Although this book has been announced in the inaugural list of Aleph Book Company’s children’s literature imprint, it was first published in 2020. At that time, my then ten-year-old daughter, Sarah Rose, was asked to record this video by the publishing firm. It was to celebrate Ruskin Bond’s birthday in May 2020.
On 3 January 2021, I wrote about the wonderful books expected to be published in 2021. Here are the original links in the Asian Age and Deccan Chronicle. Given below is the longer version of the article.
The Covid-19 pandemic has disrupted innumerable sectors – publishing is no exception. One of the major fallouts has been the front lists where commissioning editors are circumspect about whom to commission and what subjects to explore; it is not said explicitly but it is apparent while scanning 2021 book catalogues that there has been a shift. Tried and tested subjects such as politics, memoir/biographies and narrative non-fiction exist but there is a definite presence of essayists and nature writing. The top 1% of successful literary and commercial fiction authors — internationally and locally—are back with new books. Interestingly there is a large variety of debut authors, from newcomers to well-known nonfiction writers becoming novelists such as Ira Mukhoty Jayal, Krupa Ge and Tavleen Singh. Historical fiction is a robust category with trilogies and quartets being announced by writers like Jerry Pinto and Madhulika Liddle. Surprisingly celebrity publishing and Mind, Body Spirit (MBS) that are constant sellers are not as prominent as they were in the recent past.
During the pandemic, it is a wise decision by publishers to ensure that successful authors constitute a chunk of their front lists. Hence, in non-fiction, there is Shashi Tharoor’s Pride, Prejudice & Punditry: The Essential Shashi Tharoor consists of essays and fiction; Salman Rushdie’s Languages of Truth has newly collected, revised and expanded non-fiction from the past two decades, many of which have never been published before; Ruskin Bond’s It’s a Wonderful Life: Roads to Happiness that calls for small joys to be found in everyday living even in times of extreme stress; A Functioning Anarchy (Eds. Srinath Raghavan and Nandini Sundar) a collection of essays by world-renowned historians, lawyers, scientists and journalists sparked by Ramachandra Guha’s work; Nayantara Sahgal’s The Unmaking of India: Articles and Speeches & Encounter with Kiran contains articles, talks, essays that discuss the “unmaking” of India, where freedom, liberty and equality are replaced by religious bigotry, communal politics, a ‘’tame’’ media and all the accompanying dangers of majoritarian rule and Eric Hobsbawm’s On Nationalism that is considered to be an insightful and enlightening collection of the historian’s writing on the subject of nationalism.
Non-fiction sells consistently especially on politics, history, business, self-help, memoirs/biographies etc. Some of the exciting titles scheduled are historian Upinder Singh’s Ancient India: Culture of Contradictions ; Amit Varma’s podcasts converted into four books, collectively known as The Seen and the Unseen; Amitav Ghosh’s The Nutmeg’s Curse: A Parable for a Planet is about conquest and exploitation and geopolitical hierarchy; Manu Pillai’s The World of Raja Ravi Varma: Princes and Patrons describes the portraits of the Maharajahs stood up to the Raj and developed visions of modernity that were deeply Indian in nature, and women who defied norms as well as colonial expectations; City of Gated Walls: The Map of Shahajahanabad by Swapna Liddle is a reproduction of that map created in Bahadur Shah Zafar’s time by a mapmaker, working in 1846, who painstakingly depicted important buildings, streets, and landmarks, providing a wealth of information about the city as it had evolved up to that time. In Search of the Divine: Living Practices of Sufism in India by Rana Safvi, is a unique treatise on the core of Sufi beliefs. Some others that are eagerly awaited include 1946: The Indian Naval Uprising that Shook the Empire by Pramod Kapoor; The Gujaratis: A Portrait of a Community by Salil Tripathi; Congress Radio by Usha Thakkar about the establishment of the underground radio by Usha Mehta during the Quit India Movement; Aparna Vaidik’s Revolutionaries on Trial: Sedition, Betrayal, and Martyrdom uses a variety of sources to reconstruct a dramatic period in India’s struggle for Independence; and Angellica Aribam and Akash Satyawali’s The Fifteen: The Women Who Shaped the Constitution of India. Rupa Gupta and Gautam Gupta’s Lifting the Veil from India’s Past is about the Archaeological Survey of India. In Language of Remembering: Generational Memories of the Partition, Aanchal Malhotra shifts attention to the post-memory generation – how the generations that have not witnessed Partition engage with its history. Yashaswini Chandra The Tale of the Horse: A History of India on Horseback is a tale of migration and permanent intermingling whereas Winged Stallions and Wicked Mares: The Horse in Indian Myth and History by Wendy Doniger examines the horse’s significance throughout Indian history and culture even though the animal is not indigenous to India. Voices from the Lost Horizon is a collection of a number of folk tales and songs of the Great Andamanese that represent the first-ever collection rendered to Prof. Anvita Abbi and her team by the Great Andamanese people in local settings. The compilation comes with audio and video recordings of the stories and songs to retain the originality and orality of the narratives. In Fellowship of Rivals by Manjit Kumar that tells the story of the first great Scientific Revolution, and how a small group of individuals – including Isaac Newton, Robert Hooke and Christopher Wren – produced an explosion of knowledge unrivalled in the history of western civilisation. Pranay Lal’s Virus is a deep dive into its origin and evolution and his The Cretaceous is meant for younger readers. Anjana Chattopadhyay discusses Women Scientists in India: Lives, Struggles and Achievements.
Militant Piety and Lines of Control: The Lethal Literature of the Lashkar-e-Taiba edited by C. Christine Fair and translated by Safina Ustaad is the first scholarly effort to curate a sample of LeT’s Urdu-language publications and then translate them into English for the scholarly community studying this group and related organizations. The Muslim Problem by Tawseef Khan gets to the heart of Islamophobia and is a compelling mix of journalistic investigation, historical analysis and memoir, full of research and interviews. Tawseef Khan is a solicitor specialising in Immigration and Asylum Law and a human rights activist. In Project 39 are deeply personal stories that emerged from interviews conducted with death-row prisoners and their families. These were collected by Jahnavi Mishra and Project 39A, a research and litigation centre based out of National Law University, Delhi. is awaited as is India’s First Dictatorship: The Emergency, 1975-77 by Christophe Jaffrelot and Pratinav Anil that draws upon a trove of new sources. From the bestselling military historian, Shiv Kunal Verma’s 1965: A Western Sunrise is the definitive account of the 1965 war between India and Pakistan. Meanwhile Samira Shackle’s debut Karachi Vice is considered to be a fast-paced journey around Karachi in the company of those who know the city inside out. Some others that are expected: When the Mask Came off: A People’s History of Cruelty and Compassion in Times of Covid19 Lockdown, edited by Harsh Mander, Natasha Badhwar and Anirban Bhattacharya; Jana Gana Mana by musician-activist T.M. Krishna who through the idea of ‘national symbols’, examines the idea of citizenship and belonging, while also investigating and problematising the symbol itself. Graphic narratives such as Azaadi: A Biography of Bhagat Singh by Ikroop Sandhu; Shaheen Bagh: A Graphic Book by Ita Mehrotra and Incantations over Water by Sharanya Manivannan.
Nature writing is proving to be a well-defined genre as well. The titles to look out for are The Bera Bond which is about Sundeep Bhutoria’s startling discovery of a little-known leopard colony in the forests of Rajasthan where the big cats live harmoniously with humans. The Braided River: A Journey Along the Brahmaputra, journalist Samrat Choudhury sets out to follow the river’s braided course from the edge of Tibet where it enters India down to where it meets the Ganga at a spot marked by the biggest red-light district in Bangladesh. Award-winning wildlife conservationistNeha Sinha’s Wild and Wilful is about fifteen iconic Indian species in need of conservation and heart. Earth’s Incredible Oceans by Dorling Kindersley is a must-have encyclopaedia. Waiting for Turtles by Pankaj Sekhsaria, illustrated by Vipin Sketchplore is a gorgeous picture book sensitising children to the urgency to save turtles. Scientist-cum-author Sukanya Datta’s Animal Architects is about the homes that animals build and are in themselves architectural wonders. The Heartbeat of Trees by Peter Wollehben (translated by Jane Billinghurst), reveals the profound interactions humans can have with nature, exploring the language of the forest and the consciousness of plants. Worryingly climate change can wreak havoc to these ecosystems. Hence the relevance of environmental activist Vandana Shiva and Shreya Jani Slow Living: What You Can Do About Climate Change. Bill Gates too has a forthcoming book on How to Avoid a Climate Disaster.
Memoirs have always proven to be popular. Some of the prominent ones are MK Gandhi’s Restless as Mercury: My Life as a Young Man; the celebrated Hindi writer Swadesh Deepak I Haven’t Seen Mandu, translated by Jerry Pinto is a most revealing and powerful first-person accounts of mental illness; Feisal Alkazi’s Enter Stage Right: The Alkazi / Padamsee Family Memoir; Gulzar’s Actually… I Met Them: A Memoir, Vir Sanghvi by journalist Vir Sanghvi; Bollywood actors Neena Gupta, Deepti Naval and Priyanka Chopra Jonas have written Sach Kahun Toh, A Country Called Childhood: A Memoir and Unfinished: A Memoir respectively but the big one will be Hollywood actress Sharon Stone’s The Beauty of Living Twice; screenwriter Nikesh Shukla’s Brown Baby explores themes of racism, feminism, parenting and our shifting ideas of home; publisher Ritu Menon’s ADDRESS BOOK: A Publishing Memoir in the Time of COVID; Kobad Ghandy’s Fractured Freedom: A Prison Memoir gives an insight into his decade-long journey of arrests and time in prisons across India; Dead Men Tell Tales by forensics expert Dr B. Umadathan (translated from Malayalam by Priya K. Nair) is the riveting memoir of Sherlock Holmes of Kerala. Former cricketer and commentator and current head coach of the Indian national cricket team Ravi Shastri’s memoir written with Ayaz Memon.
Biographies whether authoritative or not are hugely popular such as Yasser Usman’s Guru Dutt: An Unfinished Story; Kaveree Bamzai’s The Three Khans about Aamir Khan, Salman Khan and Shah Rukh Khan; Gautam Chintamani Vinod Khanna: A Biography; Zohra! – A Biography in Four Acts by Ritu Menon about thespian Zohra Sehgal; Francis Wilson’s biography of DH Lawrence called Burning Man; Adi Prakash’s Umar Khalid: Beyond the Anti-national is the story of Umar Khalid is the story of media fairness and it is the story of student politics and of growing up Muslim in India. Also expected are the Hindi writer and the first real standard-bearer of the Nayi Kahani movement Nirmal Verma: A Biography by Vineet Gill and The Master: The Brilliant Career of Roger Federer by Christopher Clarey.
Business books are another category of nonfiction books that sell perennially. Investigative journalist Josy Joseph’s The Business of Terror explores the militancy theatre as a flourishing, multi-faceted business enterprise in India where most of its actors are beneficiaries of it. Technology journalist Jayadevan P.K. writes about Xiaomi: How a Start-up Disrupted the Market and Created a Cult Following that in less than a decade, has gone from being a Chinese start-up to a global player in the smartphone market. Munaf Kapadia with Zahabia Rajkotwala writes in How I Quit Google to Sell Samosas: Adventures with the Bohri Kitchen how he had grown a weekend pop-up at his Cuffe Parade home—The Bohri Kitchen—into an F&B start-up with a Rs 4 crore turnover, and was catering to Bombay’s biggest celebrities. Liftoff: Elon Musk and the Desperate Early Days That Launched by Eric Berger is the dramatic inside story of the first four historic flights that launched SpaceX—and Elon Musk—from a shaky startup into the world’s leading edge rocket company. Tata: The Global Corporation That Built Indian Capitalism by Mircea Raianu is a eye-opening portrait of global capitalism spanning 150 years, told through the history of the Tata corporation. Forgotten Brands: Fresh Marketing Lessons by Ramya Ramamurthy is about colonial Indian brands (both home-grown and foreign) were produced, distributed and marketed between 1847 and 1947. Finally, House of Pain by Patrick Radden Keefe is the story of the Sackler Dynasty, Purdue Pharma, and their involvement in the opiod crisis that has created millions of addicts, even as it generated billions of dollars in profit.
Another popular nonfiction category are cookery books. So, it is no surprise then that practically every publisher has at least one book in the pipeline. Beginning with Sunita Kohli who has collected recipes from celebrities in From the Tables of My Friends; Winner of Nobel Prize in Economics (2019) Abhijit Banerjee’s cookbook; History Dishtory: Adventures and Recipes from the Past by Ranjini Rao and Ruchira Ramanujam and Indian Street food by Rocky Singh and Mayur Sharma. Chitrita Banerji’s A Taste of My Life is both the story of life as an immigrant food writer as well as a story of immigration, belonging, nostalgia, and history, through the lens of food. Rasa: The Story of India in 100 dishes by Shubhra Chatterji is a culinary history of India and the intersection of culture and cuisine told in the most enthralling stories behind a hundred dishes.
Across the board, literary fiction stalwarts return in 2021 with promising new stories. Chitra Bannerjee Divakurni’s novel The Last Queen is an exquisite love story about Maharaja Ranjit’s Singh’s last queen, a commoner, Jindan Kaur; Amitav Ghosh’s Jungle Nama: A Story of the Sundarban, a verse adaptation of the timeless legend of Bon Bibi and Dokkhin Rai that also evokes the wonder of the Sundarban through its poetry, accompanied by stunning artwork by the renowned artist Salman Toor. Asoca by I. Allan Sealy is an imagined memoir of Ashoka The Great; Hussain S. Zaidi’s The Black Orphan centres on Asiya, Osama Bin Laden’s protégé and foster daughter; Anuja Chauhan returns with a grisly titled Club You to Death as does Padma Shri Temsula Ao with six short stories in The Tombstone in My Garden; writers of young adult fiction like Deepa Agarwal’s Kashmir! Kashmir! and Paro Anand’s short stories Unmasked based on the challenges faced by migrants during the lockdown. Annie Zaidi’s novel, One of Them is about people who live on the margins of a big city, and Amitava Kumar A Time Outside This Time is about fake news, memory, and how truth gives way to fiction. The Loves of Yuri by Jerry Pinto is a funny, heart breaking, unforgettable novel about friendship and first loves and the great city of Bombay. Set in the 1980s, this is the first in a trilogy of novels that trace the emotional and intellectual journey of the protagonist, Yuri, from early adolescence to late youth. Nobel Prize winnersKazuo Ishiguro and Orhan Pamuk’s novels Klara And The Sun and Nights of Plague, respectively are hugely anticipated as is the mind bending new collection of short stories First Person Singular by Haruki Murakami. Pulitzer Prize-winners Jhumpa Lahiri, Viet Thanh Nguyen and Colson Whitehead’s novels are called Whereabouts, The Committed and Harlem Shuffle. This is the first novel Lahiri has written in Italian and translated into English. Tahmima Anam’s, already much-talked-about, The Start-Up Wife is considered gripping, witty and razor-sharp, a blistering novel about dreaming big, speaking up and fighting to be where you belong. Second-time novelists who had glittering starts to their literary careers like Anuk Arudpragasam, Sunjeev Sahota and Elizabeth Macneal return with In Search of the Distance, China Room, and Carnival of Wonder respectively.
The debut writers making their mark are Maithreyi Kapoor Sylvia’s Distant Avuncular Ends by experimenting with the form of a novel. Poet Kynpham Sing Nongkynrih’s novel Funeral Nights, where the absurd and the sublime all freely mix,is a history of the Khasis. Krupa Ge’s One Hundred Autumns is set in an era of strict Brahmanical orthodoxy and social mores that sought to bind all women into submission and against the backdrop of the Dravidian movement. Ira Mukhoty Jayal’s Song of Draupadi is a vivid and imaginative novel revolving around the epic figure of Draupadi. Raza Mir’s Murder at the Mushaira: A Novel is a cracking murder mystery & literary novel. Filmmaker Devashish Makhija’s Oonga, a powerful novel that transitions from a film and sits deep in the clash between adivasis, naxalites, the CRPF and a rapacious mining company; Simran Dhir’s Best Intentions, centred on two families in Delhi; Fahad Shah’s The Unnamed, a searing novel set in Kashmir; and Bollywood insider Mushtaq Sheikh’s sizzling Bollywood Biwis. Some of the others to watch out for are Rucha Chitrodia It’s also about Mynah, Zakiya Dalila Harris’s The Other Black Girl, Rijula Das’s A Death in Shonagachhi,journalists Anindita Ghose’s The Illuminated: A Novel and Tavleen Singh’s Everything Breaks.
Historical fiction is a well-defined niche with The Grand Anicut by Veena Muthuraman, set in Southern India, first century, with the Pandyas conquered, the Cheras all but vanquished, and the attention of the king of the north fixed on other lands, Tamilakam flourishes under Chola rule. The first book of Madhulika Liddle’s Delhi quartet — The Garden of Heaven is planned. It is a story playing out against a backdrop of Delhi, stretching from the end of the twelfth century (when Delhi first came under the rule of Sultans) till 1947. Shubendra’s Sultan: The Legend of Hyder Ali, set in the eighteenth century, is the astonishing tale of an ordinary boy from Mysore who became one of the greatest rulers of India. Tarana Khan’s The Begum and the Dastan although set in the late nineteenth century, in the fictional town of Sherpur, is a work based on real events. A despotic Nawab abducts a married woman, Feroza, and marries her against her wishes. Feroza must now negotiate her new life in the zenana with the other wives and concubines of the Nawab. Digonta Bordoloi’s Second World War Sandwich is a thrilling action-packed novel set in Nagaland during the Second World War, when the Nagas resisted the incursion of the Japanese troops into Northeast India. The Paris Library by Janet Skeslien Charles is inspired by the true story of the librarians who risked their lives during the Nazis’ war on words. Melody Razak’s Moth is a heart-rending story of a Brahmin family living in 1940s Delhi during India’s Independence and subsequent Partition. A Net for Small Fishes by Lucy Jago, explores the twisting corridors of power and with the friendship of two women at its heart, it is an exhilarating dive into the pitch-dark waters of the Jacobean court.
Some of the noteworthy translations expected are Ambai’s short stories A Red-Necked Green Bird, translated from Tamil by GJV Prasad; the Bengali classic, Manada Devi’s An Educated Woman in Prostitution: A Memoir of Lust, Exploitation, Deceit (Calcutta,1929), translated by Arunava Sinha; Amrita Pritam’s Pinjar or The Cage, translated from Punjabi by Rita Banerji, was written in 1950, and was the very first to approach Partition and its aftermath through the eyes of a woman; Kaajal Oza Vaidya’s Krishnayan, gives glimpses into Krishna’s last moments on earth, translated from Gujarati by Subha Pande and The Last Gathering: A vivid portrait of life in the Red Fort by Munshi Faizuddin, translated by Ather Farooqui. It was first published in 1885, Bazm-i Aakhir, or The Last Assembly and is a rich and lively account of life in the royal court of the last Mughal emperor in Red Fort, Bahadur Shah Zafar.
So many frills, thrills and spills! Reading good literature will help survive this pandemic.
Book Post 50 includes some of the titles received in the past few weeks. Wherever available Amazon’s Kindle widget has been embedded in the blog post. It will allow you to browse through the book before you decide to buy it.
Book Post 42 includes some of the titles received in the past few weeks. Wherever available Amazon’s Kindle widget has been embedded in the blog post. It will allow you to browse through the book before you decide to buy it.
I recently contributed to How to Get Published in Indiaedited by Meghna Pant. The first half is a detailed handbook by Meghna Pant on how to get published but the second half includes essays by Jeffrey Archer, Twinkle Khanna, Ashwin Sanghi, Namita Gokhale, Arunava Sinha, Ravi Subramanian et al.
Here is the essay I wrote:
AS LONG as I can recall I have wanted to be a publisher. My first ‘publication’ was a short story in a newspaper when I was a child. Over the years I published book reviews and articles on the publishing industry, such as on the Nai Sarak book market in the heart of old Delhi. These articles were print editions. Back then, owning a computer at home was still a rarity.
In the 1990s, I guest-edited special issues of The Book Review on children’s and young adult literature at a time when this genre was not even considered a category worth taking note of. Putting together an issue meant using the landline phone preferably during office hours to call publishers/reviewers, or posting letters by snail mail to publishers within India and abroad, hoping some books would arrive in due course. For instance, the first Harry Potter novel came to me via a friend in Chicago who wrote, “Read this. It’s a book about a wizard that is selling very well.” The next couple of volumes were impossible to get, for at least a few months in India. By the fifth volume, Bloomsbury UK sent me a review copy before the release date, for it was not yet available in India. For the seventh volume a simultaneous release had been organised worldwide. I got my copy the same day from Penguin India, as it was released by Bloomsbury in London (at the time Bloomsbury was still being represented by Penguin India). Publication of this series transformed how the children’s literature market was viewed worldwide.
To add variety to these special issues of The Book Review I commissioned stories, translations from Indian regional languages (mostly short stories for children), solicited poems, and received lovely ones such as an original poem by Ruskin Bond. All contributions were written in longhand and sent by snail mail, which I would then transfer on to my mother’s 486 computer using Word Perfect software. These articles were printed on a dot matrix printer, backups were made on floppies, and then sent for production. Soon rumours began of a bunch of bright Stanford students who were launching Google. No one was clear what it meant. Meanwhile, the Indian government launched dial-up Internet (mostly unreliable connectivity); nevertheless, we subscribed, although there were few people to send emails to!
The Daryaganj Sunday Bazaar where second-hand books were sold was the place to get treasures and international editions. This was unlike today, where there’s instant gratification via online retail platforms, such as Amazon and Flipkart, fulfilled usually by local offices of multi-national publishing firms. Before 2000, and the digital boom, most of these did not exist as independent firms in India. Apart from Oxford University Press, some publishers had a presence in India via partnerships: TATA McGraw Hill, HarperCollins with Rupa, and Penguin India with Anand Bazaar Patrika.
From the 1980s, independent presses began to be established like Kali for Women, Tulika and KATHA. 1990s onwards, especially in the noughts, many more appeared— Leftword Books, Three Essays, TARA Books, A&A Trust, Karadi Tales, Navayana, Duckbill Books, Yoda Press, Women Unlimited, Zubaan etc. All this while, publishing houses established by families at the time of Independence or a little before, like Rajpal & Sons, Rajkamal Prakashan, Vani Prakashan etc continued to do their good work in Hindi publishing. Government organisations like the National Book Trust (NBT) and the Sahitya Akademi were doing sterling work in making literature available from other regional languages, while encouraging children’s literature. The NBT organised the bi-annual world book fair (WBF) in Delhi every January. The prominent visibility in the international English language markets of regional language writers, such as Tamil writers Perumal Murugan and Salma (published by Kalachuvadu), so evident today, was a rare phenomenon back then.
In 2000, I wrote the first book market report of India for Publisher’s Association UK. Since little data existed then, estimating values and size was challenging. So, I created the report based on innumerable conversations with industry veterans and some confidential documents. For years thereafter data from the report was being quoted, as little information on this growing market existed. (Now, of course, with Nielsen Book Scan mapping Indian publishing regularly, we know exact figures, such as: the industry is worth approximately $6 billion.) I was also relatively ‘new’ to publishing having recently joined feminist publisher Urvashi Butalia’s Zubaan. It was an exciting time to be in publishing. Email had arrived. Internet connectivity had sped up processes of communication and production. It was possible to reach out to readers and new markets with regular e-newsletters. Yet, print formats still ruled.
By now multinational publishing houses such as Penguin Random House India, Scholastic India, Pan Macmillan, HarperCollins India, Hachette India, Simon & Schuster India had opened offices in India. These included academic firms like Wiley, Taylor & Francis, Springer, and Pearson too. E-books took a little longer to arrive but they did. Increasingly digital bundles of journal subscriptions began to be sold to institutions by academic publishers, with digital formats favoured over print editions.
Today, easy access to the Internet has exploded the ways of publishing. The Indian publishing industry is thriving with self-publishing estimated to be approximately 35% of all business. Genres such as translations, women’s writing and children’s literature, that were barely considered earlier, are now strong focus areas for publishers. Regional languages are vibrant markets and cross-pollination of translations is actively encouraged. Literary festivals and book launches are thriving. Literary agents have become staple features of the landscape. Book fairs in schools are regular features of school calendars. Titles released worldwide are simultaneously available in India. Online opportunities have made books available in 2 and 3-tier towns of India, which lack physical bookstores. These conveniences are helping bolster readership and fostering a core book market. Now the World Book Fair is held annually and has morphed into a trade fair, frequented by international delegations, with many constructive business transactions happening on the sidelines. In February 2018 the International Publishers Association Congress was held in India after a gap of 25 years! No wonder India is considered the third largest English language book market of the world! With many regional language markets, India consists of diverse markets within a market. It is set to grow. This hasn’t gone unnoticed. In 2017, Livres Canada Books commissioned me to write a report on the Indian book market and the opportunities available for Canadian publishers. This is despite the fact that countries like Canada, whose literature consists mostly of books from France and New York, are typically least interested in other markets.
As an independent publishing consultant I often write on literature and the business of publishing on my blog … an opportunity that was unthinkable before the Internet boom. At the time of writing the visitor counter on my blog had crossed 5.5 million. The future of publishing is exciting particularly with neural computing transforming the translation landscape and making literature from different cultures rapidly available. Artificial Intelligence (AI) is being experimented with to create short stories. Technological advancements such as print-on-demand are reducing warehousing costs, augmented reality is adding a magical element to traditional forms of storytelling, smartphones with processing chips of 8GB RAM and storage capacities of 256GB seamlessly synchronised with emails and online cloud storage are adding to the heady mix of publishing. Content consumption is happening on electronic devices AND print. E-readers like Kindle are a new form of mechanised process, which are democratizing the publishing process in a manner seen first with Gutenberg and hand presses, and later with the Industrial Revolution and its steam operated printing presses.
The future of publishing is crazily unpredictable and incredibly exciting!
Every Monday I post some of the books I have received in the previous week. Embedded in the book covers and post will also be links to buy the books on Amazon India. This post will be in addition to my regular blog posts and newsletter.
In today’s Book Post 20 included are some of the titles I received in the past few weeks and are worth mentioning and not necessarily confined to parcels received last week.
Ruskin Bond’s latest book — A Time For All Thingsis a collection of his essays and sketches or he would prefer to refer to them as “short prose pieces”. It is the perfect bedtime reading book. Short, pleasantly written essays, in gentle English, evocative of a period gone by without being wistful. I do not know how to put it except to say that within each essay ( that I have read so far) I find in it resides a wonderful mix of happiness and pure joy. Such a peaceful, meditative quality to the essays that they are the perfect end to a hectic and busy day. I love the manner in which the essays are wonderful reminders of how we must pause and appreciate the beauty around us. Of course not all of us are as fortunate as Mr Bond is to live up in the mountains but even so we can pause and appreciate. I love the way he merges the sacred and the secular without underlining faith crudely as has become fashionable today. It is such a pleasure to experience. Many of these pieces will be familiar as having been anthologised in other collections for young and old, but it does not matter since it is a pleasure to have them gathered in one place.
Here are a few extracts to illustrate:
…the other day, taking a narrow path that left the dry Mussorie ridge to link up with Pari Tibba ( Fairy Hill), I ran across a path of lush green grass, and I knew there had to be water there.
The grass was soft and springy, spotted with the crimson of small, wild strawberries. Delicate maidenhair, my favourite fern, grew from a cluster of moist, glistening rocks. Moving the ferns a little, I discovered the spring, a freshlet of clear sparkling water.
I never cease to wonder at the tenacity of water — its ability to make its way through various strata of rock, zigzagging, back tracking, finding space, cunningly discovering faults and fissures in the mountain, and sometimes travelling underground for great distances before emerging into the open. Of course, there’s no stopping water. for no matter how tiny that little trickle, it has to go somewhere!
“A Marriage of the Waters”
In May and June, when the hills were brown and dry, it was always cool and green near the stream, where ferns and maidenhair and long grasses continued to thrive. Downstream I found a small pool where I could bathe, and a cave with water dripping from the roof, the water spangled gold and silver in the shafts of sunlight that pushed through the slits in the cave roof. ‘He maketh me to lie down in green pastures; he leadeth me beside still waters.’ Perhaps David had discovered a similar paradise when he wrote those words; perhaps I too would write good words. The hill station’s summer visitors had not discovered this haven of wild and green things, I was beginning to feel that the place belonged to me, that dominion was mine.
“A Time for All Things”
When I was a boy I would occasionally visit Hardwar, sometimes in the company of my lost friend Kishen. In my first novel, The Room on the Roof, I have described how we crossed the Ganga in a small boat accompanied by a number of pilgrims, all chanting ‘Ganga-mai ki jai!’ It was a moving experience, both in my story and in reality. And whenever I visited Hardwar, I would sing out ‘Ganga-mai ki jai’ with whoever was with me.
I am not a religious person, but I have always been moved by the devotion of others. Every evening, after Beena ( my grand-daughter) has done her pooja, she brings me prasad, and I accept it humbly and gratefully because it is the symbol of her goodness and devotion. to light a candle is better than to curse the darkness.
And so here I am, in my eighties, trying to gather my thoughts and to see if I have any great thoughts. But none come to me. You must do your own thinking, dear reader.
“Thoughts on Passing Eighty”
( These extracts have been published with permission from Speaking Tiger)
Buy the book. Treasure it. Share it. You will not regret it.
Ruskin Bond A Time for All Things: Collected Essays and Sketches Speaking Tiger, New Delhi, 2018. Pb. pp. 400. Rs. 499
The following is an extract from Ruskin Bond’s delicious new book Till the Clouds Roll By. It is a gently told, haunting memoir of his childhood, recounting incidents soon after his father passed away. He was lonely despite spending his holidays with his mother and her new family. The following extract has been used with permission from the publishers, Puffin Books.
The following day, when the hunting party headed for the jungle, I had the rest house to myself—except for Mohan, the boy assistant, who had been left in charge of the kitchen.
Exploring the old bungalow, I discovered a storeroom at the rear—a room full of old and broken furniture: a settee with the stuffing coming out, a bed with broken springs, a cupboard with a missing door. The remaining door swung open at my touch to reveal a treasure trove of books—books that were in good condition because they hadn’t been touched for years, the collection of some bygone forest officer perhaps.
Here I found enough reading to keep me occupied for the rest of the week. Here I discovered the ghost stories of M.R. James, that master of the supernatural tale, scholarly and convincing. Here I discovered an early P.G. Wodehouse novel, Love among the Chickens, featuring Ukridge, that happy optimist, who was to become my favourite Wodehouse
character. Ukridge always addresses everyone as ‘old horse’—‘And how are you, old horse?’or ‘Lend me a fiver, old horse!’—and for several months I found myself addressing friends and families in the same manner, until one day, back in school, I addressed my headmaster as ‘old horse’ and received a caning for my pains.
In the forest bungalow I also discovered Agatha Christie’s first Poirot novel, The Mysterious Affair at Styles, John Buchan’s spy thriller The Thirty-Nine Steps and the short stories of O. Henry and W.W. Jacobs. There were some children’s books in that cupboard too—and I have to confess that I read very few children’s books as a boy. I had gone straight from comic papers to adult fiction!
The front veranda of the bungalow had a very comfortable armchair, and I spent most of the day stretched out in it with one of those books for company. Instead of becoming a great shikari, as my mother and stepfather might have wished, I had become an incurable bookworm, and was to remain one for the rest of my life.
Mohan would bring me bread and butter and a glass of hot tea, and I was quite content with this spartan lunch. The cook and the food baskets would go along with the shikar party, who would be enjoying mutton koftas and pilau rice whenever they tired of following an elusive tiger. But I was having an adventure of my own.
The shikar party decided to make one last rumble through the jungle in search of the fabled tiger. It was literally a rumble, because Mr Hari had engaged some thirty to forty villagers from across the river to ‘beat’ the jungle—that is, to advance in a line through the forest, beating drums, or kerosene tins, and blowing on horns, or home-made trumpets, in a bid to drive the forest creatures out of their lairs and into the open.
This they succeeded in doing, but in the wrong direction.
While the hunters waited for their quarry at the edge of the forest, the villagers—confused by the trumpeting of the elephants—took another route, in effect driving the animals to safety, and in the direction of the rest house.
I was sitting in the veranda, a book on my knee, when I heard a lot of grunting and squealing. I looked up to see a number of wild boars streaming across the clearing in front of me!
They emerged from one side of the jungle and disappeared into the thickets on the other side.
Now they were followed by a herd of deer—beautiful spotted chital, and then handsome, tall sambar. All emerging from the trees, moving swiftly across the clearing and making their way into the forest.
Peacocks and junglefowl, also disturbed by the village orchestra, flew across the clearing, exchanging sal for shisham.
Fascinated by this sudden appearance of birds and beasts, I remained sitting in my armchair—not in the least alarmed—because it was obvious that the animals were intent on getting as far away from humans as possible.
And presently I was rewarded with the sight of a lithe and sinewy leopard slinking past the bungalow. It may have been looking out for its own safety or it may have been following the
deer, but there it was—all black and gold in the late afternoon sun.
And then it vanished into the dense green foliage.
Hours later, the hunters returned, grumpy and empty-handed except for an unfortunate barking deer.
‘I saw a leopard while you were away,’ I told my mother and stepfather.
They were not impressed.
‘He’s making it up,’ said Mr Hari.
‘Well, he does have a vivid imagination,’ said my mother. ‘It must be all those books he’s been reading.’
I did not argue with them. You don’t argue with adults who have made up their minds about you.
The tiger had eluded them, but I had seen a leopard. So I had achieved a small victory.
Excerpted from Till the Clouds Roll by, authored by Ruskin Bond, published by Puffin Books (An imprint of Penguin Random House). MRP:250/-