Jackson often complained about the mental calisthenics required to be at once a mother and a writer — the “nagging thoughts” about finishing the laundry or preparing meals that often interrupted her creative work. When she was working on a novel, she once wrote to a friend, she preferred to “lock myself up in my cave for four dogged hours a day, and sneak a minute or so here and there for writing letters and making lunch (‘You will eat vegetable soup again today and like it; Mommy’s beginning chapter three’).” But many writers, especially women writers, learn to derive imaginative energy from their constraints. Alice Munro has said that she began writing short stories because as a young mother she had no time to write novels: “When you are responsible for running a house and taking care of small children, particularly in the days before disposable diapers or ubiquitous automatic washing machines, it’s hard to arrange for large chunks of time.”
Writing in the hours between morning kindergarten and lunch, while a baby napped, or after the children had gone to bed demanded a discipline that came to suit Jackson. She was constantly thinking of stories while cooking, cleaning, or doing just about anything else. “All the time that I am making beds and doing dishes and driving to town for dancing shoes, I am telling myself stories,” she said in one of her lectures. Many of her stories were already virtually finished by the time she managed to sit down at the typewriter. Her friend Kit Foster told of playing Monopoly one evening with Jackson and Hyman when Jackson abruptly withdrew from the game and went into her study, where she banged audibly at her typewriter. Less than an hour later, she emerged with a story that was sent off to her agent the next morning. The idea for “The Lottery” came to her while she was grocery shopping with her daughter Joanne, then age 2. After they came home, she put away the groceries, put the child in her playpen, and wrote the story.
4 October 2016