhi and Director (i/c) Indian Sign Language & Research Centre (ISLRTC), Ministry of Social Justice & Empowerment at IGNOU. His areas of interest include literatures in Indian languages, comparative poetics, contemporary literary theory and criticism, translation and interdisciplinary studies. He has published papers in various anthologies, national and international journals. He has worked on various UPSC, UGC, DEC and NAAC Committees. Since 1994, he has been Editor, Critical Practice, a biannual journal of literary and critical studies.
Bharti Sinha has a Post Graduate degree in Journalism and Mass Communication from Mysore University. She is the MD of Bharti’s Center of Learning & Development which has 26 weekend workshops designed as a curtain raiser to various career opportunities.
Bikash D. Niyogi, a Commerce Graduate with Diploma in Marketing Management, has a wide and varied experience in trade and commerce, particularly in the fields of Printing and Publishing. He started the Publishing House Niyogi Books in the year 2005 with associate offices. Today Niyogi Books has over 250 titles to its credit and has won numerous awards from Federation of Indian Publishers and other International forums. He is also a member of Indo German Chamber of Commerce, Federation of Indian Publishers, All India Federation of Master Printers and the India International Centre, Press Club of India, Delhi State Booksellers & Publishers Association and Capexil, among others.
David Ryding is the Director of the Melbourne’s UNESCO City of Literature Office. Melbourne was designated a UNESCO City of Literature in 2008 in recognition of the city’s rich literary culture and diverse offering. The Melbourne City of Literature Office is responsible for celebrating and promoting this designation and everything literary Melbourne has to offer.
Prior to this he was the Executive Director of the NSW Writers’ Centre, Director of the Emerging Writers’ Festival and the Artistic Director for South Australian Theatre Company Mainstreet Theatre Company, a company dedicated to new Australian writing about Regional Australia.
Dipali Khanna is a civil servant with a distinguished career. She is presently Member Secretary, Indira Gandhi National Centre for Arts (IGNCA), which is a CEO position and she has been in this role since August 2012. This is a research centre established to collate and preserve the various forms of art in India. Dipali has demonstrated a strong track record in the revival and setting up of institutions. In her present role, she has been responsible for comprehensively revamping IGNCA from an organization with low visibility to one that is on track to becoming a hub for content, resources, research and interaction in the field of art and cultural heritage.
Henry Rosenbloom is Scribe’s founder, publisher, and CEO. A son of Holocaust survivors, he was born in Paris, France, in 1947, was educated at the University of Melbourne — where he became the first full-time editor of the student newspaper, Farrago — and later worked in the Whitlam Labor government for Dr Moss Cass. The author of Politics and the Media (1976), he has been a book printer, freelance journalist, book reviewer, and occasional newspaper op-ed and feature writer. In 2010 he was presented with a George Robertson award for service to the publishing industry.
Ivor Indyk is the founder of the award-winning independent literary publisher Giramondo Publishing, and Whitlam Professor in the Writing and Society Research Group at the University of Western Sydney. A critic, essayist and reviewer as well as a publisher, he has written a monograph on David Malouf for Oxford University Press, and essays on many aspects of Australian literature, art, architecture and literary publishing. Giramondo publishes poetry, fiction and non-fiction by Australian and overseas authors. Important Australian authors published by Giramondo include Alexis Wright (winner of the Miles Franklin Award), Brian Castro, Gerald Murnane, Nicholas Jose, Judith Beveridge, Jennifer Maiden, Robert Gray, Gig Ryan and Antigone Kefala.
Karthika V.K. is publisher and chief editor of HarperCollins Publishers India. She started her career in publishing at Penguin Books India in 1996 and moved to Harper in 2006 to head the publishing programme in India. She has published several major including Anita Nair, Anuja Chauhan, Manu Joseph, Hartosh Singh Bal, Rana Dasgupta, S Hussain Zaidi, Sarnath Banerjee, Amruta Patil, Vishwajyoti Ghosh, Karthika Nair and Booker-prize winner Aravind Adiga, among others. At HarperCollins she oversees a publishing programme that includes a vibrant poetry and graphic fiction (and non-fiction) list apart from a strong literary imprint in Fourth Estate and Harper Sport, the only imprint in India that’s dedicated to sport books.
Kate McCormack’s first position was with an Australian educational publishing company. From Australia she moved to London where she worked for Foyles Bookshop, then as an assistant agent with The Sayle Literary Agency and after that took a job in rights with Virgin Books. She then travelled to India where she did some work with Tara Books. She has been with the Penguin Australia rights department for close to eight years now and was recently promoted to Rights Manager.
M. A. Sikandar is presently the Director of the National Book Trust, India. He has varied managerial, teaching & research experience in various Government departments and the University of Delhi. He also serves as Member in the project advisory committee of National Translation Mission, Grant-in-Aid Committee of Central Institute of Indian Languages, Mysore, Advisory Committee for Central Hindi Directorate (Ministry of HRD), Advisory Committee Indian Literature Aborad, Sahitya Akademi, Advisory Board for Junior Science Section, TERI Publication. Dr Sikandar is also the Fair Director of the New Delhi World Book Fair. He has been conferred with the Award for Excellence – Production of Books globally by the Afro Asian Book Council (2014).
Manas Saikia has been with the Book Industry since he joined OUP as a 19 year old novice representative. He has handled every aspect of publishing, from editing to selling, from finance to distribution. Since 1985 he has been the face of Cambridge University Press in India. He was awarded an Honorary M.A. by The University of Cambridge. After an early retirement, Manas has started a distribution organization called “FEEL Books Pvt. Ltd.” who represent the distinguished German Publisher – De Gruyter among others. In 2014 he and another publishing veteran, Ravi Singh of Penguin fame, have joined hands to create a new Publisher – “Speaking Tiger”.
Manasi Subramaniam is Commissioning Editor and Rights Manager at HarperCollins Publishers India
Manisha Chaudhry is a writer, translator, editor and publisher. She started her career in publishing with Kali for Women, India’s first feminist publishing house. She has also worked in the development sector as a consultant on issues of gender and primary education. Her English translation of Ailan Gali Zinda Hai by Chandrakanta published by Zubaan as A Street in Srinagar was shortlisted for the DSC prize for South Asian Literature in 2012. She works with Pratham Books as the Editorial Head. She was Founder Trustee of Bookaroo Trust which runs a children’s literature festival and is advisor to the Kahani and Samanvay festivals of literature.
Meredith Curnow is the Knopf, Vintage publisher at Random House Australia. Writers published include Don Watson, Gail Jones, Frank Moorhouse, Deborah Forster, David Malouf, Tom Keneally, Nick Earls, Kate Forsyth, Philipp Meyer and Stephen Dando-Collins. Before that, she was the director of the Sydney Writers’ Festival, from the re-launch as a freestanding event in 1998 until 2002. She spent five years at the Australian Publishers Association working with the export development committee, the trade publishing committee and the small publishers committee. Meredith chairs the APA / Australia Council committee for the Residential Editorial Program and is on the Editorial Advisory Board, Writing and Society Research Centre, University of Western Sydney.
Mohua Mitra Senior Editor at Niyogi Books, Delhi, she has an inherent love for creative writing and translations. A former journalist, she worked with Business Standard and The Telegraph (ABP Group Publications, Kolkata) as feature writer and arts and music reviewer before moving on to creative & editorial consultancy and books & journals publishing as founder-partner of Inkpot in Kolkata (2003-2009), with a former journalist friend. She is happy grappling with the twists and turns of authors and manuscripts, particularly translations of indigenous writing from eastern and north-eastern India. Mohua lives in Delhi with her two children.
Naresh Khanna worked in the print industry in the U.S. and India till 1979, and since as a consultant to leading printers, publishers, and large international organizations in India, Bangladesh and Nepal. Active in the movement to use computers for Indian language typesetting since 1976, he founded Indian Printer and Publisher a trade monthly in April 1979 and Packaging South Asia, another monthly in 2007. He started IppStar in 2001 and researched and wrote its Indian Print Industry Survey in 2004. IppStar began a country-wide survey of the Indian book publishing industry in January 2014. Author of Miracle of Democracy in India, 1977, Interprint Publications, New Delhi.
Nicholson Baker is the author of ten novels and five works of nonfiction, including The Mezzanine, Vox, Human Smoke, and The Anthologist. He has received a National Book Critics Circle award, a Herman Hesse Prize, and the Katherine Anne Porter Award from the American Academy of Arts and Letters. He lives with his family in Maine.
Nicolas Idier is the Head of the Book Office at the Institut Français en Inde since September 2014, after having held the same position in Beijing at the Embassy of France in China during the last four years. A specialist in history and a Doctor of the Université Paris-Sorbonne, Nicolas Idier is also a fiction and non-fiction author.
Niyam Bhushan is an independent media, publishing, and IT professional, as well as one of India’s leading designers. He has worked as a consultant with Adobe of Photoshop, Illustrator, InDesign, PageMaker, Xerox and Acrobat. Niyam has consulted with DK India, as also with Living Media for Scientific American as well as Prevention magazine. He is currently exploring how to adapt Pratham Books titles into digital formats including eBooks. He has been a Contributing Editor to Hindustan Times, Mint newspaper, Former Editor of PCWorld magazine, Editor-in-Chief and CEO of Chip magazine, and Contributing Editor to LinuxForYou magazine. He comes from a family background in publishing and writing.
Oliver Møystad is Senior Adviser in NORLA (Norwegian Literature Abroad), working with translation support and the promotion of Norwegian literature abroad. Before joining NORLA in 2008, Møystad has worked for many years in Norwegian publishing as an editor and as a literary agent. He also translates from English, German and Spanish. He has a degree in Business Administration and a BA in Humanities.
Prasoon Joshi is a National Award winning Indian songwriter, screenwriter and advertising copywriter. He has built mega brands, won the prestigious National Award twice, garnered glory at international awards, and has been Chairman of the Jury at Cannes as well as on the jury of the Dadasaheb Phalke award. His work– be it mainstream brands like Coca Cola or socially relevant campaigns like Malnutrition or writing for feature films like Taare Zameen Par, Rang De Basanti or the recent Bhaag Milkha Bhaag (for which he has written the story, screenplay, dialogue as well as lyrics)– finds a deep social and mass connect.
Rajiv Mehta is Amazon’s Country Manager of Kindle in India and is responsible for all aspects of the Kindle business across India. Prior to joining Amazon.com in November 2014, Rajiv Mehta was Senior Vice President of Samsung America where he was responsible for the entire pre- and post-sales Operations. Before joining Samsung, Rajiv Mehta worked as Vice President, B2B Sales and Business Development at Sears Home Services and held several positions at Motorola where he was last regional Director and Business Development for EMEA and Asia Pacific. Rajiv Mehta is a graduate of University of Florida – Warrington College of Business.
Ralph Möllers In 1986, Ralph became an editor for computer book publisher Markt & Technik in Munich. In 1988, he teamed up with Iris Bellinghausen to found Systhema Verlag, one of Germany’s first multimedia publishers. Möllers left the company and took over as head of the multimedia publisher Navigo. In 1997, he founded his third publishing house Terzio, which publishes innovative children’s media. Book2look is an online marketing tool that Möllers & Bellinghausen has developed in a joint venture with the Mumbai based WITS Interactive Pvt. Ltd. and that is now internationally distributed by Nielsen Book Data.
Renu Kaul Verma is the founder director of Vitasta Publishing Private Limited and specializes both in fiction and non-fiction. A former journalist, she has worked with major Indian dailies such as the Indian Express and the Hindustan Time. She also publishes a monthly newspaper focused on Indian publishing industry, called BOOK LINK and is associated with a literary e-journal called Earthen Lamp Journal. She has published best-sellers such as Narendra Modi The GameChanger, Assassination of Rajiv Gandhi: An inside job, Café Latte, Four Aleys, India’s Biggest Cover-up, No Secrets, Flight of Hilsa, From the streets of Kathmandu, No Country for Women, Brahmacharya Gandhi & His Women Associates, My God is a Woman, A Naxal Story, Shakti, Line of Control and Constitutional Controversies.
Renuka Chatterjee started out as a journalist with the Times of India in the late ‘80s, and helped launch The Saturday Times, the country’s first colour magazine weekend supplement. She switched to publishing in 1992 as Associate Editor with Penguin Books. After Penguin, she has been editor-in-chief of HarperCollins India and subsequently, Roli Books and Westland Ltd. In 2013 she started her own literary agency, The Boxwallah, for promoting quality fiction and non-fiction. She is currently Consulting Editor with Speaking Tiger.
Rick Simonson has worked at The Elliott Bay Book Company, an internationally recognized Seattle bookshop, since 1976. He is senior book buyer there and founded an author reading series that presents writers from around the world in 1984. He is on governing or advisory boards with Copper Canyon Press, the University of Washington Press, and Seagull Books. He has been a jury member for the DSC South Asian Literature Prize and the US’s National Book Award. He has spoken on bookselling and publishing at festivals and conferences in the U.S., Beijing, Sharjah, and Jaipur – which he has been attending since 2010.
Sandip Sen Writer, journalist Sandip Sen is the author of Neta Babu, Subsidy : Roundup 2000 to 2014 a book that charts the journey of the Indian economy during the last decade leading to the sharp fall of the Indian Rupee during the summer of 2013. He is currently an Editor at the 35-year old publication The Indian Printer and Publisher. A business analyst and energy sector specialist, he has been writing freelance for The Economic Times, The Financial Express and The Hindu Business Line. He also writes a risk management blog at ET named What happens if? and an environment blog Ecothrust at Blogspot and is also known by his Twitter handle @ecothrust.
Satti Khanna is Associate Professor at Duke University, USA, where he teaches Indian Cinema and Modern Hindi Literature. He has a special interest in the aesthetic experience induced by works of art. He interprets the lives and works of contemporary Indian writers through a series of documentary films and translations, of which the most recent is his translation of Vinod Kumar Shukla’s Khilega to Dekhenge (Once It Flowers, HarperCollins, 2014).
Dr Shantanu Ganguly, has served several reputed organizations in and around Delhi such as University of Delhi (DU), Voluntary Health Association of India (VHAI), and National Productivity Council (NPC), Indian Institute of Management (IIM), Lucknow and TERI (The Energy and Resources Institute). He served as Academic Counselors to several institutions such as IGNOU, VMOU to develop their course modules. He also served as Associate Editors for several reputed national journals and newsletters. He is the Organising Secretary of the most prestigious International Conference on Digital Libraries (ICDL). He is also recipient of most prestigious awards – Bonnie Hilditch International Librarian Award for Science and Technology – 2010, conferred by Special Library Association, USA and Roll of Honour, and conferred by TERI for his outstanding contribution in the profession.
Shona Martyn has been the Publishing Director of HarperCollins Australia and New Zealand for 15 years. She previously worked for Random House and Transworld Publishers. Shona started her working life as a newspaper journalist and was the winner of the Journalist of the Year award in her native New Zealand before working in the UK and Australia. She was subsequently the Arts Editor of Vogue Australia, the editor of Good Weekend and the founding editor of HQ magazine before her move to book publishing. In her role at HarperCollins, she oversees all adult fiction and non-fiction publishing.
Sirish Rao is a writer, festival producer and publishing professional. He is the Co-Founder and Artistic Director of the annual Indian Summer Festival in Vancouver, an omnivorous festival of arts, culture and ideas. Sirish has authored twenty books, from commentaries on popular culture to children’s books, to retellings of Greek plays for the Paul Getty Museum. His books have been translated into seventeen languages and won several international awards. Sirish is the former Director of the award-winning Tara Books and is currently an Adjunct Professor in the Publishing Department at Simon Fraser University where he teaches a course in international publishing.
Shubhada Rao is the Chief Economist at YES BANK. Shubhada brings with her over 25 years of experience in academia and industry wherein she has pioneered research design geared to facilitate business decisions. Shubhada has also worked with Kotak Institutional Equities, Bank of Baroda, CRISIL Advisory Services and Times Bank. Shubhada is an active member of the Economics Committees of Industry Associations and is a member of CII National Economic Policy Council, New Delhi, Co-Chair of Economics Committee at ASSOCHAM and a member of the Monetary Policy Group – Indian Banks’ Association (IBA). She had also served as Chairman of Economics Committee of Bombay Chamber of Commerce & Industry between 2009-11
Terri-Ann White has spent her working life around books and ideas: as a bookseller, writer, teacher and workshop presenter, editor, festival organizer and now publisher. The one driving constant is her passion for the unique voice in writing, and the preparedness to be evangelical in its promotion. She is currently Director of UWA Publishing in Perth, Western Australia.
Urvashi Butalia is the founder and CEO at Zubaan books. She co-founded Kali for Women in 1984 and Zubaan in 2003. Along with over 35 years of experience in feminist and independent publishing, she also has several works to her credit, key among which is her path-breaking study of Partition, The Other Side of Silence: Voices from the Partition of India which won several awards. She has also taught publishing for over 20 years and is on the advisory boards of a number of national and international organisations. She has received awards such as the Pandora award for women’s publishing, the French Chevalier des Artes et des Lettres, the Nikkei Asia Award for Culture and the Padma Shree, the highest civilian honour awarded by the Indian government.
Ute Reimer-Boehner has been working at the Goethe-Institut across the globe since 17 years. Currently she is the director of Information and Library Services South Asia at the Goethe-Institut / Max Mueller Bhavan. Goethe-Institut organises and promotes a wide spectrum of cultural events with the aim of presenting German culture. The department of library and information services cooperates with institutions, publishing houses and libraries in India and fosters the translation of German literature as well as the professional exchange with Germany.
Dr Venu Vasudevan is currently serving as the Director General of National Museum and Vice Chancellor of National Museum Institute, under the Ministry of Culture. Till recently, he was also Joint Secretary in the Ministry of Culture. In his brief tenure in the National Museum, Dr Venu, has been instrumental in reviving the Museum. Under his leadership, galleries have reopened, displays have improved and facilities upgraded. He has also played a key role in designing and rolling out the ‘Incredible India’ campaign. He played a key role in organising the Kochi Biennale, an international art event. He is active in theatre, and performs with his group ‘ Abhinaya’.
Vera Michalski-Hoffmann Born in Basel, Switzerland, in a family with Swiss, Russian and Austrian roots, Vera spent her childhood in France, studied in Spain and has a degree in Political science from the Graduate institute of International Studies in Geneva. She established the Jan Michalski (named after her late husband) foundation for Literature and Writing to actively support literary activities in different countries. She is now the publisher of the Libella group that comprises the following imprints: In France : Buchet/Chastel, Phébus, Le temps apprivoisé, les Cahiers dessinés, Libretto. In Switzerland : Noir sur Blanc, with a new line called Notabilia, Editions Favre. And in Poland: Oficyna Literacka Noir sur Blanc.
Vishal Anand is Chief Product Officer at NewsHunt. His career spans between US, Japan and India where he has led product & engineering teams that have shipped large-scale consumer software products. He currently heads NewsHunt, and derives happiness in bringing never before available Indian literature in hands Indian mobile users.
Wendy Were After running three successful writers’ festivals at the Perth International Arts Festival, Wendy was the Artistic Director and Chief Executive of Sydney Writers’ Festival. She has also been a Business Advisor with the Creative Industries Innovation Centre and the CEO at the iconic West Australian Music (WAM. The Sydney Morning Herald listed Wendy in the top 100 of the most influential people in Sydney in 2008. In 2009 she was listed in Artshub’s top 15 arts power players in Australia. Wendy is a member of the WA regional arts panel for the Churchill Fellowship; a Council Member of Voiceless, the animal protection institute; and a patron of the Fairbridge Folk Festival.