Islam Posts

“Hijabistan” by Sabyn Javeri

Again that dark, piercing look, the shine in her pupils which made me sense that she was smiling behind her veil, as she said, “Did you ever read those books as a kid where you got the power to become invisible?”

I laughed. ‘Your veil draws more attention than a woman in a bikini.’

‘Yes, perhaps. But still. Inside, it’s my own little private world. No one knows what I look like, what I wear, how I style my hair. . .”

‘So, are you saying it makes you feel powerful?’

Sabyn Javeri’s Hijabistan is a collection of short stories exploring the idea of wearing a hijab / head scarf. It also manages to open conversations whether real in the story or imagined in the reader’s mind about the position of women in families and society. Somehow it does not seem to matter which nation the protagonists reside in – whether Pakistan or Britain – it is the mind sets that they carry with them that are critical for defining their identity. The protagonists can choose to evolve or remain where they are—caught as if in amber with a conservative outlook that literally shackles them to a god-fearing life.

Years ago, The Guardian, published an article by a young journalist who opted to wear a hijab for one week. She did this in London and documented the reactions to her dress by people on the street and her friends. It also transformed into a diary of her changing outlook. One week is all that it took for her to question so much around her. (I have been trying to locate the link for you but failed to do so.) It would be an interesting article to share given how the New Zealand Prime Minister, Jacinda Ardern had covered her head while meeting the relatives of those killed in the recent mosque attack or while attending the memorial meeting. Wearing the veil is a complicated topic that has been tackled by many writers, most notably Rafia Zakaria in her wonderful book Veil.  

Hijabistan is fascinating for the fact that Sabyn Javeri chose to explore alternate viewpoints while respecting those who opt to wear the garment out of choice. The multiple perspectives the author offers from the young child (“Coach Annie”) to the young wife (“The Good Wife”) to the young office goer (“The Date”) are illuminating. Of course there is the accepted view that Islam demands it of women but Sabyn Javeri presents alternative options in her fiction as to why the women choose to wear the hijab. It is a great way of offering readers’ different viewpoints. More importantly what shines through her stories are that the women are strong individuals in their own right despite donning the hijab and looking the same outwardly– a “sea of burkhas” — as the younger brother grumbles to his Api in “The Date”. What is fascinating is that the women characters come across as strong women, radiating sexuality, are feisty and exercise their individual choice. “Fifty Shades at Fifty” is a fantastic example of this. It is a story about a middle-aged wife, bound to the house, looking after her bedridden mother-in-law but exercises her freedom in choosing to read what she desires much to the bewilderment of her husband. Lovely!

Many times the stories take one’s breath away as with “Radha”, “The World without Men”, “Full Stop” and “Malady of the Heart”. Somehow the reader gets the sense that the twists will come but when they do, they are sharp. At such moments in the stories I marvelled at how much the author must have observed, heard, recorded, remembered and written down probably as she heard/witnessed it. If it was pure fiction, there would be a dull edge to it since in fiction one tends to smoothen the edges. Reality is cruel. A fine example of this is the evocative “Only in London” where Sabyn Javeri encapsulates so brilliantly the sights and sounds of Tooting, “this forgotten SW17 ghetto that doesn’t even have the novelty value of a China Town or the East End”. The tiny details about the protagonist being a desi and called out as “sister” by the locals although she really does not feel a part of the crowd. She is a desi and yet not. So confusing, so lonesome.

But truly the tour de force is “Coach Annie” and its last few lines. What a superb story! It is as if it belongs to the later batch of Sabyn Javeri’s writing, so her skills as a short story writer have been honed. There is much, much more in the story than the previous ones. “Coach Annie” has layers to it, it has details, in a few lines she captures the hostility of the boys to the head scarf to the change in attitude and their protection of their coach when the newcomers try and tease her. It is a triumph!

Hijabistan is bound to get visceral reactions to this book. Some readers would love it for the writing, many others would be either mildly amused or shocked to see mirrors of their lives in your stories and yet others would be appalled at giving women a voice, an identity and their individuality, even to go so far as exploring sexual freedom, all the while wearing the hijab — a sacrosanct symbol of Islam and its connotations of a “good” woman. 

The anger at the injustice Sabyn Javeri perceives, witnesses and perhaps has even experienced has been channelled brilliantly to write these stories. It would be worthwhile to see what she crafts in future. It would also be fascinating to watch how in her future stories she sharpens her literary skills to use her words sparingly but deliver quite a punch. “Coach Annie” shows the beginnings of that skill.

Hijabistan will always have a shelf life. The issues raised are so relevant. So topical. They will never go out of fashion. Sometimes fiction achieves that which no other form of literature or conversation can ever achieve. These are thought provoking stories.

Hijabistan is an utterly stupendous book. It is! Short stories are amongst the toughest literary prose form to create. So much to pack in such few words. And yet Sabyn Javeri achieves it. 

I look forward to more of Sabyn Javeri’s writing!  

31 March 2019

Anita Nair’s preface to “Muezza and Baby Jaan”

( Anita Nair has  just released a beautiful children’s book retelling tales from the Quran called Muezza and Baby Jaan. Her publishers, Penguin Random House India, have kindly granted permission to reproduce the straight-from-the-heart explosive preface on my blog. Do read the book too. It is time well spent.) 

It was 11 a.m. on 21 September 2013. I had just sat down with my pen and notebook. I had been working on my historical novel, Idris, when news came of unidentified gunmen opening fire in one of Nairobi’s upscale malls. It was a Saturday and my first thought was for my friend Jayapriya Vasudevan, her husband, Harish Vasudevan, and her daughter, Miel Vasudevan, who were living in Nairobi. Where were they? Had they chosen to go to that mall on that particular day? Were they safe?

As soon as it was established that they were all right, I went back to my novel. Later in the day I began tracking the situation. TV channels and online newspapers had plenty to say. The mass shooting had left 67 people dead and more than 175 people injured.

Amidst all the kerfuffle of reportage, one thing struck me in particular. An eyewitness was reported to have said that the attackers had asked Muslims to leave, declaring that only non-Muslims would be targeted. Among other aspects of the vetting process, the hostages were asked to name Prophet Muhammad’s mother as a litmus test that would distinguish Muslims from non-Muslims.

It seemed both astounding and horrific that a piece of information could have saved a life. But why was this information not out there for all to know?

In many parts of the world, including India, almost every non-Christian knows that Jesus’s mother was Mary and his father, Joseph; and of the story of Jesus’s birth and his crucifixion. Non-Hindus know that the Ramayana is about Rama and Sita and Rama’s battle against Ravana; that the Mahabharata is about the Kauravas and the Pandavas, that Krishna was an avatar of Vishnu. But even the most erudite among non-Islamic people know nothing about the Quran or what is in it.

If you had asked me then what Prophet Muhammad’s mother’s name was, I would have stared back too, clueless.

Teaching a faith demands expertise; but what of the accompanying lore that goes into fleshing out the wisdom? Why is it that we barely know anything of Islamic lore? Religious preachers have always sought parables to explain a tenet. But even in isolation and removed from doctrine, these allegorical stories have an appeal of their own. The storyteller in me roused and shook herself.

Acts of terrorism perpetrated by Muslim fundamentalists had already made many non-Muslims wary of the religion. And I thought this was grossly unfair to Islam and what it taught. I had been brought up as a secular individual and felt a calling to clear this misinterpretation in my own way.

No religion preaches hate or violence. No religion condones killing or the taking of human life. However, flawed interpretations do lend a religion a misguided twist that it does not claim in the first place. Those with vested interests manipulate aspects of a religion to justify heinous crimes and the massacre of innocents. And so it had happened with Islam. And yet why was it that no one was actually trying to redeem the understanding of Islam? Why was no one willing to try and make Islam more accessible to the world so that the teachings in the Quran would be seen for what they truly are—a call to righteousness and peace—and not for what we have beguiled ourselves into believing?

During the writing of Idris, I had studied the Quran and tried to understand what I could of its lessons and the associated Islamic fables. But now I had another purpose. I had already written two books on mythology for children. One was based on Hindu mythology and the other drew on lesser-known world myths. I would now try and write about Islamic lore—stories culled from the Quran and the Hadith. And I was certain that the book had to be for children—for young minds are what we need to invest in for a chance of change. Let children everywhere—Hindu, Christian, Muslim, Jewish, Buddhist, Jain or otherwise—discover the stories from the Quran and delight in them and learn from them. Stories are, after all, stories; and no religion can stake claim to them.

In what could only be termed providential, I found a translation of a book of stories drawn from Ibn Kathir’s Al-Bidayah Wan-Nihayah (The Beginning and the End). The author was born in AD 1300 and died in AD 1373. A Sunni scholar and historian of great repute, Ibn Kathir hailed from the Shafi’i school of Islamic law and lived during the reign of the Mamluk Sultanate in Syria.

Suddenly I knew where to begin. And then, as it usually happens with each book I write, two characters—a cat and a camel, in this case—appeared from nowhere, and I had my epiphany on how to take the book forward.

This is a book for young readers. But it is also a book for anyone who wonders what the Quran contains, apart from the teachings of a religion. In fact, al-Quran literally means ‘the reading’; and how can a work that means this most beautiful of phrases be limited to just being a scripture? The wealth of its stories, and the lyricism, poetry and flow of its narrative make it as much a literary text as a holy book.

I have been told that I am entering dangerous territory. That, as a Hindu writing about the holy book of Islam, I’m inviting trouble. That to me smacks of prejudice more than anything else. How can any religion close its doors to someone who knows nothing of it? How does one learn about a religion unless one is given access to it?

And that is my only act of faith here. To lead from ignorance to the beginnings of knowledge; from prejudice to comprehension; and to reaffirm, in these times that are wreaked with discrimination and terror, that all religions are the same. That all religions just strive to make of us better human beings.

If only we would make an effort to understand their truth.

PS: The name of Prophet Muhammad’s mother is Amina.

September 2016

12 February 2017 

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