Jaya Posts

“City of Incident” by Annie Zaidi

Her mother likes telling stories about her. The time when she split open her knee and went all by herself to the dispensary. The time when she got her first pair of white ballerina shoes and was told to be careful not to dirty them, and how she became so cautious that she outgrew them before she had ever had a chance to wear them outside the house. The other thing her mother likes to say is, don’t get too caught up with thinking. She said it when her wedding was arranged with her cousin’s brother-in-law and she hadn’t quite finished college. Don’t think so much. The only choice one has is how to do the thing that’s got to be done. Do it easy and quick, it gets done easy and quick.

That’s how she does things, quick and quiet. They like her for it. They say how quiet and quick she is. When her first son arrived, they bought her a pair of gold jhumkas. Bracelets, the second time around. Glistening black eyes, fat with pride and relief, now watch her move around the house, on her feet all day, doing what’s got to be done: 6a.m., tea for the in-laws, 6.30, tea for the husband. Start chopping potatoes for the breakfast poha at 6.45. Bathe and dress the older one at 7.15, feed him at 7.30. Walk him tot he bus stop at 7.50. Call the others to breakfast at 8.30. Feed the younger one before aeting herself. Take stock of the kitchen at 10. Start cooking lunch at 10.30.

Unknown to them, after the school bus has taken away her first child, she stops for a secret glug of time. … She doesn’t dare stay longer than ten minutes. The other mothers would have returned to the building and her family will start to wonder. Still, she stretches out the minute as far as it will go.

( p.46-7) “A Housewife Walks out with her Children but Fails to Board the Train”

Award-winning writer, Anni Zaidi’s new short story collection, City of Incident: A Novel in Twelve Parts, is of nameless characters who live in the city. It is published by Aleph Book Company. The short story titles are the only indication of the character’s identity — policeman, salesgirl, bank teller, wood worker, housewife, beggar, security guard, adulterous man, trinket seller, and manager. These descriptions are very similar to how stories are shared by Indians in languages apart from English. Stories begin from the middle, consist of nameless characters and move ahead and equally abruptly end.

annie Zaidi’s keen eye is extraordinary. She observes with a minuteness that is breathtaking. Her stories are reminiscent of J. Alfred Prufrock:

Shall I say, I have gone at dusk through narrow streets
And watched the smoke that rises from the pipes
Of lonely men in shirt-sleeves, leaning out of windows? …

Annie Zaidi, probably like many of her readers, has imagined stories about the many nameless people in a crowd. Zaidi has taken it a step further — she has written down the stories. Short sketches are meant to be packed with detail, not a word out of place, and this is exactly the vividness that characterises this collection. And yet there is a sense of universality about the sketches as the reader will instantly recognise such characters in their lives too. The empathy with which she writes is at the heart and soul of every story. The stories linger with the reader after the book is closed.

The universality of her characters is also played out by the ordinariness of their roles. Community, caste, and religion are not the identifying features of these stories. These scenarios can belong to anyone. It comes as a shock to the reader to realise this. Everyone has a story to tell. This collection proves it as long as one is prepared to look beyond the nameless faces and make the effort to understand. City of Incident: A Novel in Twelve Parts puts the spotlight on the ordinary challenges, ordinary dreams, ordinary ambitions, of the ordinary folk. The significance of this is accentuated given that Annie Zaidi is known for her sharp commentaries through the arts on sectarian violence. The grief and distress of the ongoing pandemic, coupled with the normalisation of communal hatred in society, has been horrific. Yet, Annie Zaidi has chosen to bring the conversation back to where it is essential — the common man and his/her daily struggles. Annie Zaidi epitomises the role of a writer/artist in society; and as always, she does it with calm fortitude and grace.

Read it.

23 Jan 2022

Thich Nhat Hanh, “Touching Peace”

Earlier this month, Aleph Book Company published a slim volume by Thich Nhat Hanh called Touching Peace: Practicing the Art of Minful Living. It offers practical guidance and meditation techniques to practise the art of mindfulness in our daily lives.

Sadly, within days of receiving this book, the Zen Buddhist teacher passed away — Thich Nhat Hanh ( 11 Sept 1926 – 22 Jan 2022). The announcement was made by the International Plum Village Community of Engaged Buddhism.

The Dalai Lama also sent his condolences.

The foreword to Touching Peace is by one of the Buddhist teacher’s distinguished disciples, Shantum Seth.

22 Jan 2022

“Empire of Pain” by Patrick Radden Keefe

Patrick Radeen Keefe’s award-winning book, Empire of Pain: The Secret History of the Sackler Dynasty is an extraordinary account of the Sackler family. Beginning life in Flatbush, Brooklyn, the three brothers — Arthur, Mortimer and Raymond Sackler — built an empire worth billions of dollars. Their only inheritance from their first-generation immigrant parents was their name. The sons, especially Arthur, ensured that the Sackler name was emblazoned on the walls of prestigious institutions like museums and universities. The brothers, all of whom had trained as doctors, donated generously to the Met, Smithsonian, Columbia University and Harvard University. Few knew where this wealth originated.

Patrick Radden Keefe unravels the stupendous history behind the obscene amounts of wealth that the Sackler family had made. He methodically explains Arthur Sackler’s workaholic nature that enabled him to earn money for his family while he was still in school. The young Arthur was earning sufficient money to feed and keep his family health and safe even during the Depression. Post-war, by which time he was also a qualified doctor, Arthur was practising medicine but also a publicist for pharmaceutical companies such as Pfizer and Roche. The popular demand that Arthur Sackler managed to create for drugs like Terramycin, Valium and Betadine, by running superb marketing campaigns ensured that he was true to his promise to the manufacturing firms that he would make the names of these medicines “household names”. What is truly extraordinary is that Arthur Sackler negotiated deals for himself with the companies that were equivalent to a sliding scale of “royalties” as payment for running the campaigns. So as the companies earned millions of dollars from the sale of the pills, Arthur Sackler’s income rose proportionately ( the manufacturers could not keep pace with the demand!). It meant that the brothers could easily relocate to posher parts of New York. Slowly and steadily, Arthur also began to build one of the largest private collections of Chinese antiques. Soon, the brothers had sufficient money to buy a small, nondescript pharmaceutical company called Purdue Pharma. This became the firm that was used to create and sell drugs. For a long time, the brothers names were linked to selling laxatives and less harmful drugs, very different to what the PR firm they owned was promoting. But it is their development of the OxyContin drug, that was easily available and the basis of the opioid crisis that is truly terrifying. Knowingly, the Sackler family profited billions of dollars while more than 450,000 Americans perished due to this drug — the number far exceeding the combined number of American casualties in all the conflicts since World War II.

There is so much in this book to share that it is impossible to say it all in a short book review. Please read it. Empire of Pain documents the insidious and nefarious ways in which empires are built, economic exploitation of the masses is done in a calculating manner but the powers-that-be are unable to or rather choose not to do anything about it as the Sacklers bribe them. This book is packed with details as to how smoothly the family operated. Most often, Mortimer and Raymond were clueless about the operations as their brother was the mastermind. Yet, as became evident that with Arthur Sackler’s death, the remaining brothers and the younger generations, had inherited the buzz to make money at whatever cost. Arthur Sackler may have negotiated some mind-bogglingly smart deals ( inevitably in his favour) but it was his extended clan that manufactured OxyContin and profited from it. It became harder and harder to pinpoint the Sacklers as being responsible for the healthcare crisis. It required the dogged persistence of the New Yorker reporter, Keefe, to wade through piles and piles of documents, visit archives, interview over 200 people and read correspondence with friends and acquaintances of the Sacklers ( as the brothers were notoriously secretive) to write this comprehensive account. Through it all, no one from the family was ready to speak to him, not even via their lawyer. Yet, he wrote this award-winning book. So far it has won the Baillie Gifford Prize and has been shortlisted for many others.

Empire of Pain is highly recommended.

22 Jan 2022

“Qabar” by K. R. Meera

Qabar or grave, is a novella by award-winning writer K. R. Meera ( published by Westland Books). It is a curious story. Is it possible to share the story briefly. No. Suffice to say that the dark parallels drawn between a woman’s existence and that of a Muslim in a very patriarchal and Hindu-dominated society, respectively, are very disconcerting. For the characters, it is akin to being dead while alive, confined to their qabar. Resorting to elements of magic realism or preying upon classic myths of witches and djinns, does not in any way ease the reader while trying to comprehend Qabar. The competent translation by journalist/author, Nisha Susan is very good. She achieves the balancing act by slipping in Malayalam words into the English translation without making the text jarring to read.

Qabar is a pleasure to read.

19 Jan 2022

“Blue Skinned Gods” by S. J. Sindhu

Blue Skinned Gods by  S J Sindhu is the memoir of a childgod, Kalki, who is blueskinned and thus perceived as an avatar of Vishnu. It is a coming-of-age novel that calls out the hypocrisy of religion, castesim and the shocking attitudes towards women that persist; while dissecting sharply other aspects of society, especially patriarchy and the manner in which it controls, constructs, imbues, destroys society and relationships. It is heartbreaking to see how the young Kalki is constantly looking at his Ayya for approval but it is not easily forthcoming.
Ultimately, religion is the opiate of the masses and this book delves deep into it. It is definitely a bildungsroman too as Kalki grows, develops and goes into adulthood. Sexuality too is like an electric undercurrent in the novel as Kalki experiments. There are moments when the much older Kalki reflects back upon his life, and much has happened. He has learned to break shackles and move ahead. He lives. He experiments. He travels — metaphorically and literally. It is a pretty sharply told story.

It is a novel that exoticises India in the same manner as Raghubir Singh did with his photographs many years ago. It presents an India to the world that they associate with India. It is a book that will appeal to foreigners as it checks many boxes regarding India especially wrt Hinduism, spirituality, a way of life etc. It is saleable.A vast number of these novels are emerging from overseas markets that offer a perspective on India. In many ways they sound dated as the writers are distanced — physically and in time — from India. Whereas the country is changing so rapidly that it is unkind to present India in a specific light. Even the protagonist, Kalki, who promises to be an interesting person as he learns to defy authority, ultimately feels very wooden. While it is essential for desi literature to expand its horizons and have more and more writers contributing to this space, perhaps it is equally prudent to have more engagements, like cross-pollination of experiences, between writers based in and writing out of India with those of the diaspora.

Ideally speaking, a panel discussion between S J Sindhu and Saikat Majumdar would be fascinating. Perhaps, it can be organised?

19 Jan 2022

“The Book of Dog”

Once upon a time, I too had dogs. They were an integral part of my life. They would sit at my feet while I studied. We travelled by road for lovely, long trips. Dad would ensure that we were booked into accommodation that welcomed the dogs. In our family, dogs were and are a part of our lives and this has been true across generations. A lot of memories came flooding back while reading the stories in The Book Of Dog edited by Hemali Sodhi ( published by HarperCollins India). And most certainly one of the memories being that of calming a petrified Hemali when she spotted a pet dog across a vast hall at an event. So her transformation into an ardent doglover is the stuff that myths are made up of. If I had not witnessed it for myself, it would have been hard to believe what she narrates in her introduction. But it is true. The kindness, gentleness, warmth, unconditional love that the animals offer has to be experienced at least once and I am glad Hemali Sodhi has. Sadly, with the joy comes the pain, grief and the gaping hole in one’s heart that the dog’s departure leaves. The Book of Dog is a gorgeous collection of essays, photographs, poems, and illustrations by pawrents. And you know it is a winner when munchkins adopt it by slipping in notes, appropriating it as their own.

19 Jan 2022

Sarah Rose’s “A Very Naughty Dragon” reviewed, two years later

This is very nice. Two years after my daughter, Sarah Rose, and Paro Anand co-authored an illustrated storybook, A Very Naughty Dragon, it is still being read. It is about a young komodo dragon called, “Draco”. This young reviewer/vlogger (ahanastoryteller) on Instagram says that she learned five important lessons from it. She then proceeds to list them.

Meanwhile, Sarah grins with pleasure upon seeing the video and remarks, “I did not think that Draco’s story would influence others.”

16 Jan 2022

“Tender Bar” and reading

Tender Bar that is currently streaming on Amazon Prime is a wonderful adaptation of award-winning author, J. R. Moehringer’s memoir (2005) of the same name. It has been directed by George Clooney and has Ben Affleck acting in it. It is a wonderful film that shows the tender relationship between an uncle and a nephew, but also of the immediate clan and close circle of his uncle’s friends. Somehow the writer manages the fine balancing act between masculinity and tenderness without it becoming toxic. J. R. Moehringer’s mother is a single parent who returns to live with her parents and her brother. It is a full house at home. The mother is restless and despite living many years in it finds it hard to call it home whereas her son has no difficulty in doing so.

There are many scenes in the film that are worth discussing but my favourite scene is when the uncle, played brilliantly by Ben Affleck, recognises the talent his nephew has for writing. Uncle encourages nephew to read and does so by throwing open the cupboard that houses his book collection and simply says, “Read”. At no point does the uncle ever say to his nephew that this is inappropriate for you or is not at your reading level. Incredibly liberating! The reading/writing bug big bit the nephew. Ultimately, he got a place at full-sponsored seat at Yale University.

It is not a mushy film. Just about right in its tenor. No wonder Ben Affleck has been shortlisted for some awards such as the Screen Actors Guild. He has been nominated in the category: “Outstanding Performance by a Male Actor in a Supporting Role”.

J. R. Moehringer won the Pulitzer Prize (2000; shortlisted in 1998) for journalism and subsequently co-authored tennis star, Andre Agassi’s “Open: An Autobiography” ( 2009). He also ghostwrote Nike co-founder, Phil Knight’s “Shoe Dog” (2015). He has now been asked by Prince Harry, Duke of Sussex, to collaborate on the Duke’s forthcoming memoir that is to be published in late 2022.

Watch Tender Bar

16 Jan 2022

DK Encyclopaedias

I cannot recommend the DK  encyclopaedias enough — The Science of the Ocean: The Secrets of the Sea Revealed , The Science of Animals: Inside their Secret World and Flora: Inside the Secret World of Plants. The DK books must be a part of every school ready  reference section. If the school or parents can afford it, then the DK encyclopaedias must exist in  classroom libraries and personal  libraries.

Children learn through a variety of ways.  Pictorial recognition is a critical aspect of their learning. More than learning, it opens the eyes and minds of munchkins to the wonders of our world. DK books are a mix of science, excellent knowledge base, generous layout and aesthetics.  Children’s literature tends to dumb down learning tools for kids by creating books appropriate for their age. So parents and educators buy multiple levels of the same kind of book but graded according to the chronological age and educational level of the learner. Frankly, it makes no sense. Conserve the money that is being frittered away in a variety of editions and spend it on what is construed as an expensive encyclopaedia and see how much joy it gives — for years. The learning achieved through osmosis is phenomenal. These big books — in terms of size and ideas — have scrumptious layouts. A great deal of attention is given to every detail on the page. The three encyclopaedias in this photograph are made in collaboration with The Natural History Museum and  Kew: Royal Botanical Gardens. No expense is spared in accessing top class information. The coming together of textual and pictorial information in the design is superb. It is impossible to tell where the child’s eye is resting or what their mind is absorbing. The beauty on every page coupled with a high standard of knowledge ensures that the child’s curiosity is tickled. The child wants to know more. Heck, even adults are absorbed by these books. Leave these books lying around and the peaceful silence that engulfs the house with a child happily reading is magical.

With the ongoing pandemic (third year!), kids need to be provided resources for home-based learning. Online classes implies that the syllabus had to be greatly reduced and the children have no access to their school libraries or resources. DK Books are worth their investment in gold. They are treasures. They entice the child away from electronic engagement ( and the harmful aspects of EMR) but at the same time provide a magnificent blend of infotainment and visuals.

13 January 2022

All India Radio / historic moment

This morning I finished recording a panel discussion on “Children’s literature in India” at All India Radio, the national radio channel. After the fabulously animated session was over, the producer informed us about the magnificent history of the table that we were recording at.

This table is where the first prime minister of India, Jawaharlal Nehru, made his “Tryst of Destiny” speech.

This table is where Mahatma Gandhi appealed to the nation to stop rioting. It was the one and only time that he visited the AIR studios — 12 Nov 1947.

This table is where Emergency was declared.

All India Radio has ensured that it is preserved and used. In all these decades they have never changed the bar from which the microphones hang.

Needless to say, all of us had goosebumps, by the time the producer finished his story.

Perhaps the producer was so pleased with the outcome of the recording. He really liked it. Truly, I am glad he did not tell us earlier. The moment he did, all of us jumped out of our seats. It just seemed surreal to be at the same desk where so many defining moments of our country’s history had played out. Apparently, most of the AIR employees are told this when they are training for their posts. But most do not share it with their guests as they are usually in a tearing hurry to leave after the recording.

Or

Perhaps it has something to do with the nature of our conversation where I shared a lot of our publishing history with reference to children’s literature. Made a point to connect it with developments in modern India. Maybe the producer was responding to the histories we were sharing? I do not know. It just happened so spontaneously.

I have no idea why were singled out for this precious piece of news. But this is a privilege indeed to be at the same table that has witnessed so much of modern Indian history.

Below are photographs of display cabinets in the foyer of AIR showcasing sound recording equipment.


25 Nov 2021

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