Many of the self-help books that are available in the local book market are created overseas. The drops of wisdom that they are share are fine and commonsensical, but the case studies and scenarios most oft are not. They are mostly applicable for situations abroad. The Time Energy Toolkit: Design your life, one day at a time has much the same kind of wise words to share as it’s international counterparts, but it’s differentiating factor is the sharing of desi scenarios. This is critical. Understanding the local context, especially the work/corporate culture, then Apekshit Khare is able to guide the reader in fine tuning their behavioural practices to manage their time energy better.
There are plenty of tables and worksheets provided via a QR Code printed at the end of the book.
Ultimately, it is a very corporate/business handbook but it’s written in an accessible style.
Try using the book. See if it makes a difference to you.
A Greek king and a Buddhist monk engage in a transformational philosophical dialogue.
The legendary conversation between the Greek King Milinda, traditionally identified as Menander, and the Buddhist monk Nagasena is believed to have taken place after Alexander’s campaign in India. The earliest versions of this dialogue originate from the northwestern region of the Indian subcontinent, known as Greater Gandhara, where Buddhism had taken root as early as the reign of Emperor Ashoka in the third century BCE. While the historical authenticity of this exchange remains uncertain, the dialogue―known in Pali as Milindapañha―has endured for over two millennia and is regarded as one of the most revered texts in Theravada Buddhism.
Throughout their conversation, Milinda and Nagasena explore fundamental questions about the nature of the world, kingship, and the sources of knowledge. Milinda’s probing inquiries drive the dialogue, while Nagasena offers insights grounded in Buddhist teachings, gradually transforming the Greek king from a curious skeptic into a committed Buddhist.
This edition, published by Murty Classical Library of India / Harper Collins India, features a modern English translation of one of the most renowned works of ancient Buddhist philosophy, alongside the original Pali text.
Maria Heim is George Lyman Crosby 1896 & Stanley Warfield Crosby Professor in Religion at Amherst College.
The Five Mindfulness Trainings, also known as ‘Precepts’, form the foundation of ethics and morality in Buddhism: not to kill, steal, commit adultery, lie, or consume intoxicants. In The Mindfulness Survival Kit, revered Zen Master and peace activist Thich Nhat Hanh discusses the deep relevance of these simple yet profound principles in both our personal lives and in the world around us.
Describing the precepts as a ‘diet for a mindful society’, he shares insights into their value and meaning and teaches how embracing each mindfulness training can nurture a society grounded in care, harmony, and mutual respect. In his poetic and lucid style, Hanh presents a practical and secular vision for building and sustaining a way of life that is healthy, compassionate, and doesn’t harm or disrupt peace. Thich Nhat Hanh was one of the best-known Zen Buddhist teachers in the world. He was the author of numerous bestselling books. He lived in Plum Village, in southwest France, where he taught the art of mindful living. He passed away in Hue, Vietnam, in January 2022.
Nearly 90 million people around the world identify as Tamil, a proud and ancient community with a unique language, history, and culture. The Tamil people have given India and the world some of its most iconic revolutionaries and political leaders, industrialists, philosophers, sportspeople, scientists, and mathematicians (including winners of the Nobel Prize), and celebrated writers, poets, dancers, musicians, and actors. The influence of the community on science, culture, religion, philosophy, art, architecture, literature, film, and politics has endured across millennia. While the majority of Tamils live in South India, the diaspora is to be found in countries around the world—especially in Sri Lanka, Malaysia, Singapore, Canada, the UK, and USA, where Tamil traditions thrive and assume new and interesting forms. A people of immense resilience, intellect, and creativity, the Tamils continue to leave an indelible mark on the world.
But who are the Tamils, really? How have they preserved a distinct cultural heritage while evolving across time and geographies? And what is the Tamil ‘gunam’ or identity? How has Tamil culture endured even as it has evolved and mutated over centuries?
In The Tamils, author Nirmala Lakshman draws from a wealth of historical information, original research, and her own keen observations of the community that she is part of to craft a rich and expansive exploration of Tamil history, society, and culture. The book has been published by Aleph Book Company.
Today’s Tamil Nadu largely corresponds to ancient Tamilakam and is bound by the mountain ranges of the Western Ghats and the Bay of Bengal, with tracts of dry red earth, green paddy fields, and pebbled riverbeds in between. This book traces the remarkable journey of the people of this land, starting from the Stone Age (1.7 million years ago) all the way up to the epic Sangam era (300 BCE to 300 CE), whose literature highlights the influential role of dynasties like the Pallavas, Pandyas, Cholas, and Cheras, and the thriving Jain community of that time; it then examines the evolution and spread of Tamil culture through the Bhakti movement, and the arrival of Christianity and Islam. In parallel to the cultural, philosophical, and religious influences that shaped Tamil society, the book examines the medieval and modern political history of the region, and describes the setting up of the sultanates of the south, the rule of the Nayaks, the Vijayanagar dynasty, the Marathas, and the coming of the British. Thereafter, it goes deep into the freedom struggle, and the Non-Brahmin movement before describing the distinctive attributes of the Tamils in the modern era, especially the changes that are taking place in the twenty-first century.
Through incontestable scholarship and lucid analysis, the book delves into the complex intersections of politics, religion, caste, economics, and gender in Tamil society, while also capturing the spirit of Tamil creativity in art, architecture, handicrafts, dance, music, sports, mathematics, IT, and more. It studies the opposites that mark the community—the refinement and heights of Tamil culture, but also the violence stemming from centuries of prejudice. It explores the ways in which Tamil culture continues to evolve—through migration, debate, acculturation, and social upheavals. Accessible and comprehensive, The Tamils is a compelling portrait of one of the world’s oldest continuous cultures—in an ever-globalizing world, it reflects on what it means to be Tamil today.
Nirmala Lakshman has been steeped in Tamil culture by virtue of being Tamil and observing Tamil society through her years in journalism. She is currently Publisher and Chairperson of The Hindu Group of Publications and was earlier Joint Editor of the paper. She founded and edited The Hindu Literary Review, conceptualized and created Young World, India’s only children’s newspaper supplement, and developed several other feature sections of The Hindu. She launched The Hindu’s annual literature festival and continues to curate it. Nirmala has a PhD in postmodern fiction, and has written a book on Chennai, Degree Coffee by the Yard, and edited an anthology of contemporary Indian journalism, Writing a Nation.
Read an extract from the book published on Moneycontrol.
Many people didn’t understand what it was, and many thought that you had taken your sadness and loss and made something beautiful out of it. You met artists, scientists, and dreamers, and you engaged in long conevrsations and exchanged fascinating letters with authors and philosophers for years afterward. In a way, I believe it saved your life . . . and if you want to know a secret, that’s why I gave you the dream in the first place.
….
We had only a tiny fraction of everything he wrote in our possession, but the fragments included references to Greek myths, the origins of the universe, children’s fantasy novels, the quests of King Arthur’s knights, the creation of the periodic table, a man who found the entrance to a buried city behind a wall in his house, spaceships, ancient Egypt, mysterious castles, the invention of the kaleidoscope, and the knitted blankets of his childhood bed.
…
“Didn’t you have something you wanted to tell me?” “Yes, I’ve been trying all night to tell you,” said the bat. “But you wouldn’t stop fighting me. It was very annoying. And now I have to go.” A sudden, strange kind of shame came over me. “I;m sorry,” I said. “What were you trying to tell me?” The little creature stretched his spiky wings. His eyes sparkled. “I’ve been trying to tell you I love you,” he said, and with a little leap he vanished into the purple Connecticut sky.
…
In bed as I close my eyes, I wonder if the beginning of time and the end of time are the same thing, and the distance between seconds is really as long as the distance between stars. Maybe this is what it’s like to be inside the mind of God. The past and the future mean nothing, and the time is always now.
Brian Selznick’s latest book, Kaleidoscope, is an extraordinary feat of storytelling (Scholastic). The author calls it a mysteyr that takes place in the space of a day but seems to be spread over two thousand years. It is about two individuals connected to each other across time and space — the narrator and his friend James. Yet, the micro-stories in the volume use a bunch of personal pronouns that can easily replace the characters with the reader/s. The stories shimmer. There are stories about a shipwreck, journeys, libraries, writers, butterflies, artists, magical creatures, angels, guardians, giants, etc. These are magical stories that can possibly be read in any sequence without disrupting the sheer pleasure of the vast imaginative landscape. The New York Times refers to it as a ‘lockdown masterpiece‘ ( 17 Sept 2021). Rightly so. The book provides oodles of hope, joy, and love for the future; it also builds upon a post-Edenic creation of society by its play on the apple — a real fruit and a metaphor. Much like what many are experiencing about a post-pandemic world, life before the covid crisis seemed idyllic, like paradise, and it has been completely disrupted. The collection of stories are a mix of traditions, references, and with it a lot of originality. It is ultimately in the hands of the reader to decide how to approach these stories and tease out the beauty and aestheticism enshrined in them, much like the ordinary pieces of coloured glass in a kaleidoscope become a burst of beautiful, intricate patterns dependant on how the person holding the instrument chooses to move it. As with the stories, life too is about a series of choices and it is upto the individual to make the best of one’s circumstances — to be worried and anxious about the pandemic or live life with joy each day. It is about free will. Accompanying the stories are the gorgeous illustrations in graphite by Brian Selznick. Flipping through the images, they have a parallel story to tell but can also illuminate the text very well too. Every story has a full page illustration but tipped in between the stories are double-page spreads of kaleidoscope patterns.
Kaleidoscope is a stupendous book that is meant not only for teenagers but for everyone. It should be marketed in such a manner. It can easily straddle the genres of fiction, children’s literature, young adult literature and mind, body, spirit books. It is about taking a journey and understanding one’s own free will. It provides hope, succour, companionship and a sense of belonging, especially during the pandemic, when everyone is feeling so adrift and lost.
Kaleidoscope is a masterpiece. Buy it. Treasure it. Gift it.
Qabar or grave, is a novella by award-winning writer K. R. Meera ( published by Westland Books). It is a curious story. Is it possible to share the story briefly. No. Suffice to say that the dark parallels drawn between a woman’s existence and that of a Muslim in a very patriarchal and Hindu-dominated society, respectively, are very disconcerting. For the characters, it is akin to being dead while alive, confined to their qabar. Resorting to elements of magic realism or preying upon classic myths of witches and djinns, does not in any way ease the reader while trying to comprehend Qabar. The competent translation by journalist/author, Nisha Susan is very good. She achieves the balancing act by slipping in Malayalam words into the English translation without making the text jarring to read.
I cannot recommend the DK encyclopaedias enough — The Science of the Ocean: The Secrets of the Sea Revealed , The Science of Animals: Inside their Secret World and Flora: Inside the Secret World of Plants. The DK books must be a part of every school ready reference section. If the school or parents can afford it, then the DK encyclopaedias must exist in classroom libraries and personal libraries.
Children learn through a variety of ways. Pictorial recognition is a critical aspect of their learning. More than learning, it opens the eyes and minds of munchkins to the wonders of our world. DK books are a mix of science, excellent knowledge base, generous layout and aesthetics. Children’s literature tends to dumb down learning tools for kids by creating books appropriate for their age. So parents and educators buy multiple levels of the same kind of book but graded according to the chronological age and educational level of the learner. Frankly, it makes no sense. Conserve the money that is being frittered away in a variety of editions and spend it on what is construed as an expensive encyclopaedia and see how much joy it gives — for years. The learning achieved through osmosis is phenomenal. These big books — in terms of size and ideas — have scrumptious layouts. A great deal of attention is given to every detail on the page. The three encyclopaedias in this photograph are made in collaboration with The Natural History Museum and Kew: Royal Botanical Gardens. No expense is spared in accessing top class information. The coming together of textual and pictorial information in the design is superb. It is impossible to tell where the child’s eye is resting or what their mind is absorbing. The beauty on every page coupled with a high standard of knowledge ensures that the child’s curiosity is tickled. The child wants to know more. Heck, even adults are absorbed by these books. Leave these books lying around and the peaceful silence that engulfs the house with a child happily reading is magical.
With the ongoing pandemic (third year!), kids need to be provided resources for home-based learning. Online classes implies that the syllabus had to be greatly reduced and the children have no access to their school libraries or resources. DK Books are worth their investment in gold. They are treasures. They entice the child away from electronic engagement ( and the harmful aspects of EMR) but at the same time provide a magnificent blend of infotainment and visuals.
Book Post 51 includes some of the titles received in the past few weeks. Wherever available Amazon’s Kindle widget has been embedded in the blog post. It will allow you to browse through the book before you decide to buy it.
Book Post 50 includes some of the titles received in the past few weeks. Wherever available Amazon’s Kindle widget has been embedded in the blog post. It will allow you to browse through the book before you decide to buy it.
